Film
Graham Fuller
Writer-director Pat Jackson’s Western Approaches (1944), a Technicolor tour de force partly shot in turbulent seas by Jack Cardiff, is a stirring World War II story documentary that demonstrates the bravery, resilience, selflessness, and collective spirit of men of the British Merchant Navy during the Battle of the Atlantic. The merchantman Jason having been torpedoed by a U-boat, its 22 survivors (including one seriously wounded) struggles towards Ireland’s west coast – 18 days away if the rate of 60 miles in 24 hours is maintained, though neither its rations nor its radio will hold out Read more ...
Nick Hasted
Raiders of the Lost Ark (1981) revived Thirties adventure serials’ simple thrills, a George Lucas notion adrenalised by Spielberg. Its hero Indy Jones wasn’t built for depth or pathos, and the struggle to find reasons for his return notoriously sank Indiana Jones and the Kingdom of the Crystal Skull (2008), and left this final chapter in production purgatory till Harrison Ford was 79.Ford wanted this sequel, disagreeing with Spielberg on its premise, and driving it to completion when the director gave up. Indy’s humanity wholly resides in his lopsided, ironic grins at peril, rugged but Read more ...
James Saynor
In French, this film is called Un petit frère (“A little brother”), and for once it may be that a film’s English title is an improvement on the original. The fitful and fragmented second feature by Léonor Serraille is about a multi-tasking migrant from Ivory Coast and her two sons, whom we drop in on at intervals across 20 years or so, beginning in 1989.They start out with relatives in Paris as Rose (Annabelle Lengronne) rallies ten-year-old Jean (Sidy Fofana) and five-year-old Ernest (Milan Doucansi) to do well at school. Two other children have been left behind in Abidjan. Rose must also Read more ...
Helen Hawkins
On the face of it, La Syndicaliste (aka The Sitting Duck) is a conspiracy thriller that runs along familiar tracks: clever woman begins to suspect dirty dealings at a very high level in the high-stakes industry she works for and lands herself in a dangerous mess. There are anonymous phonecalls, menacingly bright headlights behind her… Think Silkwood in stilettos.But the face of this film is Isabelle Huppert, whose looks – never more flawlessly presented than here – are impossible to upstage. However hard the film tries to assure us it is documenting a true tale of grim corporate skulduggery Read more ...
Sarah Kent
It’s impossible not to fall in love with Matthew Tannenbaum, the man at the centre of this delightful film. Reading books and chatting to people about books are two of his favourite occupations, so running a bookstore is his idea of paradise. His pleasure is so infectious that the independent bookstore he’s run in Lenox, Massachusetts for over 40 years has become a hub of bonhomie.“My favourite thing to do,” says his daughter, “is to sit in one of the pink armchairs and watch his interactions with people. Everything is informed by kindness, patience, and generosity. He’s got time for everyone Read more ...
Graham Fuller
It’s an odalisque to arouse envy in Titian, Boucher, Ingres, or Manet.Filtered amber, white, and blue lights successively bathe Brigitte Bardot, crowned by that golden cloud, as she asks Michel Piccoli, her co-star and screen husband in Jean-Luc Godard’s Le Mépris (1963, Contempt), to evaluate her naked body’s flawless components while she inventories them post-coitally – feet, ankles, knees, thighs, behind, breasts, nipples, shoulders, arms, face, mouth, eyes, nose, ears.In assessing her economic power as a sexual commodity, however, Bardot (playing ex-typist Camille Javal but also herself) Read more ...
Helen Hawkins
The French auto-fiction writer Annie Ernaux, now 82, was awarded the Nobel Prize for literature last year; now a fascinating new facet of her creative life has been released via her home movies.With her now grown son David Ernaux-Briot (who was three in the first of the films), Ernaux has fashioned a short (63-minute) documentary from the Super 8 footage her then-husband Philippe shot between 1972-81 – short, but rich, Ernaux’s narration lifting the everyday images into the realm of a cultural commentary with profound reach. It’s also a double portrait as these are the years that the Ernaux Read more ...
Nick Hasted
Multi-media meta-layers land fast in Wes Anderson’s 11th film, overriding reality. Here’s Bryan Cranston’s portentous Fifties TV host (pictured below) in black-and-white, boxed Academy ratio, documenting rehearsals for a televised play, whose fictive reality then becomes a widescreen colour train hurtling through the desert. The latter scene's exhilarating cinema still sweeps you up.We spend most of our time in that train’s desert stop, Asteroid City, where Steve Carell’s oily motel manager is on hand to greet the Junior Stargazers convention, including Woodrow Steenbeck (Jake Ryan), his Read more ...
Adam Sweeting
Last year Jennifer Lawrence won critical plaudits for her war-trauma drama Causeway, which seemingly signalled a bold new direction for her career, but how she got from there to No Hard Feelings is a bit of a mystery. Nothing about it feels quite right. Sometimes it seems to want to be a gross-out comedy, occasionally it seems to think it’s distantly related to The Graduate and wants to give us a dose of ironic social commentary, and every now and again it gets a bit weepy and emotional, but never in a way that makes you want to join in.Lawrence, now a venerable 32, plays Maddie Barker, a Read more ...
Nick Hasted
Pinned eyes stare from a frozen husk of a face as a clubber comes down, cradled high over London on a window-cleaner’s perch. Director WIZ’s 18-minute video for Flowered Up’s rave epic “Weekender” (1992) takes you on the E’d up odyssey of Little Joe (Lee Whitlock), from skinning up at work through clubland peaks to chilly aftermath.This BFI release pairs this perfect marriage of music, film and moment’s 2K remaster with Chloé Raunet’s new documentary I Am Weekender. Here Jeremy Deller dubs Weekender “the first meditation on rave culture”, Lynne Ramsay, who similarly caught clubbing’s hazy Read more ...
Justine Elias
Superhero movies are the nearest equivalent to American holiday parades: they come along with noisy, bright regularity, and crowds either flock to them, many eager persons deep along the sidewalk, or flee to quieter neighbourhoods.The Flash, yet another foray in the DC Comics Universe (the one that contains Batman, Superman, and Wonder Woman) is extraordinary only for the pre-release bad press surrounding its star, Ezra Miller, who after brushes with the law in the US and Iceland, announced that they are seeking psychiatric care.As a movie, The Flash turns out to be a mix of adequate, Read more ...
Saskia Baron
Pretty Red Dress opens with a classic Motown-esque girl group belting out a show tune before cutting to Travis (Natey Jones) as he leaves prison. Waiting for him outside is Candice (Alexandra Burke); she’s sitting in her Audi, singing along to the radio.At home is their teenage daughter, Kenisha (Temilola Olatunbosun), happy enough to have her dad back in their Lambeth flat on a council estate, but facing her own problems at school with both authority and friends.Candice works as a cashier at a local supermarket but dreams of being a performer; she spots a sequin-studded, bright red mini- Read more ...