Film
Emma Dibdin
Having spent the last few years alternating deftly between high-profile, star-studded blockbusters (the Ocean’s trilogy, last year’s Contagion) and smaller, more niche projects starring largely unknowns (Bubble, The Girlfriend Experience), Steven Soderbergh may have found his perfect middle ground. Male stripping dramedy Magic Mike pairs big names (Channing Tatum, Matthew McConaughey) with near-unknowns; it combines trashy visual pleasures with shrewd, straightforward character writing; it was made on a $7 million shoestring, and has already become a box office hit in the US. It is something Read more ...
Jasper Rees
Apparently it’s the taking part that counts, which would explain why recent weeks have brought unseemly howls of protest and threats of litigation from British athletes who have failed to make it into the Olympic squad. You’d like to sit these people with their adamantine sense of entitlement in front of a couple of this week’s releases. One we know all about. Chariots of Fire has jogged back along the beach and onto cinema screens in time to remind us about all our amateur yesteryears. The ageless story of two British sprinters who defied the Establishment, it finds a remarkably good Read more ...
Thomas H. Green
The great Spanish surrealist film-maker Luis Buñuel was 72 when he made The Discreet Charm of the Bourgeoisie but it is as madcap a piece of weirdness as ever he came up with. It also won him the 1972 Oscar for Best Foreign Film. One of the great things about Buñuel is that, while his films are unhinged, dipped deep in artsy satire and opaque avant-garde concepts, they remain supremely watchable entertainment, often very funny.Discreet Charm stars Fernando Rey as ambassador of the fictional Republic of Miranda and involves the foiled attempts by he and five friends to dine together. As the Read more ...
Graham Fuller
If not as ensnaring as Double Indemnity, The Big Sleep, or Out of the Past, Otto Preminger’s urbane police procedural Laura is one of the best film noirs because it transcends the genre. It is an inverted women’s picture – about the hubris of a successful career girl cum Galatea – a savage critique of the decadence of Manhattan high society, and a commentary on the neurotic idealisation of beautiful women.It begins like Rebecca: the Wildean newspaper columnist Waldo Lydecker (Clifton Webb) musing, with the words “I shall never forget the weekend Laura Read more ...
Demetrios Matheou
The premiere of the newly restored version of Alfred Hitchcock’s 1929 silent classic Blackmail, outdoors at the British Museum, will go down as one of the defining moments of the London 2012 cultural extravaganza. This was a thrilling, beguiling, resonant celebration of the city and its greatest film-maker.Of the four screenings of restored Hitchcock silents in marquee venues this summer, this will be the most singular, due to Blackmail’s climactic sequence – the director’s first major set piece – taking place at the museum itself. As the glowing building loomed over the forecourt screen Read more ...
Demetrios Matheou
The most famous hotel in Havana is the Hotel Nacional de Cuba, since the 1930s the only place to stay for writers, mobsters and, most of all, film stars. During the city’s film festival, the Nacional is the hub, with dozens of filmmakers sitting in the garden bars that overlook the Gulf of Mexico.I mention this, because unfortunately the short films in the portmanteau 7 Days in Havana seem to have been conceived on bar napkins in this very hotel. Three of the stories not only have scenes at the Nacional, but are about filmmakers. And most of the contributions draw on picture postcard images Read more ...
igor.toronyilalic
It's over an hour before we see a woman in Nuri Bilge Ceylan's Once Upon a Time in Anatolia. And even then, she arrives slowly, appearing at first more of a heavenly human smudge than a fully formed figure. But moments later she is filling the screen, and setting it ablaze with warm light. Light that seems to emanate as much from her blue eyes and young face as it does from her lamp. For the first time in the film, we can see. The male-dominated darkness that grips the opening 60 minutes lifts in response to this moment of clarity and beauty. The tired male eyes that greet her, all double- Read more ...