Film
Graham Fuller
A master at bringing neurotics to bilious life on screen, David Thewlis shines as a peevish, corrupt health inspector in Guest of Honour. There’s a perverse pleasure to be had in watching his character, health inspector Jim, a British expat in Hamilton, Ontario, suspiciously probing simmering griddles with his meat thermometer and scrabbling for rodent faeces on the kitchen floors of various ethnic restaurants. Alas, the father-daughter melodrama’s subdued emotional payoff barely warrants Thewlis’s nuanced performance and writer-director Atom Egoyan’s intricately nested narrative, which Read more ...
Nick Hasted
Woody Allen’s filmography, like Michael Caine’s, is remorseless, accepting mediocre work to mine more gems than most. Even after his career and this film’s planned 2018 release became collateral damage to #MeToo and a revived child abuse allegation, he has kept directing. A Rainy Day in New York is a thorough résumé of late Woody flaws, but still sparks with residual brilliance.The octogenarian Allen is increasingly divorced from modern life and remotely realistic plots. Undeterred, he sends young lovers Gatsby (Timothée Chalamet) and Ashleigh (Elle Fanning, pictured below centre with Rebecca Read more ...
Joseph Walsh
It’s impossible to deny the sincerity with which Todd Robinson has approached the true story of William H. Pitsenbarger, a US Air Force Pararescueman who was killed in action while rescuing over 60 injured soldiers during one of the bloodiest conflicts in the Vietnam war. The set-up is familiar for films of this ilk. Sebastian Stan is Scott Huffman, a cynical Capitol Hill careerist in the Department of Defence who gets landed with a job he doesn’t want. Whilst trying to climb the political ladder he’s cornered by a Vietnam vet (William Hurt), who asks him to get his fallen comrade Read more ...
Kathryn Reilly
So what exactly is all the fuss about? For those of us from a cinema-deprived area, it’s been a long wait for the homevideo release of this much vaunted "masterpiece". And the trailer gives away so much, there’s probably little to surprise us, right? Very wrong.Hauntingly dark, South Korean director Bong Joon-ho's lauded Parasite is neither simply comedy nor drama but something – dare I say? – genre-eschewing. A sinister atmosphere is pervasive throughout the two hours in which we watch plan after plan go wrong for the Kims, a desperate but resourceful Seoul family. It serves to add yet Read more ...
India Lewis
For the average female millennial, Greta Gerwig’s Little Women is the perfect film to watch in lockdown. Brought up on Winona Ryder’s Jo March, then Gerwig’s Frances Ha in our teen years, we never expected this blessing but are most ardently grateful for it. Even the clothes are echoes of Batsheva and Shrimps dresses, the aesthetic social currency of affluent girls in their late twenties. This relevancy is both Little Women’s strength and the source of its only bum notes.The feminist aspect of the book has been drawn out, with lines mostly delivered by Saoirse Ronan’s Jo and Florence Read more ...
Graham Fuller
The Vast of Night’s premise scarcely guarantees originality. Non-science-fiction buffs scoping Amazon’s film listings will probably move on quickly when they learn it’s about two late-'50s teenagers discovering that an alien space craft is hovering over their rural New Mexico burg. But Andrew Patterson’s sparkling directorial debut is an object lesson in how to revitalize an over-familiar narrative with fresh-seeming characters, visual daring, ladles of wit, and atmosphere to burn.Patterson uses the tropes of the extra-terrestrial visitation scenario to investigate Eisenhower-era Read more ...
Owen Richards
Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi is one such location, made famous by such films as The Beach and The Man with a Golden Gun. New release Krabi, 2562, from festival favourite directors Anocha Suwichakornpong and Ben Rivers, tackles these issues. But just like a visitation, it may cause you to think “this is not what I expected”.Presented as a docufiction, the film features a Read more ...
Graham Fuller
The Uncertain Kingdom is a VOD anthology of 20 short films, 10 directed by women, comprising a tapestry of life in – and, in one case, outside – Brexit-era Britain. Though hope, humour, and whimsy were threaded into the project, its dominant fabric is grey. The majority of the filmmakers recognised that a nation afflicted with poverty, unemployment, racism, xenophobia, and other injustices, mostly perpetuated by the class war, couldn’t be portrayed in brilliant hues, either literally or metaphorically.The films are being shown online in two volumes of 10. Eight of them are works of fiction. Read more ...
Jasper Rees
Larry Kramer, who has died at the age of 84, was the Solzhenitsyn of AIDS who indomitably reported from the gay gulags of Manhattan’s quarantined wards and revolving-door hospices. “I felt very much like a journalist who realises that he has been given the story of his life,” he told me when I met him. “I don’t consider myself a writer. I don’t bring the question of art into it at all like most writers do. I’m a messenger. As with activism, you figure out your target and the best way of reaching that target.”His most celebrated work, The Normal Heart, was a polemic about the early years of Read more ...
Joseph Walsh
Nisha Ganatra’s musical dramedy, penned by first time screenwriter Flora Greeson, isn’t going to win any prizes for originality and is almost unforgivably corny. But the feel-good vibes and winning combination of Tracee Ellis Ross and Dakota Johnson are still likely to win audiences over.Ross has been acting since the mid-90s, but has experienced a low-key renaissance in recent years, partly due to her role in Kenya Barris’ award-winning show, Black-ish. Of course, being the daughter of Motown legend Diana Ross and top music exec Robert Ellis Silberstein, she knows the music biz through and Read more ...
Nick Hasted
The Thousand Eyes of Dr Mabuse (1960) was Fritz Lang’s final film, resurrecting his Weimar villain in Cold War Berlin and forming a satisfying circle with his career’s German first half, which included Metropolis and M. This ended when Goebbels banned The Testament of Dr Mabuse (1933), leading to equally brilliant Hollywood exile, and the hard shadows of fierce classics from Fury to The Big Heat.Lang’s M star, Peter Lorre, ended his exile earlier with his sole film as director, The Lost One (1951), a searing parable of Nazi corruption, madness and murder which was too much for his homeland. Read more ...
Tom Birchenough
Czech director Alfréd Radok’s Distant Journey (Daleká cesta) has an unprecedented place in the history of cinema of the Holocaust. Initially released in March 1949, it has been called the first fictional treatment of the Jewish experience during the Nazi era, appearing less than four years after the liberation of the Terezin (Theresienstadt) transport camp, where the greater part of its action is set. As the world struggled to assimilate its recent history – if, indeed, assimilation of any kind can ever be possible – the fact of such a film appearing, from within a society that had been so Read more ...