Film
Matt Wolf
I hope someone by now has told Neil Patrick Harris how to pronounce David Oyelowo’s surname, but if anyone wants to see how not to host an Oscars, Harris’s stewardship of the 87th annual Academy Awards can provide that service in spades.Sure, there were a few surprises in the final stretch of this year’s ceremony, including the triumphant 11th-hour trifecta achieved by Birdman, which swept best picture, director, and original screenplay, all at the expense of its closest rival, Boyhood. Indeed, Alejandro González Iñárritu’s extravagant fantasia was stopped in its tracks in the last half-hour Read more ...
Graham Fuller
At last, it’s here – the female-friendly BDSM movie that no grownups should restrain themselves from seeing. The one with the designer clothes and kinky accoutrements. The one with the “special” room for thrilling punishments. The one unafflicted by Christian Grey and his assorted neuroses.Aside from the brown and orange fritillary of its title and various unnamed butterflies and moths, there are no males at all in The Duke of Burgundy, writer-director Peter Strickland’s drily witty homage to the stylistically ambitious 1970s Euro-erotica of directors like Jesús Franco and Jean Rollin. Read more ...
Adam Sweeting
"Blood Brothers" is the title of the featurette included with this DVD. It tells how Brad Pitt and his fellow cast-members learned what it felt like to be the crew of a World War Two tank – Fury is the name painted on the gun of their battle-scarred Sherman – thanks to some hard-slog dawn-to-dusk training and conversations with 90-year-old veterans of the US 2nd Armored Division. The actors (including Shia LeBeouf, Jon Bernthal and Michael Peña) seem sincere as they describe how the experience gave them some insight into the true nature of warfare, and blood brothers is what they felt like Read more ...
Matt Wolf
Jennifer Aniston changes pace without changing any fundamental perception of her skills in Cake, the austerely self-admiring new film that finds the onetime Friends star playing a none-too-friendly sufferer from chronic pain. Adopting a halting walk and clenched demeanour and delivering the majority of her lines with a gallows-humour mordancy that quickly palls, Aniston tackles the part head-on in a putative bid for the kind of career about-face Oscar glory that led Charlize Theron to the podium some years back in Monster. No such luck on this occasion: Aniston wasn't even nominated. But Read more ...
Tom Birchenough
I went into watching Sergei Loznitsa’s documentary Maidan with the highest hopes, and came out, more than two hours later, cold. For a film about a successful national liberation movement, that’s something of a paradox.It’s titled, of course, after Kiev’s Independence Square, Maidan Nezalezhnosti, the centre point of the Ukrainian revolution that saw huge public gatherings from December 2013 through February of last year which culminated with then president Viktor Yanukovych fleeing first his capital city on 22 February 2014 and a few days later his country (he remains in Russia today). A Read more ...
Kieron Tyler
Wild River blurs documentary and fiction, tackles racism and segregation in America’s south, addresses the predicaments of little people coming face to face with the will of a behemoth of a government, considers the nature of progress and – maybe a minor concern in the light of these – is also an against-the-odds romance. If all that weren’t enough, it was seen in cinemas in über-panoramic CinemaScope. Wild River was ambitious.Released in 1960, Wild River was the last film Elia Kazan made while under contract to Twentieth Century Fox and followed 1957’s sly satire A Face In the Crowd. The Read more ...
Adam Sweeting
From Michael Mann, the director of the monumental crime epic Heat and the original and best Hannibal Lecter movie Manhunter, this lumbering saga of cyberhacking is really rather disappointing. Not that it doesn't include several torrid action sequences in exotic locations, while the basic theme is at least urgently topical. It's just that there's little evidence that the project fired Mann's imagination, or inspired him to breathe plausible life into his characters.The set-up is as widescreen as you could wish. A nuclear plant in China is sabotaged by an unknown hacker (Mann makes sure we get Read more ...
Jasper Rees
Fifty Shades of Grey is upon us, more or less literally. It's a bit like the clamber-cam POV shot of Jamie Dornan materialising through Dakota Johnson’s spread legs. The teaser campaign has completed its titillating foreplay, and this weekend the fairytale fantasy franchise about fucking and slapping (but please, sir, no fisting) thrusts its entire length into the world’s cinemas. How will it be for you? The morning after, will audiences still be applying Arnica to their assaulted senses?Let’s start with what it’s not. It’s not the worst film in the world. To an extent, it has been rescued Read more ...
Tim Cumming
Children – they’re inherently scary, right? Add to that the fraught rip-tides of a claustrophobic mother-son relationship – a son with behavioural problems and a compulsive fear of monsters under the bed, and a single mother tormented by the violent death of her husband – and then stir in a character from a pop-up book called Mr Babadook, who pops up just a little too close for comfort, and you have the necessary ingredients for a consummate chamber piece of mounting and inexorable terror.Written and directed by Jennifer Kent, The Babadook stars Essie Davis as sleep-deprived, rapidly Read more ...
Tom Birchenough
Among contemporary British documentarists Kim Longinotto has surely travelled the furthest afield internationally – Iran, Japan, Africa – to find her subjects. Love Is All brings her resoundingly back home to Britain, across a timeline that stretches from the very end of the 19th century when the moving image was born, right up to the present day. It’s a fluid anthology about human relations in every form you can imagine, drawn from both more formal feature and documentary films and informal footage from the archives of the British Film Institute and Yorkshire Film. Black and white material Read more ...
Karen Krizanovich
Ben (John Lithgow) and George (Alfred Molina) are two lucky people. They work in New York City where Ben paints and George teaches music. After they marry, the church school where George works fires him for being openly gay. Their life has come apart with the loss of one income. The couple must sell their co-operative flat and live apart - Ben with Elliot, his nephew (a convincing Darren E Burrows) and George with a couple of groovy gay cops (Cheyenne Jackson and Manny Perez) one floor below their old flat. From there on, grumpus Ben looks on the dark side where George finds miracles in the Read more ...
Tom Birchenough
Your initial impressions of Hilla Medalia’s Dancing in Jaffa may be influenced by whether you go into it knowing anything about its central character, Pierre Dulaine. His is a name that needs no introduction to anyone familiar with the world of ballroom dancing: he has been a world star in that field for decades, who together with his dancing partner, Yvonne Marceau, set up the American Ballroom Theatre in New York in 1984.New Yorkers will certainly know Dulaine too, through his establishment of Dancing Classrooms in 1994, a programme that took ballroom dancing into schools, to 11-year-olds, Read more ...