Film
emma.simmonds
In the 1997 TV sitcom I'm Alan Partridge, Alan's nemesis, BBC commissioner Tony Hayers (David Schneider), describes his methodology as "evolution not revolution" before smugly axing Alan's chat show. It would pain Alan to hear those words again, but "evolution not revolution" perfectly describes the approach of the small screen icon’s first cinematic outing and the reason for its success. Directed by TV veteran Declan Lowney (Father Ted), Alan Partridge: Alpha Papa sees Alan at the centre of a local radio station siege.Though he grumbles early on that he's started wearing his chubby clothes Read more ...
Kieron Tyler
A taciturn, bearded Irishman leaves Berlin to return to his homeland. He’s travelling there to record silence. Arriving in Donegal, he wanders the countryside with a microphone trying to capture an environment where sounds made by humans do not intrude. In the rain and on moors, he stands or crouches with his equipment. Occasionally, someone encounters him. He returns to the house of a raconteur for bread, cheese and ham (pictured below right), before he’s drawn to the remote, Atlantic-buffeted Tory Island where he grew up.And that pretty much encapsulates the 84 minutes of Silence (not to be Read more ...
Graham Fuller
In her recent book The Love-charm of Bombs, Lara Feigel explains how World War Two, and the Blitz in particular, elicited from Elizabeth Bowen, Henry Green, Grahame Greene, Rose Macaulay, and Austrian émigré Hilde Spiel their fiercest passions and their finest novels. The war had the same effect on the visionary British documentarist Humphrey Jennings, who in the five years left to him after Germany’s defeat never reached the heights he’d scaled with Listen to Britain (1942), Fires Were Started (1943), and The Silent Village (1943).The concluding volume of the BFI’s exemplary trio of DVDs/Blu Read more ...
emma.simmonds
Things go bump in the night in James Wan's chilling latest, based on a supposedly true story. The Conjuring is an event horror movie, benefitting from a sizeable marketing budget and the distribution of a major studio (Warner Bros); appropriately enough it simply screams to be seen. And those looking for a touch of class to elevate their frights will find it heartening to hear that there's a leading role for Oscar nominee Vera Farmiga.Lili Taylor and Ron Livingston play Carolyn and Roger Perron, the parents of five “spirited” girls. The year is 1971 and the family have moved into an old, Read more ...
Graham Fuller
Michael Cimino’s Heaven’s Gate is the most Melvillean of modern Westerns. It is the American conquest tragedy allegorised in a sprawling semi-fictional account of the 1892 Johnson County range war, in which the big ranchers of the Wyoming Stock Growers’ Association, supported by President Benjamin Harrison, waged a vigilante campaign against the region’s small farmers, settlers, and rustlers. The film’s Ahab is Frank Canton (Sam Waterston), the supercilious, monomaniacal leader of the WSGA’s mercenary Regulators.Cimino included the conflict’s two most fabled incidents. One was the brave stand Read more ...
Veronica Lee
The basic set-up for The Heat is familiar – two mismatched cops are thrown together on a case and have to find a way of working together despite their differences in social background and methods – only in this case the officers are female. Add to the mix that the two actresses playing the roles are playing to type - loudmouth Boston street cop Shannon Mullins (Melissa McCarthy, almost reprising her Bridesmaids role) and prissy, super-bright but socially inept FBI agent Sarah Ashburn, as essayed by Sandra Bullock in any number of her films.The Heat, written by Katie Dippold (who writes on Read more ...
Karen Krizanovich
Influencing Alfonso Cuaron's Gravity, director Andrei Konchalovsky’s underrated marvel Runaway Train is finally available on crisp Blu-ray: think masculine philosophy meets Alaskan wilderness in an existential thriller as exciting today as it was in 1985.Two convicts – Oscar “Manny” Manheim (Voight in an Oscar-nominated role) and the beautiful, irritating Buck McGeehy (Eric Roberts, also nominated for an Oscar) – flee an Alaskan high security prison. Only moments ahead of vindictive warden Ranken (John P Ryan), Manny chooses an ominous locomative (the forboding, box-like powerhouse EMD GP7, a Read more ...
Nick Hasted
Ulrich Seidl claims there’s a simple reason he goes easier on young teenager Melanie’s stumble through 21st-century sexual desire and disaster than he did with her mum and aunt in Paradise: Love and Paradise: Faith. Going further with her requited crush on an adult would have involved exploiting his young star Melanie Lenz. So a director known for his provocations dutifully pulls up short. There’s nothing here to compare with mum Margarethe’s morally unmoored buying of male prostitutes in Mobasa in Love, or militant Catholic aunt Maria’s masturbation with a crucifix in Faith. But Seidl’s Read more ...
Nick Hasted
Schoolchildren drowning under a frozen lake in their crashed bus is the image most people still associate with Atom Egoyan. The Sweet Hereafter (1997), which pivots on that scene (the ill-fated bus is pictured below), gained him Oscar nominations as director and screenwriter, and reinforced the breakthrough made by Exotica (1994), in which a man harbouring an awful secret you dread being revealed keeps coming back to a strip-club’s schoolgirl-costumed dancer.Egoyan’s most financially successful and worst-reviewed film was Chloe (2007), in which Julianne Moore, Liam Neeson and Amanda Seyfried Read more ...
emma.simmonds
Introducing his latest film at a preview screening, the Danish director Nicolas Winding Refn commented, "If Drive was like taking really good cocaine, Only God Forgives is like taking really good acid." It's an appropriate (and characteristically provocative) comparison - and if Only God Forgives is not quite the trip one might hope for, it's certainly hypnotising and alarming. That Winding Refn's ninth film is dedicated to the Chilean surrealist filmmaker Alejandro Jodorowsky (best known for El Topo and Santa Sangre and a mentor to Winding Refn) gives you an idea of the kind of Read more ...
theartsdesk
There's good cops and bad cops, hard cops and soft cops, old cops and young cops, funny cops and straight cops, maverick cops and by-the-book cops. The pairings are legion, the permutations endless. The movies teem with buddy cops, unlike paired with unlike to bring down bad guys. They've all pretty much got one thing in common: it's a guy thing. Yes, when it comes to reeling in the guilty parties, not a lot of sisters get to do it for themselves. The release of The Heat, a shoo-in as this summer's big comedy hit, has found us trawling through the archives to celebrate other instances of Read more ...
Nick Hasted
Wolverine is a second-division, third-generation Marvel superhero, and for all the care devoted to his sixth cinema outing, he remains the problem here. First introduced in 1974, Stan Lee and Jack Kirby – comics’ Lennon and McCartney – were no longer on hand to conceive this metal-clawed lunk with the adolescently resonant weaknesses they gave Spider-man and the rest. Instead, Wolverine had over-wrought, tin-eared Chris Claremont to chronicle his key years as the star turn in the X-Men, a firm fan favourite who never touched the general public.This second attempt at a solo film away from the Read more ...