Film
Kieron Tyler
It can’t be a coincidence that the simultaneous release of four Agnès Varda DVDs draws a film each from the Fifties, Sixties, Seventies and Eighties, bringing the opportunity for a broad-sweep appraisal. It’s equally unsurprising that the films share Varda’s non-judgmental empathy with her subjects and their day-to-day worlds.La pointe courte, released in 1954, is Varda’s first film. Although it captures the life of the eponymous fishing village, it’s a loose-ended examination of the collapsing relationship between a locally raised husband and his Parisian wife. Even at this point Varda had Read more ...
ash.smyth
John Madden's mainstream remake of Israeli thriller Ha-Hov – The Debt – features three Mossad operatives despatched to Sixties Berlin on an Eichmann-style mission to kidnap a former Nazi and escort him to Israel for trial.In pursuit of Dieter Vogel, "the Surgeon of Birkenau", Rachel Singer (Jessica Chastain), Stephan Gold (Marton Csokas) and David Peretz (Sam Worthington) each carry the requisite array of general post-Holocaust baggage and individual character flaws, which, in the fullness of time, incline them predictably to a messy love triangle and an even messier Read more ...
Nick Hasted
It takes an ultra-liberal Catholic like Kevin Smith to tear into Christian fundamentalism with Red State’s ferocious accuracy. The writer-director’s 10th is being sold as a horror film, but the only demons to be seen are those of church and state.When his debut Clerks became a micro-budget paragon of independent cinema in 1994, Smith gently dismissed himself as “a 24-year-old with a talent for dick jokes”. In some subsequent films – Jay and Silent Bob Strike Back (2001), for instance - he’s seemed happy to live down to that, and massage his own cult. Red State is a radical change. An early Read more ...
Jasper Rees
Four years ago a film called Persepolis told the story of a young woman’s experience of revolution in Iran. There has been a modest abundance of Iranian films making their way west over the years, but this distinguished itself from the others by being a frank and unflinching account of recent historical events, told in the form of animation. So the concept of The Green Wave should not take anyone by surprise.In 80 compact minutes, it gives an account of a very different revolution in Iran: the street protests of 2009 before and after the rigged election. It is much less reliant on animation, Read more ...
Nick Hasted
Irene (Carey Mulligan) realises just how much the Driver (Ryan Gosling) loves her as his boot caves in a man’s face on the floor of her apartment building lift. They have just kissed for the first time, and she tumbles from him, shaken and repelled. But she can’t stay away, and neither can he, in Nicolas Winding Refn’s Cannes prize-winning tragic action romance.As its nameless hero, Gosling doesn’t speak for Drive’s first 10 minutes, and is so still in one early scene he looks plastic, only a flick of a finger confirming he breathes, let alone sweats. We see him move smoothly between three Read more ...
ash.smyth
After the international success of Not Here to Be Loved, Stéphane Brizé returns with a delicate, sentimental tale of small-town life disrupted when French builder Jean meets Véronique Chambon, his son's junior-school teacher.And, er, that's it. Pretty much. Jean (Vincent Lindon) doesn't manage his emotions very well (doesn't even seem to realise them for the most part); Véronique (Sandrine Kiberlain, pictured above) - a slightly insipid, freckly figure - doesn't do much better; Jean's wife Anne Marie (Aure Atika) gets a little suspicious. Some... thing... happens... But Read more ...
Ismene Brown
The clips as you load the DVD show women in extremis - women tied to the end of a rope, women being assaulted by mass male groping, women dancing on pointe with bleeding chunks of meat stuffed into their ballet shoes. Pina Bausch’s commentaries on women make her ballets disquieting viewing. Wim Wenders’ film, released as a 3D version in cinemas earlier this year, takes you into those deep, confused questions that Bausch’s dance works put.He had planned to make this film with Bausch, but her sudden death left him bereft. This film therefore became an elegy to her and her company, Tanztheater Read more ...
Matt Wolf
"I'm going to help you rediscover your manhood," a self-described sexual "tomcat" called Jacob (Ryan Gosling) tells his new friend, and project, Cal (Steve Carell). And with that, the awkwardly titled Crazy, Stupid, Love sets off on its none too surefooted way. Might some equivalent to Jacob's confidence and expertise have been of use behind the camera, as well? Without a doubt, and one worries only that there may be those who actually do take this film as some sort of sexual and social primer for our troubled age.On the other hand, no movie with Gosling's singular charisma and insouciance Read more ...
david.cheal
It’s hard to imagine a director being able to make a film like More today. The plot could be written on the back of one of the soft-packs of cigarettes being constantly smoked in the movie; the characters are unlikeable; there’s little in the way of emotional engagement; the music, by “The” Pink Floyd, is used only as part of the action, ie, coming out of cassette players, record players, and so on, rather than as an actual soundtrack; the editing has a deliberately un-rhythmic, un-fluid, nouvelle vague quality; the camerawork is unostentatious; the acting and the dialogue are flat and Read more ...
Nick Hasted
As an elegiac score plays, bails of early editions of the New York Times are bundled and tossed into a fleet of vans, which roll out into the dawn city streets, to distribute the news. The conviction shared by many in this documentary about the paper is that the vans will soon look as quaint as the last of the horse-drawn hackney cabs. The ritual of late-night editorial agonising over stories before the presses roll, and newspapers themselves, are equally under threat. The New York Times’ possible death, as much as daily life there, is director Andrew Rossi’s theme.He focuses on the Times’ Read more ...