Film
Tom Birchenough
Any consideration of Iranian director Jafar Panahi’s Closed Curtain will inevitably be through the prism of how it was made, and the director’s current position in his native country. It’s his second work, after This Is Not a Film from 2011, to be made despite the 2010 prohibition from the Iranian authorities that (along with a range of other curtailments of his freedom) the director should not engage in cinema for a period of 20 years.It’s rather more ambitious – though not in terms of its setting, the interiors of a single house on the shore of the Caspian – than the relatively simple Read more ...
Tom Birchenough
Cartel Land opens with a group of crystal meth cooks at work somewhere in the dead-of-night Mexican wilderness. They boast about the quality of their goods: they have the best production equipment, and were even taught their expertise by a visiting American father-and-son team. They know the harm their drugs do, but what, they ask, are they going to do? They come from poverty. If life had gone another way, “We would be like you.”Matthew Heineman’s powerful documentary challenges our assumptions of loyalty – like you, like us? – as well as of good and evil. What happens when people rebel Read more ...
Demetrios Matheou
The television series Downton Abbey and Upstairs, Downstairs, along with Robert Atman’s film Gosford Park, notably illustrate the public’s continued fascination with the relation between masters, mistresses and their servants. Yet none of them, not even the Altman, charted that relation with quite as much complexity and ferocity as Strindberg’s Miss Julie, in which no-one emerges well from the class struggle.Written in 1888, the play represented Strindberg’s attempt to bring a new degree of naturalism to theatre. Its style and psychological acuity lend itself well to cinema; though being a Read more ...
Matthew Wright
Danish director Thomas Vinterberg specialises in claustrophobic, asphyxiating atmospheres, from his breakthrough family abuse tale Festen to the more recent study of small-town paranoia, The Hunt. Moving from domestic close-up to the Wessex wide shots and cosmic panoramas of Thomas Hardy, there’s a grinding of gears, and choosing Far From The Madding Crowd as his Hardy debut, when John Schlesinger’s 1967 adaptation is so revered, seems provocative.The Wessex countryside comes across as postcard-pretty rather than awesome and bleakVinterberg has cast well, and Carey Mulligan as Bathsheba Read more ...
Jasper Rees
“I can hardly be cross with something that happened before we existed.” Andrew Haigh is a two-hand specialist intrigued by the space between lovers. His much praised debut Weekend told of two young homosexuals getting to know each other on a Saturday and a Sunday. In 45 Years, based on a story by David Constantine, he has shuffled the deck. The question of retrospective jealousy is the spark for a quietly devastating portrait of two old heterosexuals getting to unknow each other between a Monday and a Friday.Charlotte Rampling and Tom Courtenay play Kate and Geoff Mercer, in whose apparently Read more ...
Kieron Tyler
Any film about a series of real-life unsolved murders is ready to be tagged as exploitation. With The Town That Dreaded Sundown, the waters are muddied as it draws on a 1976 proto-slasher film of the same name which luridly retold the true story of killings which took place in the Arkansas-Texas border-straddling town of Texarkana in 1946. It features a murderer recreating the Seventies film in the present day while also revisiting the 1940's crimes.A meta-take on exploitation, The Town That Dreaded Sundown is not only a sequel but also includes sequences from its inspiration and seeks to Read more ...
Kieron Tyler
En Équilibre addresses the impact of disabling and irreparable injury, thwarted ambitions, the questionable practices of insurers, and the connection between two dissimilar, yet both frustrated, characters. Despite its different strands, the film adeptly draws them together into a coherent and unexpectedly enthralling whole.The director of En Équilibre (In Harmony) is Denis Dercourt. His benchmark film The Page Turner (2006) echoes through En Équilibre. Both feature a female would-be concert pianist who has ended up in a job which frustrates (at a solicitors rather than, in En Équilibre, an Read more ...
graham.rickson
Orson Welles was commissioned by ITV in 1955 to make a 26-part series of travelogues. Always in search of money to fund his independent projects, he was initially enthused by the plan - though predictably he didn’t see it through. Only six episodes were broadcast – none of which stray out of Welles’ favourite European destinations.They’re full of artifice; sequences are repeated, and stock footage is used liberally. Welles is frequently seen posing with his handheld camera, though it’s obviously not his film that we’re watching. Some of the interview sequences seem stilted – largely because Read more ...
Matt Wolf
London property prices could well plummet, not to mention James Franco's ever-wayward career, if enough people see Good People, a staggeringly inept London-set gorefest that casts James Franco as an expat London property developer and Kate Hudson as his schoolteacher-wife who likes buying major appliances for friends as gifts. But since Danish director Henrik Ruben Genz's English-language feature film debut is likely to sink without a trace, the reputations of all involved should suffer scant permanent damage, and there may even be those who take solace in the news that Hollywood hunks Read more ...
Demetrios Matheou
A few months ago I saw a documentary called Ming of Harlem: Twenty-One Storeys in the Air, about a man who kept a tiger and an alligator as pets in his tiny New York apartment. It was a staggering thing to comprehend, not just because of the logistics involved, but the blithe cruelty in doing that to an animal, even a savage one. Then I saw The Wolfpack.No, this doesn’t concern cruelty to wolves, but to children, and not just any children, but a man’s own. I’m beginning to wonder what they put in the water in Manhattan.This is a fascinating film, often difficult to believe, about six brothers Read more ...
Kieron Tyler
A now-canonical film like Eyes Without a Face has the potential to become over familiar. What was once shocking could now seem quotidian. Freshness is a quality which can be blunted. Yet seeing Georges Franju’s 1960 film anew reveals it as still heady, and still unlike any other film.Eyes Without a Face (Les yeux sans visage) may have given cinema one of its most enduring images with Edith Scob’s mask and lent its title to the Billy Idol song, but it remains potent. The story of Dr Génessier (Pierre Brasseur) seeking to give his disfigured daughter Christiane (Scob) a new face with the help Read more ...
Tom Birchenough
What’s it really like to be a dictator? Or president, if we put it more circumspectly, as Iranian director Mohsen Makhmalbaf does in his new film of that name – though this President clearly believes he’s of the “for-life” variety, if not even a rung higher given that the mode of address in this contemporary court is, “Your Majesty”.In fact the plans for dynasty are well in place, as the first scene of The President nicely illustrates. Its eponymous hero (Misha Gomiashvili) is taking a break from signing death warrants to take his young grandson (Dachi Orvelashvili) over that familiar lesson Read more ...