Galleries
Jasper Rees
Anna Baranovska, single mother, Birmingham. Originally from Lativa, she was shortlisted for Miss England
“Being a rambling but truthful account of what one man saw and heard and felt and thought during a journey through England.” Upon its publication 75 years ago, J B Priestley’s English Journey became an important influence for writers, photographers and even, it has been suggested, the agenda of the post-war Labour administration. Cushioned by the success of The Good Companions (1929), Priestley embarked on his tour of the English regions at a time of economic Armageddon. In this new English journey, and in the teeth of a new recession, photographer John Angerson set out to follow in Priestley Read more ...
mark.hudson
Henry Moore is said to have first encountered the image of the reclining figure in Paris in 1925 in a plaster cast of an ancient Mexican Toltec-Maya figure in the Trocadero Museum. It was to become probably his most frequently explored theme, revisited hundreds of times over the following 60 years before his death in 1986. From the relatively realistic to the almost totally abstract, Moore’s reclining figures can be seen in galleries and public spaces all over the world. Here we give you 11 particularly glorious examples, all to be seen at Tate Britain's magnificent exhibition Henry Moore. Read more ...
Jasper Rees
Love. Angel. Music. Baby. Gwen Stefani.
Over the past couple of years, maverick photographer Gavin Bond has built up a contacts book that would be the envy of Rankin or Annie Leibovitz. He’s been shooting everyone who is anyone: subjects range from godfathers of rock such as Bono and AC/DC, through familiar acts like The Killers and Gwen Stefani, to fresh faces and emerging starts like Katy Perry and Vampire Weekend. Borrowing a vocabulary from the highly imagined and stylised world of the pop video, Bond’s photography largely concentrates on the impact of the artists as performers. However, "behind-the-scenes" shots of bands on Read more ...
mark.hudson
Keith Piper: Go West Young Man, 1987. Photograph on paper mounted on board. In 14 parts
Afro Modern: Journeys through the Black Atlantic is without doubt one of the year’s most enterprising and original exhibitions. Attempting to trace the impact on art of black cultures from around the Atlantic – in Africa, Europe and the Americas – from the early 20th century to today, it takes on a massive swathe of culture and experience. Or perhaps that should be several massive swathes. Beginning with the first earnest gropings towards a black modern style in inter-war Harlem and Brazil, the exhibition moves through Africa’s rediscovery of its own culture in the Negritude movement of the Read more ...
sheila.johnston
Nature as we rarely see it: a fishy customer from Océans
To accompany Anne Billson's review of Océans, the new documentary from the men behind Winged Migration, we present a line-up of fishy customers from the film, including the two directors, the Jacques Cluzaud and Perrin. Real or fake, verité or Photoshop? Click on the images below to enlarge them and draw your own conclusions.[bg|/THEATRE/Sheila_Johnston/Oceans] 1. Aurelia jellyfish 2. Green turtle 3. Ball of mackerel 4. The co-directors of Océans, Jacques Cluzaud (left) and Jacques Perrin 5. Bottle-nosed dolphin 6. Adelie penguin 7. Walruses 8. California sea lion 9. Weddell seals Read more ...
Jasper Rees
'Xavier', from Niall O'Brien's 'Good Rats' exhibition
Purists would have it that punk rock was but a brief explosion in first New York then London, and was all but spent by the end of 1977. Irish photographer Niall O'Brien, however, was born in 1979 and has no truck with purism. Instead, taking the role of anthropologist for his exhibition Good Rats, he has befriended and spent time with groups of young punks, from skaters in Kingston-upon-Thames to homeless teens in Berlin and Tel Aviv, and documented the noise, chaos and sense of belonging that comes with the subculture more than three decades on from its inception. Click on the images below Read more ...
Jasper Rees
This Saturday The Real Van Gogh: The Artist and His Letters opens at the Royal Academy of Arts - it is reviewed by Fisun Güner elsewhere. Organised in collaboration with the Van Gogh Museum in Amsterdam, it is the first major exhibition of Van Gogh's work in this country for 40 years. In anticipation, theartsdesk here offers a gallery of exhibits, not only of celebrated canvases but also of letters scribbled by the artist to his brother Theo, with sketches thrown in. This Saturday The Real Van Gogh: The Artist and His Letters opens at the Royal Academy of Arts - it is reviewed by Fisun Güner Read more ...
theartsdesk
Wojciech Grzedzinski: 'Georgian woman cries after Russian air strike on civilian buildings in Gori'. Winner, Current Affairs category
The annual Sony World Photography Awards began in 2007. They showcase the work of both professional and amateur photographers across genres which inclu  de journalism, fashion, architecture, advertising, sport and music. This year there were over 60,000 images submitted from 139 countries. Each year, the winners and runners-up are collected in an exhibition which tours the world. The London stop of the tour opens today at the Art Work Space gallery in London W2. Here is a selection of images, with short commentaries by the photographers themselves.Gordon Welters (Germany): Loveparade Read more ...
Jasper Rees
These photographs shows Ockham's Razor in performance. While there is a fierce kinetic energy to their work, photography captures something of its still beauty. The images come from four shows they have devised and performed on their own - Memento Mori (2004) Every Action... (2005), Arc (2007) and The Mill (2010) - and Hang On (2008), created in collaboration with Theatre-Rites.All images by Nik Mackey unless stated.Memento MoriEvery Action... iEvery Action... iiArc iArc ii The Mill iThe Mill iiThe Mill iiiHang On (image by Patrick Baldwin)[bg|/THEATRE/jasper_rees/Ockhams_Razor]Book for Read more ...
Jasper Rees
It's sometimes referred to, just a bit dismissively, as bonnet drama. Whenever television visits the 19th century, the headwear of the female characters does indeed play its part. Of no adaptation of Victorian fiction is that truer than Cranford. The actresses wearing the bonnets are fairly resplendent too. This Christmas they are queueing up to appear in Heidi Thomas's new dramatisation set in Mrs Gaskell's quiet Cheshire town. Our gallery celebrates the bonneted British actresses of Cranford, to amplify director Simon Curtis's description elsewhere in theartsdesk of working on the new Read more ...
Jasper Rees
Detail of the War of Troy tapestry, woven in wool and silk, Tournai, France (1475-1490)
After the opening earlier this autumn of the reconfigured Ceramic Galleries, the Victoria & Albert Museum's renovation continues. Here is a selection of exhibits on permanent display in the newly reopened Medieval and Renaissance Galleries - Fisun Güner reviews the display elsewhere in theartsdesk. The Robinson Casket, from Kotte, Ceylon, c. 1557 The Burghley Nef salt cellar, Paris, 1527-8 Andrea Riccio: Shouting Horseman, Padua, c 1510-15 Giovanni Antonio Baffo: Harpsichord, Venice, 1574 Giovanni Pisano: Figure of the Crucified Christ, Italy, 1285-1300 Salamander Pendant, Europe, late Read more ...
sheila.johnston
The Melancholy Death of Oyster Boy and other stories (1998), pen and ink, watercolour on paper
To accompany our review of the spectacular and extensive exhibition dedicated to Tim Burton at the Museum of Modern Art, New York, we present a tiny selection of the 700-plus works on display there until 26 April 2010. Click on any of the images below to open the full view. The entrance to the MOMA exhibition (photograph: Michael Locasiano) The Green Man (1996-1998), oil and acrylic on canvas Creature Series (1992), acrylic on canvas Picasso Woman (1980-1990), pen and ink and watercolour on paper The Nightmare Before Christmas: Sally (1993), Polaroid Ramone (1980-1990), pen and ink, marker Read more ...