Film
Graham Fuller
The Arts Desk’s movie reviewers voted The Banshees of Inisherin the best film released in the UK in 2022. Here are our choices for the top 10 with the names of their directors: 1. The Banshees of Inisherin (Martin McDonough)2. Aftersun (Charlotte Wells)3= Compartment No. 6 (Juho Kuosmanen); and3= Happening (Audrey Diwan)5. Nitram (Justin Kurzel)6. Tori and Lokita (Jean-Pierre and Luc Dardenne)7= The Duke (Roger Michell); and7= Three Minutes: A Lengthening (Bianca Stigter)9. Decision to Leave (Park Chan-wook)10. Triangle of Sadness (Ruben Östlund) Each critic’s first choice was Read more ...
Nick Hasted
You may wonder: is this it? James Cameron’s Avatar sequel replays Earth’s colonial assault on Pandora in the original, cancelling out the blue-skinned native Na’vi’s victory under the Dances With Wolves-like, blue-white saviour command of Jake Sully (Sam Worthington), a paraplegic Marine mentally steering a genetically engineered Na’vi avatar.Sully has now merged into his avatar, and is chief of the jungle-dwelling Omaticaya, with an equally fearsome wife and five kids (including Sigourney Weaver as her previous character’s avatar’s teenage daughter, pictured below). Earth’s renewed assault Read more ...
David Thompson
It can be reasonably argued that Mike Hodges, who died on 17 December, was the finest director of British crime films since Alfred Hitchcock. Though Hodges succeeded in other genres, his Get Carter (1971), Croupier (1998), and I’ll Sleep When I’m Dead (2003) comprise an existential trilogy – and rumination on beleaguered masculinity – as potent as Paul Schrader’s “man in a room” series. In the spirit of Michael Caine’s Jack Carter, we raise “a tall thin glass” of Newcastle ale to Hodges and republish David Thompson’s 2020 interview with him.Mike Hodges arrived in Read more ...
Adam Sweeting
1. Nightmare AlleyIt’s the late 1930s, and the America depicted here is still lost in the purgatory of the Great Depression. Director Guillermo del Toro has described it as “a straight, really dark story”, but it grips like a sinister, spectral visitation.Based on William Lindsay Gresham’s novel (previously filmed in 1947 with Tyrone Power), it’s the story of Stanton Carlisle (Bradley Cooper), whose journey starts with his miserably paid job at a travelling carnival.It could have used a trim here and there. But once you get sucked into the narrative, it’s a wild ride – like a ghost Read more ...
Sebastian Scotney
Movie-watchers are wallowing in the back catalogues. I hunted down theartsdesk's readership stats for the film reviews I’d written this year. Top of the list was not a new release at all, but the new extras-loaded Blu-ray version of Bertrand Tavernier’s 'Round Midnight (1986).Which makes me feel slightly less guilty for going back this year again and again to the softest cinematic comfort blanket I know, Jacques Demy’s Les Demoiselles de Rochefort (1969). In new films I didn't review, I was entranced by the compelling performance of Renate Reinsve as the woman whose Read more ...
Markie Robson-Scott
Madness, introspection, and childhood trauma all feature in the best films of 2022: a good year for delving deep. Triangle of Sadness is over-the-top, cathartic lunacy – don’t see it before going on a cruise – while The Banshees of Inisherin and Nope are marvellously mad in their own ways.The Quiet Girl, Playground and Petite Maman, all films of great beauty, are focused on the difficulties of growing up, as, in a more extreme way, is Nitram, the story of a mass-shooter whose parents are powerless in the face of their deeply disturbed son. And The Wonder, a strange, beautifully lit story Read more ...
Demetrios Matheou
I’m struck by how many of my 2022 picks deal with relationships in extremis: a love story disguised as a Hitchcockian murder mystery, a long friendship gone suddenly surreally awry, an unlikely romance that unfolds on a sub-zero train journey, a married couple whose shared obsession with mortality is piqued by a toxic dust cloud, a father-daughter bond that’s finally understood through the prism of bitter-sweet memory.It’s as if all the conflict and uncertainty in the world is being reflected in these personal stories; there even seems a correspondence between a costume drama about a Read more ...
Veronica Lee
In what feels like a less than stellar year for cinema, some films stand out. In some instances it was because I stepped a little outside my normal fare of blockbusters or star-driven vehicles and saw some films I might have thought a little too arthouse for my tastes. I'm very glad I did because otherwise I might not have seen a couple on this list.I chose as number one a film version of a stage musical that I loved; I'm often not a fan of transformations (in either direction) as I think they can be lazy or reductive. But not Matthew Warchus's Matilda the Musical, a joyous reincarnation of Read more ...
Nick Hasted
Audrey Diwan’s French abortion drama Happening was the year’s hardest but most luminescent watch, as a fiercely intelligent young woman fights for her future survival as an artist in 1963, when illegal abortion requires wartime subterfuge and bloody violence to female bodies.Similarly humane social concern motivated the poetic realism of Li Ruijun’s Chinese peasant saga Return to Dust, and migrant children’s struggles in the Dardennes’ gripping Tori and Lokita. Nina Hoss’s portrait of a disintegrating piano teacher in The Audition also brought icy thriller techniques to the arthouse, while a Read more ...
Graham Fuller
Empires rise and fall; every dog has its day. The increased awareness of and need for diverse voices – together with the series-driven streaming revolution – has made Hollywood less relevant now than it has been at any time since the industry colonised Southern California's orange groves. Even stars have become an endangered species.I enjoyed Licorice Pizza, The Fabelmans, and Bullet Train (until its awful last scene), but the films listed below speak with an urgency avoided by American mainstream movies with their escapist imperative – She Said being a grave, classy Read more ...
Saskia Baron
I struggled to find enough features this year for a top 10, probably because Covid’s long shadow made it harder for filmmakers to get interesting work on screen. But there are several documentaries with fascinating characters, untold stories, excellent cinematography (All that Breathes) and ingenious editing (Three Minutes: A Lengthening) that have been as moving and absorbing as any fiction film. The dramas that I’ve loved have also been drawn from life, using non-professional actors (Tori and Lokita, Utama) to highlight the vile exploitation of immigrants and the effects of climate Read more ...
Markie Robson-Scott
“Only by doing something mad can I hope to stay sane,” says Charlotte Salomon (voiced by Keira Knightley) to her lover, Alexander Nagler (Sam Claflin). “I feel it inside me, the same demon that’s haunted so many in my family.”Both are Jewish refugees in Villefranche, near Nice in the south of France, in 1943. Her mad, courageous plan is to paint the story of her life (it’s considered by some to be the first graphic novel). The demons are not just the Nazis, but the suicidal impulses that claimed her mother, her great-uncle, her aunt Charlotte and now her Grossmama (grandmother, voiced by Read more ...