Classical music
graham.rickson
Beethoven: Complete Works for Piano and Orchestra Howard Shelley (pianist and conductor), Orchestra of Opera North (Chandos)Lavish Beethoven box sets continue to appear. I’ve enjoyed Chailly’s symphony cycle, and another good one with Christian Thielemann and the Vienna PO has just dropped into the intray. Symphonic overload has been thwarted by this comprehensive collection of Beethoven’s music for piano and orchestra. Howard Shelley directs as well as plays, but there’s no slackness in terms of orchestral response. Shelley previously recorded matchless accounts of the Grieg and Read more ...
alexandra.coghlan
Last Tuesday night saw the London Symphony Orchestra celebrating 20th century English music under the baton of Antonio Pappano, launching proceedings with a stylish (and more than a little sexy) rendition of the dance suite from Thomas Adès’ Powder Her Face. Last night the LSO were back with Adès himself for an evening offering a rather more expansive tour through the composer’s work, pairing its dense orchestral textures with a selection of songs from Mahler’s Des Knaben Wunderhorn.We opened however with music from young Spanish composer Francisco Coll, Adès’s only composition student. Coll’ Read more ...
graham.rickson
Liszt: Piano Concertos 1 and 2; Grieg: Piano Concerto Stephen Hough, Bergen Philharmonic Orchestra/Litton (Hyperion)Liszt’s two piano concertos, particularly the subtler Second, aren’t played enough. They’re compact, dramatic, witty and cleverly structured, and it’s hard to listen to performances like these without grinning. Liszt can move from high-class schmaltz to cheesy melodrama in a flash; from the most poised romantic reverie to music which sounds as if it’s accompanying someone about to jump off a cliff. And what Stephen Hough excels at is the quick transformation, the mercurial Read more ...
alexandra.coghlan
The Wigmore Hall staged its own Entente Cordiale last night with an operatic double bill bridging both sides of the Channel. Christian Curnyn and the Early Opera Company looked beyond predictable partners for Purcell’s inconveniently short Dido and Aeneas, lighting on Charpentier’s Actéon, another miniature tragédie en musique. With rather more emphasis on the musique and rather less on the tragédie, the work may not be quite the equal of Purcell’s concise emotional epic, but as an evening’s musical dialogue this was harmonious indeed.Near contemporaries, Charpentier and Purcell have both Read more ...
Ismene Brown
London's Barbican Centre is 30 this year, and with a special Olympics subsidy boost as the world's eyes turn to the British capital this summer, it aims to be as lovely inside as it is famously unlovely outside. Film beauties Cate Blanchett and Juliette Binoche appear live on stage and theatre giants Pina Bausch, Philip Glass and Shakespeare are celebrated in a season of prominent internationalism. Peter Sellars, Toni Morrison, Yukio Ninagawa, Krzysztof Penderecki and Chick Corea are among many other world names invited to EC2 over the season. Three key British theatre companies are Read more ...
graham.rickson
Bach: Keyboard Concertos Alexandre Tharaud/Les Violons du Roy/Labadie (Virgin)Another disc of Bach keyboard concertos on a major label, following Ramin Bahrami’s brilliant, zingy set with Chailly on Decca. Alexandre Tharaud is teamed here with Les Violons du Roy, a Québécois chamber orchestra who use modern stringed instruments played with copies of period bows. Theirs is a distinctive sound, more astringent and incisive than that made by Chailly’s Gewandhaus players. So much so that Tharaud’s use of a piano instead of harpsichord could feel anachronistic. But he and director Bernard Read more ...
stephen.walsh
The Wye valley is famous for its scenery and coach parties: Symonds Yat, Tintern Abbey, Goodrich Castle, salmon fishing, leaves in autumn etc. etc. But in mid-winter all that is dead. Instead, this month as for the past dozen or so Januaries, the woods and waters will echo to the sound of chamber music, played by some of the most brilliant young musicians in the country.The Wye Valley Chamber Music Festival was started by pianist Daniel Tong (pictured below right) and violinist Fiona McNaught as a kind of winter camp for a handful of young professional musicians, who took over St Briavel’s Read more ...
igor.toronyilalic
We laughed. We cried. We cursed. We gulped. Not at fiction. But at fact. At the real world. The year's best theatre? Murdoch vs Watson. Thriller? The hunt for Osama. Horror? The Japan tsunami. Finest comedy? The Beeb's year long genuflection. Best opera/installation? The funeral of Kim Jong-Il. This was the year that reality trounced art.News channels thrived as their bulletins played out these teeth-janglers. Some were short explosive little numbers; others seemed determined to become five acters. Narratives were complex, characters unforgettable, visuals motley. The world mostly huddled Read more ...
graham.rickson
Bach: Complete Keyboard Works Ivo Janssen (Void)Enterprising Dutch pianist Ivo Janssen’s complete Bach set is an inexpensive way to acquire every scrap of the composer’s keyboard output. There’s everything here – wit, drama, poetry, humour and pathos, all delivered with consummate ease. Find Bach Complete Keyboard Works on AmazonBeethoven: The Nine Symphonies La Chambre Philharmonique/Emanuel Krivine (Naïve)Riccardo Chailly’s dynamic Leipzig cycle may have stolen the headlines when it appeared in the autumn, accompanied by a Barbican residency, but this French period-instrument cycle is Read more ...
Tom Birchenough
It took a relatively little-noticed television documentary, Vlad’s Army, broadcast in Channel 4’s Unreported World strand to confirm that theartsdesk has a readership in Russia. Peter Oborne’s film (the presenter pictured below) caught the pro-Kremlin youth movement, the Nashi, with its defences down, and the result depicted, no holds barred, how politics works there today. Recent events hint, somewhat unexpectedly, that political change in the country is in the air; at the least what had seemed a depressingly predictable certainty before December’s elections now at least now looks up for Read more ...
David Nice
Two precisely imagined dream-visions bookend a cornucopia on the musical front. I’ll start with the deadly but save the apparently frivolous for the top slot. Christopher Alden’s pitiless exiling of Britten’s A Midsummer Night’s Dream from Elizabethan wood to 1960s school block was to opera what Lars von Trier’s Melancholia was to film: audience-sundering, often alienating, sometimes enticing, but very much its own consistent world. Its splendid cast and conductor Leo Hussain worked as one to enhance the paradoxes of its terrible beauty.ENO’s newcomer on the schoolboy front, Nico Muhly’s Two Read more ...
stephen.walsh
Living and working 150 miles from London, one either clutches at local straws or gets on a train. I’ve done both in 2011, as usual, but in a way the local is more stimulating, not because it’s better (ha!) but because there’s so much less of it. For instance, I got much more of a kick from Siegfried at Longborough in Gloucestershire than from anything at Bayreuth, where everything is in the directors’ favour and they dispense huge sums year in year out on bizarre allegorisations of Wagner’s dramas.Besides being a brilliant piece of music theatre, Weinberg’s Passenger at ENO was superbly Read more ...