Film
Graham Fuller
Ken Loach has occasionally invested his realist TV dramas and movies with moments of magical realism – football inspiring them in The Golden Vision (1968) and Looking for Eric (2009) – but magical spaces in them are rare. In The Old Oak, as affecting a movie as any the veteran director has made and his 14th with screenwriter Paul Laverty, three sacred spaces (but a single church) work on the characters in vital ways. One is the beach where the depressed Tommy Joe Ballantyne (Dave Turner), who runs a dying East Durham pit village’s surviving pub, encountered the stray dog that Read more ...
Markie Robson-Scott
The misty streets and lofty spires of Oxford star in this adaptation of Carolyn Weber’s 2011 memoir, Surprised by Oxford, in which she finds God while studying for an MPhil in English literature.Perhaps wisely, director and co-writer Ryan Whitaker steers clear of Carolyn’s conversion and the long-winded, theological agonising of the memoir, but this vaguely religious, Jesus-lite rom com, co-written by Weber, feels wishy-washy – though its cast, which includes Simon Callow, Mark Williams and Michael Culkin, lends it pizzazz. And it ticks all the Oxford sightseeing boxes, with William Holman Read more ...
Hugh Barnes
Less is more, except when it isn’t. Among the latest batch of overlong Oscar-tipped movies by celebrated auteurs such as Christopher Nolan (Oppenheimer with a running time of 181 minutes) and Martin Scorsese (Killers of the Flower Moon, 207 mins), it’s a relief to find the iconic Spanish filmmaker Pedro Almodóvar bucking the trend with a 31-minute short that doesn’t test the audience’s mental and physical stamina.His second English-language movie is visually more ambitious than its predecessor, The Human Voice (2020), a short monologue adapted from Jean Cocteau and starring Tilda Swinton. Read more ...
graham.rickson
Gregory’s Girl stands alongside Kes as one of the few films offering a realistic depiction of state school life. Director Bill Forsyth’s surreal flourishes delight without getting in the way: think of the penguin waddling along the corridors, or the young lad glimpsed smoking a pipe in the boys’ toilets.That Gregory’s Girl exists at all feels like a happy accident; Forsyth’s background was in making low-key documentaries on Scottish subjects and his friendship with John Baraldi, founder of the Glasgow Youth Theatre, prompted him to write the script. When a BFI funding application was rejected Read more ...
Sarah Kent
Lasting just over an hour, The Nettle Dress is like a fairy story. It builds very slowly, each beautifully framed shot contributing toward a perfect little gem that tells a moral tale.A man spends seven years coming to terms with the loss of both his father and his wife from cancer by spinning nettle fibres into threads, then weaving them into a length of cloth. He recalls sitting beside a hospital bed, spinning while listening to his father’s breathing dwindle to a last gentle sigh, then during his wife’s final illness, spinning his way through sorrow.“There were hours of stillness and calm Read more ...
Adam Sweeting
Thanks to numerous arguments and disagreements over script, casting etc, nine years have elapsed since Expendables 3 hit the multiplexes, and Sylvester Stallone and his mercenary crew were perilously close to being over the hill even then. In Expend4bles, age has duly withered them even further, a fact wryly acknowledged by director Scott Waugh and his screenwriting squad. Dolph Lundgren, now vaguely resembling an ancient relic dug up from a peat bog in Jutland, has become a comic figure whose sniper’s skills are severely hampered because he hasn’t made that latest trip to SpecSavers.Jason Read more ...
James Saynor
If you think we’ve got culture wars, then welcome to Transylvania. This rugged Romanian region is home to a bewildering overlap of ethnicities and tongues – Hungarian, a bit of German and Romanian itself – such that Cristian Mungiu’s new movie offers subtitles in different colours to get the idea across.In a backwoods burg full of shotguns, bears, people dressed as bears, worrying things in the forest and an awful lot of barking dogs, the Romanian auteur shows us how different folks can rub along quite well – up to a point when bigotry unfolds that would make Enoch Powell blanch.Matthias ( Read more ...
Graham Fuller
A shot of a dead field mouse sets the tone for this sobering “slow cinema” documentary, narrator-director Christopher Morris’s response, simultaneously aghast and philosophical, to the looming environmental catastrophe.Rather than contemplate the decimation of the Amazon rain forests or the melting of the polar ice caps, Morris decided to spend a year filming the barley field that surrounds the 4,000-year-old Boscawen-Rôs East menhir, or standing stone, four miles north-east of Land’s End in Cornwall. According to the late earth mysteries writer John Michell, the so-called Longstone and Read more ...
Hugh Barnes
François Truffaut said that there is no such thing as an anti-war film because cinema inevitably glorifies the horror of conflict. The premise was robustly challenged over the weekend at the Ukrainian Institute London’s fourth annual film festival, Side By Side, which screened a handful of films, documentary and narrative, feature-length and short, that compelled the audience to reflect deeply on war’s horrific nature.A recurring festival theme was a sense of filmmaking itself being overtaken by events in the wake of last year’s Russian invasion of Ukraine. In I Did Not Want to Make a War Read more ...
Helen Hawkins
You can imagine the thought processes that brought Kenneth Branagh’s latest adventure as Poirot, his third, to the big screen.“Memo to self: Find an Agatha Christie/Poirot story that hasn’t been done to death already, in fact isn’t well known at all so isn’t an automatically ‘spoiled' plot. Make it (inexpensively) exotic but still ‘period’ by moving the location to Venice in 1947, which looks very much like La Serenissima in 2023, minus the human sea of tourists following a guide holding up an umbrella. And there are still no cars and street furniture, and definitely no e-scooters, to CGI out Read more ...
mark.kidel
Partie de Campagne (1946), while not being one of French cinema giant Jean Renoir’s best-known films, unfinished and just under 40 minutes long, is still regarded as an important if not essential example of the director’s multi-faceted and often innovative work.The somewhat fragmentary story, based, along with many French movies, on a short story by Maupassant, focuses on a brief moment of love between Henriette and Henri, a fun-loving charmer, and evokes the transience of romantic love. The theme of class-difference, which runs through the left-wing director’s work and is central to his Read more ...
AngelHeaded Hipster: The Songs of Marc Bolan and T Rex review - musical doc falls between two stools
Adam Sweeting
Seeking to be both a documentary and a musical tribute to Marc Bolan, AngelHeaded Hipster doesn’t quite pull it off on either count. It’s based around the making of an album (whence the film gets its title) of versions of Bolan’s songs by an interminable list of artists including U2, Joan Jett, Devendra Banhart, Macy Gray, Beth Orton and many more, produced by Hal Willner and released in 2020. Willner, who died shortly before the album's release, made his name by creating multi-artist tributes to such fabled names as Charles Mingus, Kurt Weill and Harold Arlen, but one might hesitate to put Read more ...