Film
Jasper Rees
Of the rash of Olympic-themed films lining up on the startline, there is a double entry from Chariots of Fire, digitally remastered on film and freshly rebooted for the stage, as well as a forthcoming feelgood drama about young women in a relay squad – a sort of Round the Bend with Beckham – called Fast Girls. But for sheer drama, sport often leaves fiction trailing a distant second, which is the thought running through the head of Personal Best as it waits for the gun.Filmed by Sam Blair over four years, it follows the journey of four British athletes as they prepare for competition. No need Read more ...
Tom Birchenough
We in the UK have much enjoyed our contemporary Sherlock Holmes recently, courtesy of Cumberbatch et al. It’s amazing to think that, at the height of the Cold War, Soviet television was bashing out TV versions of the Holmes stories. And they were water-cooler discussion productions (despite obvious absence in those days of water-coolers). Director Igor Maslennikov made no fewer than nine Conan Doyle-themed works in the late 1970s and early 1980s. The first of these to reach further shores in DVD format is this 1981 account of The Hound of the Baskervilles.It has production values to rival Read more ...
Demetrios Matheou
The last time that actor Brad Pitt and New Zealand director Andrew Dominik teamed up it was for the epic and elegiac western The Assassination of Jesse James by the Coward Robert Ford. Their new one, in competition in Cannes, couldn’t be more different.Killing Them Softly is a short, sharp, entertaining crime thriller, with a built-in commentary on America in the shadow of the economic crisis – a situation, of course, created by crooks by another name. Brad Pitt plays a freelance enforcer, Jackie Cogan, called to Louisiana to discover who robbed an illegal card game, a deed that has resulted Read more ...
Matt Wolf
J + K = zzzzzzz in this snooze-inducing latest instalment of the once-fun Men in Black franchise, which finds Tommy Lee Jones looking as pained as Will Smith does fretful, and who can blame them? Long in the making but limited in terms of rewards, Barry Sonnenfeld's film doesn't display much conviction for the story it wants to tell (and certainly has no reason to go the all-too-ubiquitous 3D route). Some will applaud the insertion of a Brit (Emma Thompson, of all people) into events and others may relish a villain who reads like the love child of Mickey Rourke and Russell Brand, but the Read more ...
emma.simmonds
With its precocious youngsters, enchanting title, wonderful wit and delight in hand-crafted detail, Moonrise Kingdom is every inch a Wes Anderson film. This year’s Cannes opener is steeped in The Royal Tenenbaums’ director’s faux-naïf, frivolous worldview, with nearly every one of its magical frames carrying his signature. He has always presented adult strife as if seen through a child’s fertile eyes - spinning the prosaic, dark or melancholy into something altogether more quixotic. Anderson’s films are poised and peculiar, with their thrift-store chic and deadpan protagonists. Grim reality Read more ...
Adam Sweeting
This much-rumoured independent movie has been in the works since 2006, and is improbably billed as a Finnish-German-Australian co-production. It's also unusual for being a project that grew out of the online self-supporting film-making community, Wreck-a-Movie.The premise is almost irresistible, and is summed up in the marketing tagline: "In 1945 the Nazis went to the Moon. In 2018 they're coming back." The action commences with the American "Liberty" space mission landing on our nearest galactic neighbour, but it transpires that it's essentially a promotional visit to boost the re-election Read more ...
Kieron Tyler
The bad taste left by The Black Panther lingers like a mouthful of cinders long after it’s been expelled from the DVD player. This latest entry in the BFI's Flipside series of rescued British film obscurities is the shocking adaptation of the story of British murderer and psychopath Donald Neilson, dubbed The Black Panther by the Seventies’ press. The film arrived in cinemas in 1978 within months of Neilson's conviction and was swiftly banned by local authorities concerned it was a gratuitous cash-in.It opens with Neilson preparing for crime. Ex-army, with a head full of the sound of marching Read more ...