Film
fisun.guner
Michael is a work of fiction, but it is also clearly an amalgam of real-life events. For first-time Austrian director Markus Schleinzer (former casting director for Michael Haneke, whose influence you may detect), the subject must have particular resonance: in this story of a child abduction by a lone paedophile, it’s unavoidable that we think of Josef Fritzl and Wolfgang Priklopil, as well as Belgian child-killer Marc Dutroux. Schleinzer has created a script that bears comparison to all three cases in ways that are incidental but also striking.Schleinzer also appears to rely on some of the Read more ...
Tom Birchenough
There’s a phrase in Andrzej Wajda’s 1960 film Innocent Sorcerers, “spirit of our time”, that perfectly captures the atmosphere of the four films on Polish Cinema Classics, originally dating from 1957 to 1960 whose great black and white photography is very stylishly restored here in Second Run's release. It’s a light and playful world of young people looking for their personal identities through love; there’s little hint of politics in sight, and the melody of their lives is jazz – in Wajda’s film, as well as Janusz Morgenstern’s Goodbye, See You Tomorrow from the same year, set to the music Read more ...
Matt Wolf
Forget the action movie trappings of the aggressively titled This Means War: the latest film from the enigmatically named McG has a plot that Noel Coward might well have loved. Whether Sir Noel would have approved of the witless dialogue and the decidedly coy sexual politics is another thing altogether, though he doubtless would have admired the three stars' physiques. Audiences may well respond in kind provided they check in their brains at the door, though as an illustration of the ongoing Hollywoodification of England's own Tom Hardy, the film provides instructive viewing for that reason Read more ...
Demetrios Matheou
In the UK we call them ambulance-chasers, those personal injury lawyers who prey on the victims of accidents, encouraging them to seek compensation, in return for a tidy fee. The Argentines, as the title of Pablo Trapero’s new film suggests, have their own word for this mucky breed – vultures.Deeply flawed Buenos Aires lawyer Héctor Sosa (Ricardo Darín, pictured below) even looks a little vulture-like, with his hooked nose and hungry, ravaged features. Darín, Argentina’s greatest actor, has the perfect face for seedy no-hoper:; when he played a grifter in the seminal Nine Queens, he resembled Read more ...
Tom Birchenough
The Red Army Faction was Germany's key revolutionary force for a decade from the late 1960s onwards, and its story, especially the characters of Ulrike Meinhof and Andreas Baader, has proved highly attractive to the country's filmmakers. Uli Edel’s 2008 The Baader Meinhof Complex told the key political story in lengthy detail through to its end in 1977 when four of its key members (in the official version) committed suicide in prison. One of them was Gudrun Ensslin, who became radicalized after she became a lover of Andreas Baader.In his first feature documentarist Andres Veiel tells a Read more ...
Adam Sweeting
Silent movies are currently the rage of Tinseltown, so what better moment to brush up on one of the treasures of the pre-talkie era? Top movie-ologists now contend that FW Murnau's 1926 film of Faust is a neglected all-time great ("one of the most beautifully crafted films ever made," according to Theodore Huff in Sight & Sound). It's an opinion shared by Greek composer Aphrodite Raickopoulou, whose painstakingly wrought new score for the film was premiered at the Royal Festival Hall last night.Performed by the Philharmonia Orchestra under conductor Benjamin Wallfisch, and featuring piano Read more ...
mark.kidel
On the face of it, a low-budget French film featuring the story of a pre-pubescent girl who pretends to be a boy promises little more than an off-centre tale of gender envy. Hardly edge-of-your-seat stuff, but Céline Sciamma’s second feature is lifted way beyond the run-of-the-mill by extraordinary performances, a daring but totally accomplished formal simplicity and a script that generates as much tension as the best Hitchcock thriller.Moving to a new home with her famiy gives Laure, the film’s young heroine (Zoé Héran),an opportunity to re-invent herself as “Michael”, convincingly passing Read more ...
Matt Wolf
Maybe it was host Billy Crystal at far from peak form. Or a surfeit of cringe-making shtick by too many presenters, including the distaff principals of Bridesmaids. Or the desperation that clung to the multiple on-air tributes to an art form whose very being was celebrated in the evening’s two major winners, Hugo and The Artist. But my God did the 84th annual Academy Awards need Meryl Streep by the time The Iron Lady was called to the stage as Best Actress in the penultimate award of the evening.I say that not just because Streep’s trophy for playing Margaret Thatcher – a surprise in a town Read more ...
theartsdesk
Every year before the Academy Awards speeches are tacitly composed, flowing gowns and priceless necklaces booked and no doubt small blameless animals slaughtered in the Roman style for good luck. Before the gladiators enter the ring, we at theartsdesk continue our novel take on the 2012 Oscars by allotting a category each and asked our film writers to sift through the nominations, tell you who they think will win, who they really would like to win, and who has been most egregiously overlooked by Oscar's overwhelmingly ageing white male judiciary. Will Meryl actually go home with her third Read more ...
Ismene Brown
First it's Golden Globes, then Oscars, or it's Grammys, then Brits - you can hardly go by a Sunday this time of year without another set of awards. But which ones count? Who are the judges?The experts on theartsdesk (judges, some of them - schmoozers, all of them) have come up with a comprehensive diary of the performing arts awards dinners (and glass-of-wine flybys) that you can attend during the year if you know the right people in theatre, film and TV. We also pooled our considerable experience as awards panellists to give you a credit rating for each - if you take the slightest notice of Read more ...
theartsdesk
They have been racking up the Oscar nominations since 1978, and this year they were back. Woody Allen was nominated twice over for Midnight in Paris, his biggest commercial hit ever, and won for Best Original Screenplay, while Meryl Streep was a surer bet for victory in The Iron Lady than even Mrs Thatcher in the 1983 general election. In the first of our three Academy Award specials, theartsdesk's team of film writers look back their nominations - and occasional wins - to see what they tell us about two careers which have endured against the odds: Allen's because he rarely has Read more ...