Film
graham.rickson
"Crazy comedy" was a recognised subgenre in post-war Czech cinema. Turn to this disc’s bonus features first and watch Michael Brooke’s video essay Those Crazy Czechs, an entertaining whistle-stop guide which piqued my curiosity about films such as You Are a Widow, Sir!, I Killed Einstein, Gentlemen! and How About a Plate of Spinach?Jindřich Polák’s time-travelling Nazis comedy Tomorrow I’ll Wake Up and Scald Myself with Tea has been reissued by Second Run, and it’s now followed by Václav Vorlíček’s Who Wants to Kill Jessie? Released in 1966 as Kdo chce zabít Jessii?, this features Read more ...
Nick Hasted
Love was the Norwegian climax of Dag Johan Haugerud’s Oslo trilogy, the most lovestruck vision of his city and boldest prophesy of how to live there, beyond borders and bonds of sexual identity and shame. Released here between Dreams’ meta-memories of swooning first love and Sex’s look at desire undefined by gender, it also settles in Oslo’s heart.Gay nurse Tor (Tayo Cittadella Jacobsen) and his straight doctor colleague Marianne (Andrea Bræin Hovig) are complementary leads in a film as concerned with female desire as the queer lens Haugerud’s work is conceived through. The set-piece speech, Read more ...
Markie Robson-Scott
“When have you ever gone off alone?” scoffs Magnus (Thomas W Gabrielsson) when his wife, Maria (Mirja Turestedt), expresses the wish to go to England rather than Morocco for their joint sabbatical. Famous last words.Caroline Ingvarsson’s debut feature, adapted from Swedish writer Håkan Nesser’s complex psychological thriller The Living and the Dead in Winsford, is big on atmosphere but leaves too much to the imagination, skimming over the surface of the book, which is well worth reading, and extracting only bare, unsustaining bones.Something bad goes down in a bunker, but it’s hard to tell Read more ...
James Saynor
Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “Baby” in Dirty Dancing. So you’d think that directors and casting experts could find actors to advance on the screen through that kind of age gap readily enough.But this French kissing-and-clobbering epic opts to recast its romantic leads midway through as they jump from teens to twenties, and it’s one reason why the Hauts-de-France Romeo and Juliet – directed by Gilles Lellouche – wrings few tears or heart-skips over its two-and-three-quarter-hour Read more ...
Helen Hawkins
The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet film about a woman torn between her first love, a Korean, and her current one, her American husband. Song is back with another woman at a crossroads, but in Materialists her heroine’s decision is much less painful to make, and far less affecting. This film is a curio: if Song’s name didn't appear in the opening credits, you would see it as a well cast mainstream romcom for grown-ups, with passages of seemingly sober analysis of the nature of love and marriage. It Read more ...
Pamela Jahn
The German actor Leonie Benesch has an issue with erratic pacing in films. "I find it awful when a character talks and then there's a two-second pause before the dialogue continues," she says.Benesch's portrayal of a committed night nurse working in an understaffed hospital in Petra Volpe's Late Shift doesn't allow for such awkward silences. The taut medical drama plays out as a nerve-wracking thriller.The Guildhall-trained Benesch is probably best known to British audiences for co-starring with David Tennant in the Around the World in 80 Days miniseries and for playing Read more ...
Justine Elias
Before Freakier Friday there were the two film versions of Freaky Friday based on Mary Rodgers’s lively, perceptive 1972 Young Adult novel, the foremother of all body-swap movie comedies (including Big).In Rodgers’s story, a feuding mother and daughter magically switch bodies for a day. The author was absolutely aware of this ingenious setup’s queasy-comic possibilities. Her 13-year-old narrator seethes at not being allowed to attend boy-girl parties that feature “kissing games”, and struggles when her child-mind is cast into her mother’s adult body and is forced to deal with responsibilities Read more ...
Helen Hawkins
If you saw it blind, with no information about its origins, Eight Postcards from Utopia might look like 70 minutes of outtakes from lost Fast Show recordings, the bits where they lampooned the TV they had watched on foreign holidays and the spoof ads they concocted.There are no commercials for Cheezy Peaz in this documentary, a mad montage of Romanian commercials from the 1990s, after the socialist regime and its autocratic leader had been despatched, but there are ads for almost every other category of goods you can think of, from high finance to laxatives. The fun is watching what the Read more ...
Graham Fuller
The acorn doesn’t fall far from the tree is the bitter message of The Kingdom. Director and co-writer Julien Colonna’s nerve-fraying drama about an adolescent girl’s sudden immersion in the brutal, uber-macho world of her father, a ruthless Corsican mafia boss, or caïd, builds inexorably to the only possible conclusion. It's still shocking; cathartic, too, but dispiritingly so.While depicting Mafia violence as a pestilential evil, The Kingdom allows that crime families’ blood ties and Old Testament revenge ethos prevent insiders from walking away and starting their lives elsewhere. Such Read more ...
Nick Hasted
Weapons’ enigmatic title, as with Zach Cregger’s previous film Barbarian, reveals little of what follows. The smalltown Pied Piper premise is sufficiently alluring: at 2.17 am, all bar one of a primary school class leave their beds and sprint through night streets, arms flung back like fighter jets, before vanishing utterly.This mystery at first seems secondary to its effect on six protagonists, whose points of view provide pieces of the puzzle. Alongside artfully creepy imagery and gorehound excess, Cregger relies on structure and characters to reel you in, till the central enigma is Read more ...
Pamela Jahn
"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director Dag Johan Haugerud, whose new film Oslo Stories: Dreams is all about the most beautiful and painful feeling in the world. Taking the top prize at this year's Berlin film festival, Haugerud's drama is no singular achievement but one-third of a loose trilogy that non-judgmentally explores the complexities of human relationships, sexual identity, and romantic and not-so-romantic love and passion. Each film presents characters troubled in some way by their inner selves Read more ...
Nick Hasted
Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in the Golden Bear-winning Dreams, the first UK release from Norwegian director Dag Johan Haugerud’s Oslo Stories trilogy. Love and Sex complete the thematically interwoven sequence, which unpick assumptions about sexual identity with gentle irony.Johanne’s lengthy voiceover relates her romantic awakening first by a French novel then her new French teacher, the felicitously named Johanna (Selome Emnetu). Johanne emotionally shoots up fast as she feels Read more ...