Film
Emma Dibdin
The opening scene of Whit Stillman’s (The Last Days Of Disco) first film in 13 years comprises one of the most immediately familiar scenarios in the American high school genre. A wide-eyed new girl arrives on campus, is spied by a trio of queen bees and co-opted into their ranks, from where she embarks upon a journey of social self-discovery and inevitable hubristic downfall. But this is college, not high school, and the queen bees are something altogether subtler and stranger.Rather than Mean Girls, these damsels are philanthropists, on a mission to save their fellow students from depression Read more ...
Kieron Tyler
Just as you think you’ve got Tuesday, After Christmas pegged as an Eric Rohmer-style relationship drama, it gradually becomes clear it’s something else. The impact left by this ambiguous, non-judgmental examination of the emotional crisis affecting a married man and those around him is a result of its measured approach and deft sensitivity. Less about the dialogue, it’s more about interaction and nuance.Paul Hanganu (Mimi Brănescu) is married to Adriana (Mirela Oprişor). They have a bright little daughter. He works in some unspecified role for a bank, Adriana works in law. Adriana doesn’t Read more ...
Jasper Rees
Glenn Close always had it in her somehow. That mannish jawline was part of her steel cladding in Fatal Attraction. The lasting image of Dangerous Liaisons comes at the close, when Close’s Madame de Meurteuil scrapes off her painted mask to reveal a hard hatchet face. And then there’s her ruthless lawyer in Damages, not to mention two gruesome helpings of Cruella de Vil. If any of Hollywood’s leading ladies from the past 30 years can get away with strapping up her womanly parts and impersonating a man, it is surely an actress who has often played women who play men at their own game.Albert Read more ...
emma.simmonds
The long-threatened Avengers Assemble (in the US simply The Avengers) is an appositely extravagant big screen adaptation of the Marvel comic book sensation. More importantly for many, it’s an amalgam of several superhero film franchises, making it a great excuse to pile star upon star. Written and directed by cult favourite Joss Whedon, it really is a fanboy’s dream. Perhaps you’re relishing the prospect already, but even those for whom it sounds like a load of “crash, bang, wallops” may find themselves pleasantly surprised. Despite a predictably nonsensical plot, Avengers Assemble rises Read more ...
ellin.stein
Unlike the New Seekers, Whit Stillman does not want to teach the world to sing. He does, however, want to teach it to dance, specifically to dance the Sambola (or, to give it its full name, Sambola! The New International Dance Craze). Instructions and a demonstration accompany the final credits of his new film, Damsels in Distress.Social dancing plays a large role in all of Stillman’s work. His breakthrough, Metropolitan (1990) - which earned him an Oscar nomination for Best Screenplay and became a Withnail and I-level cult success with fans still quoting favourite lines years later - is set Read more ...
howard.male
It would be an impossible to do a comprehensive global history of cinema in just 15 hours. You could attempt it by throwing hundreds of thousands of second-long clips at the viewer in a firework display of celluloid. But film-maker and critic Mark Cousins opts for gentle hypnotism over dazzling pyrotechnics. In the opening episode alone, in a lucid correlation of words and images, he shows us how filmmakers evolved a grammar for this new medium which took full advantage of an intrinsic plasticity which theatre, photography and painting lacked. The close-up, the flashback, the move from one Read more ...
alexandra.coghlan
Incest, rape, torture and matricide, as well as an obligatory spot of cross-dressing, all played their part in making Matthew Lewis’s Gothic novel The Monk the scandalous success of its day. But with such stuff the bread and butter of Hollywood’s unblinking horror departments, why would a contemporary director choose to revisit this period classic? It was apparently a lifelong ambition of Surrealism’s greatest filmmaker Luis Buñuel to adapt The Monk for the screen. It’s a tantalising prospect of what might have been, and one that speaks not only to the bloody and allusive thrills of the Read more ...
Jasper Rees
It’s not so very rare for actors to be given a shot at directing their own film. It happens slightly less often that they find financial backing to work on their own script. What makes Breathing, which opened this week in the UK, such a collector’s item is that it is so very accomplished.Karl Markovics (b. 1963) has long experience as an actor in Austria. He is best – in fact, solely – known internationally for his extraordinary performance in The Counterfeiters (2007). Stefan Ruzowitzky’s film tells the true story of Salomon 'Sally' Sorowitsch, a Jewish black marketeer who is rounded Read more ...
Matt Wolf
Remember when the movies used to celebrate sex, be it Julie Christie diving under the table to service Warren Beatty in Shampoo or Kathleen Turner selling the sizzle in Body Heat? No longer. These days, celluloid sex is a soulless, dispiriting affair even when the bodies on view are beauts. And so it is that hot on the heels of Michael Fassbender's descent into the carnal abyss in Shame comes Juliette Binoche in the Franco-German-Polish collaboration Elles, a film that makes notably heavy weather of the heavy breathing with which it begins.So much for fun, eh? And that's before one has Read more ...
ash.smyth
Next week sees the release of Shimon Peres, the second instalment in Spirit Level Film’s The Price of Kings series. A president of Israel who refers to leadership as “not a very happy engagement,” a Nobel Peace Prize-winner who says he has never slept easy, Peres is about as good a subject for a political doco as you’re likely to get. He’s the world’s oldest elected head of state (his political career having begun in the early Fifties!) and the only Israeli PM (two-and-a-half times) to have made it to the top step in their political pantheon. Most famously, though, he shares his Nobel laurels Read more ...
Jasper Rees
This one sounds like a hard sell: a muted, taciturn, cautious film from Austria about a friendless boy in a young offenders’ institution who takes a job working for the municipal undertakers. Breathing (original title: Atmen) would appear at first glance modest in scope and gloomy in outlook. But whatever the odds stacked against it, this quiet, observational debut from Karl Markovics turns out to pack a discreetly powerful punch.The name may not be familiar, but the face will be: a few years back Markovics was the poker-faced lead in The Counterfeiters, which won the best foreign film at the Read more ...