Film
Graham Fuller
People who idly use the phrase “it’s like living in a war zone” when considering their domestic mess should see Waad al-Kateab’s documentary For Sama.Everyone should see it, in fact. Waad lived in a terrifying war zone – besieged East Aleppo in Syria – and saw babies, children, and adults killed daily as she, her doctor husband Hamza, and their neighbours attempted to go on with their lives as part of the rebel population opposed to Bashar al-Assad’s brutal dictatorship. They were inches from death every second. Among friends who perished were the paediatrician who delivered Waad’s first Read more ...
Markie Robson-Scott
“You’re so meticulous,” says Astrid (Maria Bonnevie) to her teenage daughter Jill (impressive newcomer Yvla Bjørkaas Thedin) as they create a batik artwork together at the kitchen table. Little son Bo (Casper Falck-Løvås) looks on as he munches a jam sandwich. A happy domestic scene? Anything but. “Meticulous” isn’t even really a compliment, coming from this chaotic, mentally fragile mother.This is Norwegian writer/director Camilla Strøm Henriksen’s first feature film (she’s working now on episodes of the TV series Occupied) and she has extracted remarkable performances from these young Read more ...
Owen Richards
The Shock of the Future is for anyone who's watched a music biopic and thought "that's not how it works!" Directed and co-written by Marc Collin of Nouvelle Vague fame, it's perhaps the most realisitic film about recording music ever made. But as anyone who's ever been in the studio will tell you, the legends are much more exciting than the reality.Alma Jodorwsky plays Ana, an aspiring synth wave sensation. She spends her day (which takes up the entire length of the film) in a friend's flat that she's sitting, along with his huge collection of synthesisers, keyboards and recording equipment. Read more ...
Nick Hasted
When did Dorothy (Constance Wu) really want to be a stripper? Maybe it’s when she looks with love at Ramona (Jennifer Lopez) during her strutting set piece dance, as she descends to a carpet of cash. If that’s the equivalent of Ray Liotta’s gangster gliding to the best table in Goodfellas, Hustlers is more accurately the Casino of stripper films, sociological and historical, but never salacious, in its depiction of an outré life. Set around the 2008 financial crash, Lorene Scafaria’s film shows how the women’s “side-hustles” with Wall Street clients slipped into drugging them and directly Read more ...
Joseph Walsh
Tamara Kotevska and Ljubomir Stefanov’s new documentary, Honeyland, is a lament for a vanishing world. Captured with the delicacy of honeycomb, it focuses on the last wild beekeeper in Europe. Hatidze Muratova lives in rural Macedonia on a craggy farm without running water or electricity. Her ailing, aged mother, Nazife, is her only company. They may bicker, but there’s a great deal of love, shown in the way Hatidze spoon-feeds her yoghurt and honeycomb, or washes her hair over a basin. Despite the hardships of her lifestyle, Hatidze is content. She is the wild bee’s caretaker. As Read more ...
Demetrios Matheou
Despite the fact that the Downton Abbey 2015 Christmas special wrapped the series up with a seemingly watertight bow, a cinema offering of Julian Fellowes’ much-loved creation was perhaps inevitable. And so virtually all of the series cast and a few new ones descend upon the fictitious Yorkshire pile for more misadventures upstairs and down. With no loose ends, Fellowes needed to devise a new dilemma to unite the Crawleys and the many staff who keep their privileged lives on track in 1927. Cue a letter from Buckingham Palace that heralds the imminent visit to Downton of King Read more ...
mark.kidel
Over two days in 1972, the great Aretha Franklin, undoubtedly one of the greatest American voices of the 20th century, performed and recorded gospel classics in Los Angeles, with a predominantly African-American audience, the red-hot Los Angeles Community Gospel Choir and the support of Rev James Cleveland. She was generally known for her soul classics, including “Say a Little Prayer”, “Think”, “Respect”, “I Never Loved a Man”, “Natural Woman” and many others, but she had grown up in the church under the tutelage of her father the Rev CL Franklin, one of Detroit’s most fiery preachers.Warners Read more ...
Owen Richards
Whoever thought of crossing the social conscience of Pride with the sporting acumen of Dodgeball? Out of this unlikely union comes The Shiny Shrimps, a joyous dive into the world of gay water polo. Though it follows your typical obscure sports underdog story, the layered characters and unflinching topics make the Shrimps a surprise package.After making homophobic remarks to a gay reporter, the national swimming team is making an example of Matthias Le Goff. If he wants to go to the World Championships, he must pay penance by coaching a gay sporting team. His chosen charges are the titular Read more ...
Demetrios Matheou
Just two years after It Chapter One became the most successful horror film ever made, Pennywise the Dancing Clown is once again giving the American town of Derry absolutely nothing to laugh about. But this time around it’s audiences who may feel unable to enjoy the irony of a killer clown. For Chapter Two feels like a pointless, nay horrific case of déjà vu. Andy Muschietti’s decision to divide his adaptation of Stephen King’s horror novel into two – the first part dealing with the characters as children, the second with their adult selves – initially seemed a strong Read more ...
graham.rickson
Seeing post-war London in vibrant colour is a delicious surprise, and the opening seconds of A Kid for Two Farthings follow a pigeon flying east from Trafalgar Square, eventually settling on a pub sign in Petticoat Lane. The location footage in Carol Reed’s first colour film, from 1955, is eye-popping, his cast mixing seamlessly with everyday market folk. Matthew Coniam’s booklet notes to this handsome BFI reissue reveal that a fake camera crew was deployed to distract from the real shooting. Reed mixes reality with nicely stylised studio sets: look out for the miniature tube train trundling Read more ...
Nick Hasted
The high, crackhead days of James Frey (Aaron Taylor-Johnson) are over in five adrenalized minutes, as he dances naked to the Smashing Pumpkins, then tumbles insensibly backwards from a ledge. Sam Taylor-Johnson’s adaptation of Frey’s controversially fictionalised addiction memoir then focuses unsensationally on his recovery.“I’ve never seen this degree of degradation in someone so young,” a doctor intones. James’s battered face is further, outward testament that any backsliding will be fatal. Taylor-Johnson emphasises redemption over that degradation, in the sunlit corridors of a rehab Read more ...
graham.rickson
Karel Kachyňa’s The Ear (Ucho) begins innocently enough with an affluent couple’s petty squabbles after a boozy night out. He can’t find the house keys and she’s desperate for the toilet. He’s distracted, and she accuses him of having neglected her. Josef Illík’s sharp monochrome photography gleams, recalling classic noir thrillers. The mood darkens once Radoslav Brzobohatý’s Ludvik shimmies over the garden wall and discovers that the couple’s home has been broken into: spare keys are missing, there’s no power, and the phone is dead. That Ludvik and Anna (Jirina Bohdalová, pictured below with Read more ...