Classical music
David Nice
A monstrous celebration prefaced by thunderous organ chords is always going to be more the Albert Hall’s kind of thing than a comic opera viewed through the wrong end of the telescope. So Strauss’s Festival Prelude kicked off a first half of 150th birthday celebrations in more appropriate style than last week’s Der Rosenkavalier. Unfortunately what it ushered in worked less well up to the interval; but then there was Elgar’s Second Symphony to redeem all with heart and soul, the best possible visiting card for a golden-age Royal Liverpool Philharmonic Orchestra under Vasily Petrenko.You could Read more ...
David Nice
The sprightly tread of Handel’s Queen of Sheba, attended by two wonderful Turkish oboists, wove the most fragile of gold threads between full orchestral exotica and Rameau motets of infinite variety last night. Not that any more links need be found: it’s the addition of the late night events which turns the Proms into a real festival, not the mere concatenation of concerts you might find in the main orchestral season. And no-one could have asked for a higher level of engagement last night from either Austrian live wire Sascha Goetzel and his amazingly high level Borusan Istanbul Philharmonic Read more ...
Bernard Hughes
Last night's Prom offered an intriguing mixture of French music both sacred and profane, with a British world premiere as its centrepiece. Duruflé’s pious Requiem rubbed shoulders with Ravel’s wordly homages to the Viennese waltz, Valses Nobles et Sentimentales and La Valse. Perhaps the most intriguing element was the least familiar, the world premiere of Simon Holt’s flute concerto Morpheus Wakes, written for the soloist Emmanuel Pahud, accompanied by the BBC National Orchestra of Wales under Thierry Fischer.Simon Holt (b.1958), whose work often has a mythological starting point, describes Read more ...
Jasper Rees
A few years ago I sat high up in a rapt, sweltering Albert Hall as a lone pianist performed for two hours in the round. Neither before nor since has the BBC Proms treated a classical musician like a rock god. But then Lang Lang, whether his music-making causes you to cheer or shudder, was and remains the poster boy of a cultural revolution. A few weeks earlier he'd opened the Olympic Games in Beijing.That afternoon he duetted with two guests: his father on the Chinese erhu, representing China’s musical past, and a nine-year-old pianistic prodigy called Marc Yu representing the slightly Read more ...
Kimon Daltas
Sir Roger Norrington, 80 this year, produced a masterful St John Passion in the first of his two appearances at this year’s Proms, built around his excellent Swiss chamber orchestra and the Zürcher Sing-Akademie.Predictably, one of the main highlights was tenor James Gilchrist (pictured below). He hasn’t become a one-man Evangelist industry by chance: the ringing tone, faultless diction and projection are his stock-in-trade, but the magic lies in the subtlety of his delivery and master storyteller’s engagement with the text. The distaste when Jesus is struck by the officers; the shivers of Read more ...
theartsdesk
In recent years the BBC Proms have woken up to the idea that an audience for classical music can be captured young. The Doctor Who Prom was the first to harness a BBC brand and turn it into a stealthy orchestral primer. The Horrible Histories has served its turn too. This season the Proms aimed at smaller listeners are multiplying. Last weekend there was the Sports Prom, with a programme of popular theme tunes bulked out by music on the theme of outdoor pursuits. This weekend there brought the CBeebies Prom with the BBC Philharmonic.The programme included a BBC commission for Barrie Bignold Read more ...
graham.rickson
Dvořák: Symphony no 8, Janáček: Symphonic Suite from Jenůfa Pittsburgh Symphony Orchestra/Manfred Honeck (Reference Recordings)Dvořák's Seventh has the Brahmsian drama, and the Ninth has the crowd-pleasing tunes. But the major key Eighth is the most radical, and Manfred Honeck's remarkable performance highlights its originality in some style. Honeck's interventionist approach won't be to all tastes, but he justifies every interpretive decision in his sleeve notes, and the musical results are pretty special. He sees the composer here as ''liberated from Germanic models... completely at Read more ...
Matthew Wright
The Forties and Fifties, seen through the eyes of Shostakovich and the Pet Shop Boys, were the historical centre of gravity for last night’s courageously broad Proms programme. Bartók’s Violin Concerto No. 2, a gently serialist folk exploration from 1937-8, introduced the era, with the Soviet composer’s 10th Symphony and the Pet Shop Boys’ retro biography of Alan Turing (**) offering markedly contrasting interpretations through their depictions of Stalin and the Enigma-decoding, convicted homosexual mathematician.Tavener’s Gnosis, opening Prom 7 (****), was the exception. Through a setting of Read more ...
Heidi Goldsmith
If the 15-word limit of a succinct listings blurb ever taught you a lesson let it be immediate suspicion of any performer or musician termed "jazzy". This wariness could extend to anything generically suffixed by "y" or "ish", simply because it suggests either pretence or a lack of original or strong identity. And yet if asked what a "jazzy" performance might be a few concrete elements come to mind; well-tuned glissandi, scored solos, precisely-timed appoggiaturas and that old crooner's classic "swing feel".From conductor Nicholas Collon's swift and jovial entrance onto the stage at LSO St Read more ...
Sebastian Scotney
This was a rare outing by the World Orchestra for Peace, which has performed fewer than 20 concerts since the death of its founder Sir Georg Solti in 1997. UNESCO had designated this BBC Prom as "The 2014 Concert for Peace", the definite article implying a uniqueness which - according to rumour - is because concerts planned for Munich and Aix failed to get beyond the planning stage. It drew a respectable house to the Royal Albert Hall, which looked about three-quarters full.This has been a week in which world peace has seemed like a very distant ideal indeed, in which the news has been Read more ...
Jessica Duchen
No man is a prophet in his own land – except possibly the Macedonian pianist Simon Trpčeski. In the UK he shot to fame upon winning the London International Piano Competition in 2001 and at home he has become a national hero, his efforts rebooting the country’s classical music scene and inspiring the building of a new full-scale concert hall in Skopje – even though he is still a mere 35. He is also celebrated there as a popular songwriter. That, though, is a strand he left outside the Wigmore Hall, offering a programme that contained as much dark introspection as it did extroversion.Putting Read more ...
David Nice
Schubert played and sung through a long summer day by the water: what could be more enchanting? The prospect did not take into account the pain in that all too short-lived genius’s late work: when interpreted by a world-class trio, quartet and pianists at the 10th East Neuk Festival, it could be exhausting. So the hours in between were much needed balm on an afternoon and evening in the picture-postcard fishing village of Crail in the East Neuk (cf "nook") of Fife below St Andrews.Grey skies lifted by early afternoon, leaving the sun to bring out the honey colour of much of the local stone Read more ...