Film
Joseph Walsh
Benni, the central character in German writer-director Nora Fingscheidt's haunting new film, has a life of tragedy and violence. She’s the product of a dysfunctional family and an abusive childhood that has left her rage-ridden and incapable of controlling her anger. Playing Benni is talented newcomer Helena Zengel. Over the course of two hours she rages, weeps and wails across the screen in an utterly harrowing performance. Behind her waif-like appearance lies a fury that most people don’t achieve in a lifetime, much of which is conveyed Read more ...
Graham Fuller
After Robert Altman re-established his critical reputation with The Player in 1992, he directed nine more films – including two of his most ambitious multiple-character works, Short-Cuts (1993) and Gosford Park (2001).In terms of notable speaking parts, his Kansas City from 1996 was a comparatively modest undertaking. Yet Altman's evocation of his Missouri hometown in 1934 as a nocturnal maelstrom of political corruption, Mob raids, and shaking jazz joints gave it an epic-intimate quality – like a Thomas Hart Benton canvas come to life. You can really believe you’re there, as the saying Read more ...
Nick Hasted
This lovely, contemplative Cannes prize-winner has something to teach us in testing times. Filmed in director Oliver Laxe’s grandparents’ Galician village, it observes convicted arsonist Amador’s return from jail to the fire-prone landscape he’s blamed for devastating. This is slow cinema, smouldering with hurt but attentive to beauty and kindness, as Amador settles back into rural rhythms and his elderly, stoic mum’s care.The land, lush and sodden early on, has a painterly palette, and Laxe drinks in its supernal sights. A great bridge appears spindly between mountains, mum Benedicta hides Read more ...
Graham Fuller
The crass Disneyfication of the Beauty and the Beast tale crumbles in the face of Chained for Life. Starring Jess Weixler and Adam Pearson, writer-director Aaron Schimberg’s Altman-esque US indie – a low-key autumn 2019 release now available on a limited-edition Blu-ray – mordantly satirizes the universal act of judging people by their appearances, along with patronizing attitudes to otherness. Its moments of tenderness, however, are stirring.Weixler (star of the 2007 vagina dentata horror comedy Teeth) plays Mabel, the neurotically woke star of a cheap modern-day “mad scientist” movie whose Read more ...
Jill Chuah Masters
Marjane Satrapi, the Iranian-born French filmmaker, has a reputation that precedes her. Her upbringing was the subject of the acclaimed films Persepolis (2007) and Chicken With Plums (2011). Persepolis won the Cannes Jury Prize, two César awards and was nominated for an Oscar. Satrapi adapted and co-directed both films. She also wrote and illustrated the comic books on which they were based. Over the past ten years, Satrapi has parlayed her success as a cartoonist into a formidable career as a filmmaker. Her latest film is her biggest. Radioactive is a wide-ranging biopic about the life of Read more ...
Tom Birchenough
It may offer veteran French star Catherine Deneuve as substantial and engaging a role as she has enjoyed in years, but the real surprise of The Truth is that it’s the work of Japan’s Hirokazu Kore-eda. The director, whose Shoplifters took the Palme d’Or at Cannes two years ago, has made a distinctive move away from his native environment – and, no less importantly, language: apart from a few scenes played in English, this is a French-language piece – in a film that catches the tone and nuances of French cinema with a finesse that’s as delightful as it is convincing.Occasionally it feels Read more ...
graham.rickson
Humphrey Bogart. John Huston. Gina Lollobrigida. Peter Lorre. Truman Capote! What could possibly go wrong? There’s the screenplay for starters: Capote gets top billing, and I’d long understood that he and Huston together wrote 1953's Beat the Devil on the hoof, script pages being typed up only minutes before they were handed to the cast. Huston adapted a novel by journalist Claude Cockburn, whose late son Alexander later complained that fans of the film “professed to find evidence of Capote’s mastery in every interstice of the dialogue… but his contribution was limited to some concluding Read more ...
Graham Fuller
Run is the story of disgruntled 36-ish Finnie (Mark Stanley), a big, dour worker in a fish processing plant in the Aberdeenshire port of Fraserburgh – writer-director Scott Graham’s hometown. Long married to his onetime high-school sweetheart Katie (Amy Manson), and the father of twentyish Kid (Anders Hayward) and adolescent Stevie (Scott Murray), Finnie wants to get the hell out – or he thinks he does. At its core, Run is about being mature enough to recognize your glass is half full.The film completes Graham’s trilogy about ordinary people yearning to escape their constricted lives. Like Read more ...
Saskia Baron
Nick Rowland marks his breakout from TV drama with this very competent feature, an adaptation of Colin Barrett’s short story. Set in a bleak, rural Ireland, Cosmo Jarvis plays Arm, an ex-boxer with an estranged girlfriend, a non-verbal, autistic five-year-old son and the kinds of friends who get him into trouble. Chief among them is Dympna (Barry Keoghan, in a wholly chilling performance), the heir apparent to the local drug-dealing Devers clan. Dympna exploits Arm’s pugilism to add muscle to his verbal threats. Violence is the Devers’ modus operandi and Calm with Horses veers Read more ...
Joseph Walsh
When the Nobel Prize-winning author Toni Morrison died last year, it was a chance to celebrate the remarkable life of a storyteller who shook the literary establishment. Her work, including her debut novel The Bluest Eye, broke radical new ground in depicting African American life. Now her life is the subject of a new documentary directed by Timothy Greenfield-Sanders.This is a documentary that brims with love and admiration for Morrison’s work and life. All the critical biographical details are correct and present. Still, Greenfield-Sanders’ film is much more than a tick box Read more ...
Joseph Walsh
Created in the mould of Made in Dagenham and Pride, Philippa Lowthrope offers up a cheery, kitschy British comedy centred around the 1970 Miss World Contest that was disrupted by feminist protests. Leading this crowd-pleaser are Keira Knightley, Gugu Mbatha-Raw and Jesse Buckley. Rebecca Frayn and Gaby Chiappe divide their screenplay across the trio, but the central perspective is that of Knightley’s character Sally Alexander. As a young mum trying to make it as a mature student, her battles with the prevailing patriarchy are given a stiff kick when she meets Buckley’s Jo Read more ...
Tom Birchenough
The final sequence of Levan Akin’s coming-of-age drama And Then We Danced is as gloriously defiant a piece of dance action as anything you’ll remember falling for in Billy Elliot.Merab, the film’s youthful dancer protagonist (played by Levan Gelbakhiani, pictured below, in his first screen role) has been through a lot by then – the trials of first love, exacerbated by the realisation that he’s gay – and those closing minutes see him asserting his right to be who he is at an audition that pits him against his highly conservative surroundings.It’s a clash of values in every sense. The Georgian Read more ...