Film
Graham Fuller
Burning, which is the first film directed by the Korean master Lee Chang-dong since 2010’s Poetry, begins as the desultory story of a hook-up between a pair of poor, unmotivated millennials – the girl already a lost soul, the boy a wannabe writer saddled with a criminally angry father. The addition of a Porsche-driving third millennial with a swanky apartment in Seoul’s Gangnam District not only ramps up the tension between the two instantaneously but creates one of the most infernal romantic triangles in modern Asian cinema. Entering its third act, the movie morphs into a noir-steeped Read more ...
Nick Hasted
Ghosts of previous B-movies flit through this low-budget lesbian vampire flick. Part Hammer horror, J-horror, Witchfinder General and The Wicker Man, it is ultimately about a young woman in a very large house full of unpleasant people out for her blood. Director/co-writer Iain Ross-McNamee’s suggestion of a Brexit metaphor may not be wholly far-fetched, as we busily rip ourselves apart in a frenzy of auto-cannibalism. At least the cast here look good doing it.The titular crucible is used in a black-and-white, English Civil War-set prologue to keep a female vampire’s undead flesh alive, till Read more ...
Adam Sweeting
With five nominations, Green Book is cruising optimistically towards Oscar night, but it’s not all plain sailing for director Peter Farrelly’s mixed-race fairy tale about a posh black musician and his thuggish Italian minder. The film is being called out in some quarters for its glib and simplistic attitude to racism, while relatives of the real-life black protagonist Dr Donald Shirley have contested the factual accuracy of the script.Which is a shame, because if you were able to ignore the bubbling undercurrent of unease and take it as a slice of mainstream movie-going, Green Book is Read more ...
Joseph Walsh
Sitting somewhere between Ruben Östlund’s The Square and Final Destination, Dan Gilroy’s Velvet Buzzsaw is a satirical supernatural thriller that goes for the jugular of the LA art scene.We open at the Art Basel Miami Beach, where art snobs with fat wallets glide from room to room with glazed eyes as they gaze at the objet d'art. There's a talking robot exhibit Hobo Man, and a giant polished silver orb pocked with holes you can stick your arm into - what it does it mean? No one cares much, it’s about how much it’s worth. It’s all incredibly pointed and fun, with Gilroy showing up the Read more ...
Tom Birchenough
Barbara Sukowa won Best Actress at Cannes in 1986 for her title role in Margarethe von Trotta’s Rosa Luxemburg, and the power of her performance looks every bit as engaging and insistent today. A century after Luxemburg’s death (she was assassinated in Berlin on January 15 1919, her body then thrown into a canal), as her significance and influence as a political figure attracts new attention, the film deserves the handsome restoration it receives here in StudioCanal’s “Vintage World Cinema” strand; particularly – remarkable though it may seem, even given von Trotta’s rather neglected Read more ...
Thomas H. Green
If we think of Robert De Niro and Brian De Palma, we likely think of The Untouchables from 1987 with the great actor in his career pomp, chewing up the scenery in a memorable cameo as Al Capone. However, the pair had history. They made three films together in the 1960s – Greetings, The Wedding Party and Hi, Mom! – which are now gathered together in 2K restorations from the original negatives. The short of it is that two of them are now little more than historical curios for archivists, but the other is revelatory on a number of counts and well worth exploring.The Wedding Party began Read more ...
Demetrios Matheou
With Russian spies murdering people in the UK, a Norwegian pensioner jailed in Moscow on spying charges, Russian hackers believed to have meddled in both the US presidential election and the EU referendum, diplomats thrown out of various countries and Donald Trump being portrayed as Putin’s puppet, it’s hard not to feel that the Cold War is being warmed up for the 21st century. So while the spy genre is as busy as ever, this feels like an opportune moment to revisit or discover some of the best made during or about the Cold War period itself – from both sides of the Iron Read more ...
Jasper Rees
“I want to be a man without any past,” said Michel Legrand, who has died at the age of 86. He had perhaps the longest past in showbiz. Orchestrator, pianist, conductor, composer of countless soundtracks, who else has collaborated as widely - with Miles Davis and Kiri Te Kanawa, Barbra Streisand and Jean-Luc Godard, Gene Kelly, Joseph Losey and Edith Piaf? When I visited him at his house at his splendid classical manoir 100km south of Paris, on the mantelpiece in the large white sitting room four familiar gilt statuettes stood sentry. The oldest was for “Windmills of My Mind”, the best Read more ...
Saskia Baron
Baggage can weigh a movie down. The Mule comes with quite a bit of baggage, and not just the kilos of coke stashed in the car’s trunk. Clint Eastwood’s fifty plus years as a screen icon turned director, his dodgy love life and libertarian politics all make it hard to walk into a cinema showing his latest film without dragging along a whole load of preconceptions. If an unknown director (who was not also playing the lead) had made this well-crafted and enjoyable shaggy-dog story of a film, this would be a different review. But it’s Clint, so every frame is coloured by his legend and sometimes Read more ...
Owen Richards
Destroyer. It’s an apt name. Like the film, it's grandiose and blunt. Nicole Kidman is almost unrecognisable (a requirement when aiming for nominations) as Detective Erin Bell, a damaged survivor of an undercover heist gone wrong. When her target resurfaces after 17 years, she must pull her life together to hunt him down and finally close the case, whatever it takes.When we first see Detective Bell, she’s barely holding it together. Approaching a crime scene, she looks like an old punk star that stopped enjoying the drugs long before she stopped taking them. Limping, eyes barely open, and a Read more ...
Matt Wolf
Satire was once thought in America to be that thing that closed on Saturday night. Not here: filmmaker Adam McKay goes the distance with Vice, a hurtling examination of realpolitik that puts Dick Cheney under a spotlight at once satiric and scary. Do we have Dubya's onetime veep to thank for the subsequent rise of Trump and the parlous state of affairs Stateside since then? Perhaps, and one of the many strengths of this eight-times-nominated Oscar hopeful is its ability to cover the historic and thematic waterfront whilst keeping a keen eye on the slippery if malign presence at its centre. Read more ...
Owen Richards
In September 2014, after three months of captivity, Nadia Murad escaped ISIS control in Mosul, Iraq. Since then, she has dedicated her life to travelling the world and telling everyone who will listen about the plight suffered by her Yazidi people, then and now still. On Her Shoulders shows this exhausting commitment, simultaneously in the public eye yet seemingly ignored when action is required.As we’re introduced to Nadia, we quickly understand the strain this touring causes, constantly made to relive her horrifying experience for interviews. Her work is valuable for the public to Read more ...