Film
Nick Hasted
Niko (Tom Schilling) just wants a decent cup of coffee. With this ambling excuse for motivation, he drifts through a day and night in Berlin, contriving to lose his girlfriend, driver’s license and college funding (Dad’s just discovered he dropped out two years ago). Coincidentally similar to Noah Baumbach’s Frances Ha, this black-and-white indie film about late-twentysomething urban ennui has touched a nerve in Germany, where it won six German Film Awards, as well as the European Film Awards’ European Discovery prize, and is still showing in Berlin a year after release.Writer-director Jan Read more ...
Katherine McLaughlin
“There’s not much more I can do in action apart from explode,” says Sylvester Stallone with a grin on his face on being asked about the next step in his career. Following a video montage of the sweaty, musclebound action heroes Stallone is adored for (minus any clips from Rhinestone, his musical collaboration with Dolly Parton), a jolly and reflective Stallone took to the London Palladium stage in sharp suit full of sage advice and revelations about his writing process. From the centre aisle of the Royal Circle, Sly looked fit and healthy and, thanks to the entire evening also being projected Read more ...
Tom Birchenough
There’s a wealth of stories in Exposed: Beyond Burlesque, a highly articulate, visually flamboyant and finally moving documentary journey around the wilder edges of the performance genre. Director Beth B, a veteran of New York’s experimental film world, followed her eight subjects over the course of some years, and allows each of them to speak for themselves with full honesty and considerable humour, while at the same time creating a fluid picture of this “immediate, honest and sometimes brutal art form,” as British artist Mat Fraser describes it.They come from a range of backgrounds, but Read more ...
Kieron Tyler
In one of the extras on the DVD release of Computer Chess, director Andrew Bujalski explains that the film came about after he realised how to marry two ideas which he had been conjuring with for a while: a then undeveloped interest in the period when computers were programmed to play chess, and a yen to make a film with vintage black-and-white video technology.An exercise then, Computer Chess is hardly about the film itself. Making it was a means to enact these ideas. It’s a knowingly meta film. It looks amazing and comes over as an authentic-seeming archive resurrection, with all who appear Read more ...
emma.simmonds
Some films quite rightly have awards glory etched into their DNA, and when the admirably uncompromising Steve McQueen announced that his next project, focussing on the subject of slavery, would feature that cast, only a fool would have bet against it collecting armfuls of prizes. Moreover, the brutality and societal impact of slavery has seldom been seen on screen; thus in the words of its director, 12 Years a Slave fills "a hole in the canvass of cinema".Based on the memoir by Solomon Northup (as told to David Wilson) and adapted for the screen by John Ridley, 12 Years a Slave sees an Read more ...
Nick Hasted
The agony of war and of surviving it almost destroyed Eric Lomax. A British POW after the fall of Singapore who was put to work by the Japanese on the Burma Railway, he suffered brutal and prolonged torture, trauma he dealt with in subsequent decades by sealing it inside him, and plotting revenge on his abusers as he fell into troubled sleep. Lomax’s memoir The Railway Man describes this and the reconciliation with one of his captors which finally defined his life.The week after Mandela: Long Walk to Freedom, Jonathan Teplitzky’s film again shows a man’s extraordinary capacity for forgiveness Read more ...
Jasper Rees
Sacrilege alert: half the films released in the cinema can almost as happily be seen on a smaller screen. Flatulent Hollywood comedies, low-budget domesic dramas, most romcoms, the oeuvre of Leigh and Loach. The Great Beauty is not one of those films. As it comes out on DVD, it is important to advise anyone contemplating a purchase that the cinema is, if at all possible, the place to see this magnificent love letter to Rome, la città eterna. But it may not be possible, which is why this DVD is still an essential purchase. And even if you’ve already had the pleasure, this is also a covetable Read more ...
fisun.guner
Frances Ha has been likened most obviously to Woody Allen’s Manhattan, but the influence of French New Wave cinema, with films such as Godard’s Breathless, can also be seen. This very likeable and stylish film certainly captures the look and texture of both.But while Sam Levy’s black and white cinematography may not be a match for Gordon Willis’s stunning photography on Manhattan, the film’s New York location is just as key: as a wry study in aspiration and real estate, the film’s episodic narrative follows the impecunious Frances as she drifts through various apartments, her living Read more ...
Tom Birchenough
History has been told in many ways on film, but Rithy Panh achieves something new, something unique and unsettling, in The Missing Picture. It’s the story of his native Cambodia, specifically the years from 1975, when the Khmer Rouge occupied the country's capital Pnomh Penh: driven by an ideology (a mixture of Marx and Rousseau, as it's described here) that sought to exterminate individuality in society, they created Democratic Kampuchea, an attempt at a new classless world that tried to do away with everything from the past, and killed a large part of the population in the process. It’s Read more ...
Nick Hasted
It took the last 16 years of Nelson Mandela’s life, almost to the day, to bring his autobiography to the screen. South African producer Anant Singh eventually handed Mandela: Long Walk to Freedom to British director Justin Chadwick and screenwriter William Nicholson to make a film for international audiences. The iconic weight of a violent rebel who became a living saint can’t wholly be thrown off in this authorised (though freely made) biopic. It does, though, remind you that Nelson Mandela was very far from Mother Teresa. Rough and earthy struggle preceded his Robben Island refinement into Read more ...
theartsdesk
With the end of 2013 nearly upon us it's time for a last look back before we step forward into the unknown. Yesterday our rundown of the year's finest films took you from a radiant romance to a bristling biopic, but the nature of such lists means that the best is yet to come and those that remain could hardly be more different. And so - our final five.5 Django Unchained (dir. Quentin Tarantino)Writer-director Quentin Tarantino proves once again he’s a master filmmaker with this double Oscar-winning revenge drama which reinvents the Western for a modern audience. The central cast are all Read more ...
Kieron Tyler
Upstream Colour charts the stages of a relationship. First, Kris is introduced as external forces impact on her, turning her life on its head. She then encounters Jeff. As they get to know each other, a medical crisis brings them closer together and they get married. They then realise these forces are affecting them both and are drawn towards a way of taking control by eradicating them. The film ends with them, and others also affected by what was out of their reach, taking charge of their own destiny.Upstream Colour (the film is actually titled Upstream Color and appears thus in its credits Read more ...