Film
Katherine McLaughlin
Marvel takes a risk with the origins story of an eclectic crew of potty-mouthed thieves and criminals based on a little known comic book series, and it pays off thanks to Nicole Perlman’s and James Gunn’s confident script which follows the superhero formula yet sprinkles it with a charming off-kilter quality.The threat of mass genocide looms heavily over the galaxy, with evil beings chasing a mysterious orb which holds the power to destroy civilization with one fell swoop. However, an unwitting hero named Peter Quill (or Starlord as he prefers) is set for glory and a whole heap of trouble Read more ...
Graham Fuller
The magically off-kilter Mood Indigo is based on Boris Vian's posthumously celebrated Surrealist novel L'écume des jours (1947), one translated title of which is "Froth on the Daydream" and another "Foam on the Daze". Literally, it means "The foam of the days" or, more ominously, "The scum of the days". As it transpires, director Michel Gondry gradually skims away the froth from the movie's surface to find a layer of poisonous scum underneath.What starts out as a pleasurably light boy-meets-girl fairytale gives way to a Gothic tragedy thick with decay and despair. Although its cause is a Read more ...
Katie Colombus
Action film fans should stay away from this Roman Polanski duet. But those who like their sexual politics served in symbolic form will be delighted. Polanski's wife Emmanuelle Seigner stars as an actress, Vanda, and Polanski-lookalike Mathieu Amalric as the writer-director Thomas.It's not entirely an adaptation of the 1870 novella by Leopold von Sacher-Masoch (from whom the word masochism derives), but a version of the David Ives play about the link between sexual obsession, pleasure and pain. Venus in Fur is like a play: the entire 95 minute duration is set within the confines of a Read more ...
Tom Birchenough
Daniel Patrick Carbone is a director who makes his viewers work. That's not meant to sound intimidating at all, because the rewards of his first feature Hide Your Smiling Faces are considerable. But part of its achievement is that by the end we feel that we have assembled the truth, or rather a part of a truth, behind its spare, elliptical story rather in the way the director did in making it.Atmosphere and nuance are far stronger than narrative or dialogue. The atmosphere comes from a rural landscape of woods and a river on the edge of a barely depicted small town community which, given that Read more ...
Tom Birchenough
The struggle of the migrant journey from Mexico and Central America to el Norte has been much in the news recently, and, coincidentally, it’s a theme that cinema has been following too. After Diego Quemada-Diez's recent The Golden Dream, about teenagers who set out on that difficult route, Marc Silver’s drama-documentary Who Is Dayani Cristal? shows us a similar experience, though through a somewhat different lens.It’s a story that begins, as it were, at the end. In this case the discovery of a dead body in Arizona’s Sonora desert, not far from Tucson – one of the many immigrants who don’t Read more ...
Graham Fuller
Raya Martin's Independencia (2009) begins during the brutal Philippine-American War of 1899-1902, the prelude to four decades of US occupation. When distant gunfire interrupts a joyful Filipino national holiday, a tough middle-aged woman (Tetchie Agbayani) and her grown-up son (Sid Lucero) flee to the rainforest and set up home in a cabin abandoned by Spanish colonists.
They adapt well, breeding chickens and living off the land, though the mother is perturbed when the son finds and tends a young woman (Alessandra De Rossi) who had been raped by an American soldier. Much later, it is the Read more ...
Katherine McLaughlin
There’s so much high drama and scandal surrounding the production of Orson Welles’ feverish cruise through the dark side of human nature it’s no surprise the resulting film is a bizarre labyrinthine of twists and tightly strung lunacy. Welles’s exorcism of personal and professional demons in this impassioned and witty tale of moral bankruptcy remains as compelling and confounding today as it was back in 1948.Already on the fringes of Hollywood, Welles got himself into considerable debt on the making of Around the World in 80 Days, and in a desperate move contacted Henry Cohn, head of Columbia Read more ...
Jasper Rees
A Grecian palace on a studio lot. Gods wander about among the plywood and polystyrene looking deific. As a child is raised to the heavens a voice(over) is heard to intone the following legend.Oracle: You don’t want to believe those myths you’ve read in boys’ own books about the heroes of ancient times. That Roger Lancelyn Green is so tediously on-message. Take the dozen labours of the demi-god Hercules…Young mother of Hercules (from the pages of Playboy): Wait up while I flash a 3D breast at everyone's goggles, but just once or we'll never get our PG rating. Now let’s get on with the retarded Read more ...
Nick Hasted
The Purge is the night each year when the US government turns off the law and lets mayhem rule, allowing crimes including murder and rape. Just let it all out of your system, citizens, goes the official logic, and crime on the other 364 days will plummet.Writer-director James DeMonaco’s concept in the original, box office-topping The Purge limited the action to a home invasion in the suburbs, and promised all sorts of illicit nastiness. But as this expansive sequel proves, he’s more interested in the social implications of the people becoming their own bread and circus. With the New Founding Read more ...
Kieron Tyler
Too Late Blues has many individual aspects which, on their own, would make it notable. Released in 1961, it was John Cassavetes’ second film as a director following the ground-breaking Shadows, one of America’s first full-length expressionist art films. As Shadows had, it centres on jazz and depicts a world which was then thriving, showing it from the inside. It stars Bobby Darin, one of America’s most important and multi-faceted musical figures. When taken together, with the added impact of its female star Stella Stevens, its inclusion of black cast members and disabled children, Too Late Read more ...
emma.simmonds
David Gordon Green is a director who's certainly not afraid to confound. His CV includes indie gems George Washington, All the Real Girls, comedy smash Pineapple Express and medieval misfire Your Highness. His previous feature Prince Avalanche was made in secret and starred Paul Rudd and Emile Hirsch as mismatched highway workers; it was sensitively shot, unpredictable and determinedly oddball. With Joe Green manages to harness Nicolas Cage's mad energy and channel it into something spectacular - something only a handful of directors have accomplished (David Lynch, Mike Figgis and Werner Read more ...
David Benedict
In what is undoubtedly one of the earlier recorded examples of the single entendre, the original ad campaign for Some Like It Hot yelled “Marilyn Monroe and her Bosom Companions”. Well, the posters may not have minced words, but there’s more than a little mincing on screen as Tony Curtis and Jack Lemmon escape the mob and the St Valentine’s Day massacre and go on the lam by joining a band. An all-girl band. Sweet Sue and Her Society Syncopaters, to be precise, who are to be holed up beneath the sheltering palms of a millionaire-strewn Florida hotel. That’s a whole lot better than being held Read more ...