Film
mark.kidel
In American mythology, the frontier offered a clean slate, the opportunity to escape from the shadow of the past and live heroically. But, as with everything else in the context of the American Dream, which continues to unfold in real life as if it were but a simulacrum of myth, the present is haunted by the shadow of evil: greed, violence – between white men, but also against native Americans – and personal tragedy. We are prisoners of our past, and nothing can save us.David Mackenzie's Hell or High Water is shot through with echoes of classic Westerns – two brothers on the loose, bad men Read more ...
theartsdesk
Prepare to disagree. 2016 has been getting bad reviews all year long, but for film it was actually pretty strong. So strong, in fact, that there are big omissions from this list of our best films from the past 12 months. Our method of selection was arbitrary: each of the theartsdesk’s film reviewers was invited to volunteer one film each as their favourite of the year. No one was allowed to choose two.So there is no place in our top seven for the film which was this year’s winner of the Oscar for best film (Spotlight), nor best adapted screenplay (The Big Short), nor the film with the best Read more ...
Tom Birchenough
Audiences cannot fail to register the enormity of Martin Scorsese’s achievement in Silence. At 160 minutes, it hangs heavy over the film: adapted from the 1966 novel by Japanese writer Shusaku Endo, Silence has been close on three decades in the director’s preparation. It raises questions that are usually approached with Capital Letters. There are moments that are visually enthralling, landscapes of nature that dwarf the sufferings – visceral, in the literal sense, since they involve damage to the human body – inflicted on many of its characters. We’ll leave the “and yets” to later…The Read more ...
Tom Birchenough
The end of empire has rarely looked more cinematically beguiling than in Régis Wargnier’s Indochine, the visually lavish 1992 drama written for Catherine Deneuve, who gets the film’s epigraphic line about “believing that the world is made of things that are inseparable: men and women, the mountains and the plains, human beings and gods, Indochina and France…” Substitute Communism for “gods” in this somewhat faux-glamourised depiction of an independence movement, and it becomes clear why that final pairing didn’t last.Indochine has moments of visual glory that raise it to the ranks of truly Read more ...
Adam Sweeting
Not all racing drivers are created equal. New world champion Nico Rosberg is the son of a former F1 champion, grew up in Monaco, speaks five languages and turned down an offer to study aeronautical engineering at Imperial College, London.On the other hand, 1980s racer Tommy Byrne was a working-class chancer from Dundalk who was permanently skint and got nicked for stealing. Yet the evidence suggests he was one of the fastest natural drivers who ever sat in a racing car, and who even gave Ayrton Senna a run for his money when both of them drove for the Van Diemen team at the start of the Read more ...
Adam Sweeting
It's not often you hear the sound of film critics sobbing quietly to themselves, but this really happened at the screening I attended of A Monster Calls. Having seen the trailer, with its scenes of a giant tree stomping around a spooky-looking rural landscape, I'd marked it down as one to avoid. How wrong can you be.In conjunction with screenwriter Patrick Ness, who also wrote the original novel, director JA Bayona (known for the scary The Orphanage and the tsunami saga The Impossible) has conjured a bittersweet and often painfully moving account of bereavement and growing up, in which Read more ...
Matt Wolf
One hardly expects a film like Why Him? to be high art, which is another way of saying that if you approach it in the right spirit (and with enough drink inside you) this well-timed holiday release should provide guiltily entertaining fun. Most easily described as a coarsened Meet the Parents redux, John Hamburg's generation-gap comedy pits the decent but fundamentally square Ned Fleming (Bryan Cranston) against the spectacularly badly behaved Silicon Valley squillionaire, Laird Mayhew (James Franco), who just might end up being Ned's son-in-law. Can the two men co-exist? Things don Read more ...
David Nice
Tinseltown's relationship to its more sophisticated, older New York brother is analogous to Ethan Mordden's engagement by Oxford University Press. The presentation is a sober, if slim, academic tome with an austere assemblage of black-and-white photos in the middle; what we get in the text is undoubtedly erudite but also racy, gossipy, anecdotal, list-inclined, sometimes camp and a tad hit and miss.The proviso that this is an ideal seasonal read comes with the knowledge that you can have fun searching YouTube for some of the more arcane musicals in question and find out exactly what Mordden Read more ...
graham.rickson
Not quite three wishes; this film’s Czech title is Tři oříšky pro Popelku, which translates as three nuts. We’ll get to that later. Three Wishes for Cinderella, a Czechoslovak-East German co-production from 1973, is a treat, and still an annual Christmas fixture on Eastern European TV screens.Director Václav Vorlíček’s source material wasn’t the familiar Cinderella retelling by Charles Perrault, but a darker version written by the 19th century Czech folklorist Božena Němcová. There’s no father, only one nasty step-sister and a refreshing lack of flashy magic. In place of a fairy Read more ...
Adam Sweeting
Despite being kitted out with a full-scale intergalactic spaceship and all known computerised effects, Passengers is essentially a two-hander for its stars Chris Pratt and Jennifer Lawrence. Or you could maybe stretch that to a two-and-a-half-hander, if you include Michael Sheen's oily and obsequious bar-tending android.Perhaps it's part of director Morten (The Imitation Game) Tyldum's point that even if you're surrounded by the most lavish futuristic technology, space is still an infinite and soulless wasteland of nothingness, into which all human life might easily vanish without trace. The Read more ...
Kieron Tyler
The reasons for enduring cult status can sometimes be hard to fathom for those not embedded in the minutiae of genre cinema. Take The Burning and Hell Comes to Frogtown, both of which are being given top-notch home cinema releases. The Burning is a dual format package with a booklet and masses of extras including an over-the-top three commentaries. Hell Comes to Frogtown is Blu-ray only, has no booklet or commentaries but is replete with extras. Both film looks great: the image quality for each is unlikely to have ever looked better. Even so, watching both induces a very thorough head-scratch Read more ...
graham.rickson
Werner Herzog isn’t visible in his documentary Lo and Behold but he’s a constant throughout, his sonorous, quizzical tones an ideal counterbalance to some of the more scary talking heads he encounters. In essence the film doesn’t tell us anything we don’t already suspect already: that the constantly evolving internet could either ruin us or offer salvation.Subtitled "Reveries of the Connected World" and organised in 10 short sections, the film’s title is explained in the first few minutes, an excitable academic breathlessly showing us the room in UCLA where one of the first attempts to Read more ...