Film
Karen Krizanovich
What if your childhood teddy bear came to life and never went away? This unlikely premise (explained by Patrick Stewart no less) establishes the opening moments of one of the most unlikely breakout comedies of 2012. Ted, starring Mark Wahlberg, Mila Kunis and Seth (Family Guy) MacFarlane as the voice of Ted himself, is a brilliant shining example of stupid comedy made smart.As a child, John Bennett (Wahlberg) was never popular. He was so unwelcome that even the victims of bullies told him to go away while they were being beaten up. But Bennett's dream of a life long buddy becomes a reality Read more ...
emma.simmonds
Ben Wheatley’s last film Kill List was unmistakable in its moniker, aggressively advertising its deadly subject matter. Taken on title alone Sightseers suggests something more far more innocuous. Depending on your capacity for twisted thrills, you’ll get a nasty or nice surprise; the name may give no hint of the macabre but Wheatley’s third film is hardly less violent than its predecessor. It is, however, a lot funnier. Behind the façade of beauty spots and parochial quirkiness lurk “a ginger-faced man and an angry woman” - two cold-hearted killers primed to pounce. This couple don’t get mad Read more ...
Adam Sweeting
There's a temptation to roll your eyeballs upwards when you hear Jake Gyllenhaal's introductory voice-over, which sounds like a corny photocopied mission statement they dish out to all new recruits to the LAPD. "I am Fate with a badge and a gun," he tells us, in his role as Officer Brian Taylor. He didn't make the laws, but he will uphold them with as much force as it takes. The police are the thin blue line.But Officer Taylor's robotic monotone is violently counterpointed by the images on screen. These are like extracts from TV's Cops With Cameras, except without any edits to protect Read more ...
emma.simmonds
In Magic Mike the Oscar-winning director Steven Soderbergh turns his camera on the “cock-rocking kings of Tampa”, and the result is one of the most eye-wateringly entertaining and surprisingly stylish movies of the year. With more thrust than a jumbo jet and more packages than the Royal Mail will handle this Christmas, thank God they didn’t release it in 3D.Channing Tatum plays Magic Mike, one of the dancers at the Xquisite Strip Club in Tampa, Florida. His colleagues include the extraordinarily monikered Big Dick Richie (True Blood’s man mountain Joe Manganiello), with the club owned and run Read more ...
Emma Dibdin
If Winter’s Bone and The Hunger Games had somehow left you in any doubt about the magnetic screen presence of Jennifer Lawrence, prepare to surrender your remaining misgivings. Playing outspoken, emotionally damaged young widow Tiffany, Lawrence is a firecracker, a powder keg, a force of nature. Watching her, you feel simultaneously secure and on edge, as though you’re in safe hands and yet as though anything could happen. One breathtaking sequence in a diner with Bradley Cooper’s Pat – an “undiagnosed bipolar” ex-teacher with rage issues – begins as gentle deadpan farce and snowballs Read more ...
Karen Krizanovich
It’s Gambit in name only. Producer Mike Lobell struggled for 14 years to bring the remake of this beloved caper to the big screen. In so doing, he has broken the new rule of Hollywood: Thou Shalt Not Remake Something Good, especially if you’ve gutted and purged the original story from its redolently good title.The 1966 version of Gambit was written by experienced scribes Jack Davies and Alvin Sargent (the latter also penned The Amazing Spider-Man of 2012), based on a story by the ever popular TV writer Sidney Carroll. It starred Shirley Maclaine, Michael Caine and Herbert Lom and was one of Read more ...
Laura Silverman
Michael Palin's adventures in period drama as star and co-writer, with director Tristram Powell, pass a pleasant if forgettable hour and a half. The main thread – repressed Englishman loosens up abroad – links other familiar elements: the closeted life of Oxford academics; mild-mannered English types; and audacious, wealthy Americans. Perhaps the actor can be forgiven: the story is based loosely on his great-grandfather's diaries.The younger Palin is predictably strong as Francis Ashby, the reserved Oxford don “without moral blemish”. Hiking in the Swiss Alps, Ashby relaxes enough to take Read more ...
Karen Krizanovich
"When you're making a movie, it's a movie; if they're still talking about it in 10 years' time it's a film. If they're still talking about it in 50 years' time, it's cinema. But you sure as hell can't start out making cinema." Legendary studio head Ned Tanen knew his business. That we’re talking about Lawrence of Arabia 50 years after its release confirms it as cinema - a word suggesting art taken to genius level, and Lawrence of Arabia is exactly that.In this way, the 50th Anniversary 4K restoration of Lawrence of Arabia is more important now than ever. Because the edited version of the film Read more ...
Adam Sweeting
What a year for great British institutions. Sixty years of Elizabeth II, 50 years of James Bond, and a half-century of the Rolling Stones. To recycle an even older cliche, we will never see the like of any of them again.Brett Morgen's Crossfire Hurricane is a chronicle of the Stones' career, assembled from a wealth of news, documentary and home-made footage stretching back to their earliest days as a scraggy west London blues band. The commentary, other than that supplied by various interviewers and TV anchormen glimpsed across the passing decades, is provided by the Stones themselves, who Read more ...
Lisa-Marie Ferla
If the subtitle - The Life and Near Death Story of Patty Schemel - didn't make it clear enough, Hit So Hard was never going to be your average "rockumentary". At about eight minutes in, before the titular drummer properly establishes us in the 1990s US grunge scene that forms much of the backdrop to her story, Schemel is already speaking openly and frankly about the addictions to alcohol and drugs that cost the lives of friends, her role in a platinum-selling rock band and very nearly her own life.To get the obvious out of the way first: Patty Schemel is, almost probably, the greatest rock'n' Read more ...
Kieron Tyler
How much suffering is it possible to take? Can suffering be depicted on film in a way which evokes its true depths? Is it possible to draw anything positive from a film that succeeds in capturing the essence of suffering? In short order: the human spirit can surprise; yes; yes. Carl Theodor Dreyer’s The Passion of Joan of Arc (La Passion de Jeanne d'Arc) is a film that still affects and has an ominous power, despite being silent, being made in 1928 and eschewing the overly demonstrative. It’s also strikingly timeless.Dreyer has been celebrated this year and the opportunity to assess the films Read more ...
Karen Krizanovich
In The Master, it is the hand that matters. Lancaster Dodd is the charismatic leader of a cult-like therapy/religion similar to Scientology, its lengthy, non-sensical "processes" aiming at metaphysical time travel. But that isn't important. In fact, nothing is important about the plot of The Master. It works, in tailor’s terms, on “the hand” - the way it feels.Director Paul Thomas Anderson, maker of ingenious films like There Will be Blood, Magnolia and Boogie Nights, has created a work of such depth and texture that over half was shot on 65mm film. Then there’s the touch of Philip Seymour Read more ...