Film
Adam Sweeting
Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan Green (Jason Flemyng) sets out to map the extremities of the known world. However, the plot grows increasingly incomprehensible as layers of lunatic action scenes and fairy-tale fantasy are piled on top of it.At its core is a Chinese fable about a magic dragon chained up by a wicked princess and the Black Wizards. In a process perhaps only students of Chinese folklore would Read more ...
graham.rickson
These three films come from Buster Keaton’s mid-1920s purple patch, the high spots of which prompted critic Roger Ebert to describe Keaton as “arguably the greatest actor-director in the history of the movies”. High praise indeed. And while I’d rank The General and Steamboat Bill, Jr slightly above the films making up this anthology, each one makes for joyous viewing.1924’s The Navigator was a personal favourite of Keaton, prompted by his chance acquisition of a defunct US Navy passenger liner about to be scrapped. The set-up has Keaton’s foppish Rollo Treadaway and the girl who’s just Read more ...
Kathryn Reilly
The scenes at flamenco legend Camarón de la Isla’s chaotic, thronged funeral which open this lovingly-made documentary give some idea of the singer’s popularity and the shock at his death at the age of just 41 in 1992. He began singing professionally – to support the family after his blacksmith dad’s early demise – at just eight years old and was profoundly influenced by his mother, Juana Cruz Castro, a basket weaver who attracted admiring crowds to hear her sing in her Cadiz courtyard. So far, so gitano.Camarón (meaning shrimp – he was considered pale and blonde among the gypsy community) Read more ...
mark.kidel
David Lynch’s second feature, his only period movie, is as good as anything else he has ever done, building on the claustrophobia of his first, Eraserhead (1977) The story of Joseph Merrick, born in Victorian times with the most terrible physical deformation, rescued from a humiliating life as a carnival attraction by kind Dr Treves provides an opportunity for Lynch to explore themes at the core of his work: the purity of innocence and the terror of evil.The cinematography, by Freddie Francis, creates a gloom and a vision of London’s dangerous streets that is reminiscent of German Read more ...
Owen Richards
Horror has always been a good vehicle for satire, from John Carpenter’s They Live to Jordan Peele’s Get Out. Some metaphors opt for the subtle precision of a surgical knife, and others the hit you over the head. The Platform on Netflix is the latter, a brutal, blunt and effective sledgehammer.The concept is straight from a high school philosophy allegory. A vertical prison, with two cellmates per level. At the very top, a lavish feast is prepared on a platform every day. It passes through every level, inmates desperately eating their fill before it lowers down. The further down you are, the Read more ...
Joseph Walsh
With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a no-nonsense approach to children’s fiction that reflects the realities of jigsaw families, mental and divorce. In 2012, in something of a detour from the rest of her work, she wrote a sequel of sorts to E. Nesbit’s beloved magical children’s classic, Five Children and It. Nesbit’s book has been adapted a myriad of times, including the charming 1990s BBC version and the less successful 2004 take with Eddie Izzard. It’s a familiar Read more ...
Demetrios Matheou
After his two mysterious, tightly-coiled and idiosyncratic first features, Neighbouring Sounds and Aquarius, the masterful Brazilian director Kleber Mendonça Filho lets his hair down with an exhilarating, all-guns-blazing venture into genre. Bacurau is equal parts spaghetti western, ultra-violent horror and political conspiracy, with a dash of sci-fi for good measure. While paying homage to John Carpenter, Sergio Leone and Eastwood, among others, it also evokes a rich period of Brazil’s own film lore and, as ever with Filho, offers commentary on Read more ...
Owen Richards
The UK-wide lockdown has thrown the cinematic release schedule into chaos. Some films are postponed indefinitely, while others have opted for direct digital releases. It’s not ideal for anyone, but in a strange way it may play to The Whalebone Box’s favour. Specialist arthouse streaming service MUBI has secured the exclusive rights, and their captive subscribers are the ideal audience for such a strange, hypnotic piece.Experimental artist and filmmaker Andrew Kötting has built a reputation for idiosyncratic documentaries, and The Whalebone Box is true to form. Essentially, the plot follows Read more ...
Tom Birchenough
Zed Nelson brings enormous humanity to this portrait of the changing identity of Hackney’s Hoxton Street as gentrification impinges on its long-established community. Shops that have been there for decades vanish overnight, fancy new pavement cafes spring up, and Nelson listens, patiently, to all who will talk to him, with a striking sense of their being able to speak in their own time, unprompted, unhurried. A Hackney resident most of his life, he worked on The Street over four years and the trust he obviously earned speaks to the best traditions of social documentary.A couple of miles from Read more ...
graham.rickson
The Children’s Film Foundation began life in 1950, its brief to provide wholesome home-grown entertainment for Saturday morning cinema audiences. Instead of westerns and cartoons, young UK filmgoers were treated to low budget short features, usually involving plucky youngsters foiling dastardly criminal plots. They were produced up until the late 1980s, the organisation living on today as the Children’s Media Foundation. The BFI’s second box set of CFF features is every bit as good as the first instalment, and sifting through the nine films included here emphasises the company’s strengths. Read more ...
Tom Birchenough
Saudi director Haifaa Al Mansour is back on home territory with her new film, and you’ll recognise much here from her characterful 2012 debut Wadjda, itself the first-ever feature to emerge from her home country. That was about challenging the restrictions that the culture of Saudi Arabia imposed on women, and some really have gone in the intervening years – women can now drive, for one. As if to mark that progress, the opening scene of The Perfect Candidate has Mansour’s doctor heroine, Maryam (Mila Alzahrani), her face hidden except for the eyes by a black niqab, behind the wheel as she Read more ...
Nick Hasted
Imagine being trapped in your perfect home forever. It’s easy if you try now, as Vivarium’s allegory about property and parenthood is deepened by events. Following young couple Gemma (Imogen Poots) and Tom (Jesse Eisenberg) through a Black Mirror-style real estate nightmare, it constructs a creepy alternative suburbia which tests their relationship to destruction.Director Lorcan Finnegan’s first image is the unsettling alien maw of a cuckoo, as it tosses rival birds from their nest. “It’s only horrible sometimes,” keen primary school teacher Gemma says of nature to a watching child, before Read more ...