Film
Lisa-Marie Ferla
What of the star sportsman whose glory days are behind him? It seems an absurd question to pose, with the sun barely set on the theatrics of Danny Boyle’s opening ceremony, but for Randy “The Ram” Robinson it’s everyday existentialism.Of course it's a bit of a stretch for our series of Olympic-themed posts to equate wrestling in the form practised during the competition with the slightly seedy world inhabited by Mickey Rourke’s Ram and his contemporaries - roles which, in many cases, were filled by real-life characters from the US professional wrestling circuit. It’s unlikely, for example, Read more ...
igor.toronyilalic
The tone of these two new Pier Paolo Pasolini's re-releases couldn't be more different. The Hawks and the Sparrows stars the Italian prince of laughter Totò and one of Pasolini's most popular Calabrian peasant-actors (and lovers) Ninetto Davoli, and ambles gently through the Italian countryside in a surreal and inventive and Last of the Summer Wine-ish way. Pigsty, on the other hand, is the kind of Pasolini film where, when two boys meet, you have no idea if they're going to fight each other, fuck each other or eat each other. Mostly, they eat each other - and anything else that they can lay Read more ...
Graham Fuller
The British new wave came ashore with its angry young men – foremost among them those played by Laurence Harvey in Room at the Top (1959), Albert Finney in Saturday Night and Sunday Morning (1960), Tom Courtenay in The Loneliness of the Long-Distance Runner (1962), and Richard Harris in This Sporting Life (1963), all but Courtenay’s rebellious Nottingham borstal boy bloody-minded Northerners.With the exception of Rita Tushingham’s character, pregnant and single in A Taste of Honey (1961), and Leslie Caron, pregnant, single, and French, in The L-Shaped Room (1962), the movement’s Read more ...
Tom Birchenough
A football team normally heads out onto the pitch determined to win – unless, perhaps, the match has been fixed. Or unless they’ve been under Gestapo pressure to lose. That was what happened at the legendary “Death Match” in Kiev in August 1942. A team of Ukrainians - eight drawn from previous Dynamo Kiev sides and three from local Lokomotiv - playing under the moniker FC Start had reassembled after the Nazi invasion of the city. Most of them had been working in a local bakery.The controversy surrounding the events hasn’t gone away. A recent Russian film Match of Death (main picture) has Read more ...
Matt Wolf
Movies often come unwittingly in pairs, whether you're talking Capote and Infamous (both about Truman Capote) or Valmont and Dangerous Liaisons (both adapted from the epistolary novel by Laclos). And so it was that the late 1990s saw the release in successive years of Prefontaine (1997) and Without Limits (1998), both telling of the same American track star who died in 1975, age 24.Here's something else that the twin biographies of Steve Prefontaine, the Oregonian Olympic hopeful, had in common: they were both flops. Quite why, precisely, is hard to fathom, and not only because a British Read more ...
geoff brown
Long before the invention of digital technology and the birth of Keira Knightley, cinema shows in Britain contained not one feature, or two features, but also what the advertisements called a "full supporting programme". That meant newsreels, maybe a cartoon, or what the trade called "interest" films: travelogues and such. Many of those weren’t interesting at all, nor have they become so with age, though that’s not the case with the 12 examples drawn by the BFI National Archive from a travelogue series shot all over London’s highways and byways in 1923/1924. The producer of the series, Read more ...
Adam Sweeting
Though this 1966 comedy was a light and fluffy thing, it was gazed upon benignly by the critics, mostly because it was a late vehicle for the well-oiled Cary Grant charm machine. It proved to be his last film, in fact. Others viewed it equally fondly because it contained scenes of Grant in his boxer shorts, a challenge he tackled with panache despite his 62 years.The flick's Olympic connection is central, though ludicrous. British industrialist Sir William Rutland (Grant) makes a business trip to Tokyo, but arrives two days early. The city is hosting the 1964 Olympics and all available Read more ...
garth.cartwright
Cult figures from rock music’s golden age are numinous today but few are more obscure than Sixto Rodriguez. The Mexican-American singer-songwriter released two albums on Sussex Records in 1970 and ’71. In the US they were quickly deleted and he seemingly vanished. Only a handful of crate-digging acolytes valued these albums, the first of which, Cold Fact, opened with "Sugar Man", a haunting ode to a drug dealer.In the age of Mojo (ie the late 1990s) Rodriguez began to be championed, his albums were reissued David Holmes put "Sugar Man" on one of his compilations, Nas sampled this same tune Read more ...
Thomas H. Green
When we think of the 1972 Olympics in Munich, we do not think of US swimmer Mark Spitz’s record-breaking seven gold medals, or Finland’s Lasse Virén making his extraordinary comeback from a fall in the 10,000 metres to a record-breaking win. No, the 1972 Olympics will always be remembered for the killing of 11 Israeli athletes (and coaches) by Palestine’s Black September organisation. Steven Spielberg’s 2005 film Munich takes this act, portrayed in a gripping opening sequence, as its starting point.Those who wish for a detailed perspective on the events of 5-6 September 1972 are advised Read more ...
ronald.bergan
It was Lenin who realised early in the Russian Revolution that “of all the arts, film is for us the most important” and Hitler and Goebbels perceived the immense propaganda potential of the Olympics through the medium of film. The 1936 Olympic Games took place in Berlin a few months after Hitler’s armies occupied the Rhineland. Hitler spared no expense in making it the best organised and most efficiently equipped in the history of the Olympics.After Triumph of the Will (1935), the documentary of the 1934 Nuremberg Rally, the director Leni Riefenstahl became established as Germany’s foremost “ Read more ...
emma.simmonds
2012 has so far brought us a couple of notable surprises from the oft-maligned world of comic book adaptations: first came Joss Whedon’s Avengers Assemble with its boisterous banter and then there was depth and pathos from Andrew Garfield in the title role of Marc Webb’s The Amazing Spider-Man. With its key competitors faring well both critically and commercially, what of Christopher Nolan’s Caped Crusader?We last saw “the Batman” (as they insist on describing him) in 2008’s The Dark Knight taking the rap for the dastardly deeds of fallen hero Harvey Dent - providing Gotham with the martyr it Read more ...
Tom Birchenough
You might wonder whether Kristin Scott Thomas is doing Paris arrondissement by arrondissement. Last time we saw her was in Pawel Pawlikowski’s The Woman in the Fifth, where she was reincarnated in that district. In Lola Doillon’s In Your Hands (Contre toi in the original), she’s moved to the Eighth to undergo a bit of living hell.Or at least that’s where her character Anna Cooper begins, as a soon-to-be middle-aged surgeon, a professional, living alone, and very likely a bit lonely. Her mother at the end of the telephone, and conversations with hospital colleagues, seem the closest she gets Read more ...