Film
Tom Birchenough
The Red Army Faction was Germany's key revolutionary force for a decade from the late 1960s onwards, and its story, especially the characters of Ulrike Meinhof and Andreas Baader, has proved highly attractive to the country's filmmakers. Uli Edel’s 2008 The Baader Meinhof Complex told the key political story in lengthy detail through to its end in 1977 when four of its key members (in the official version) committed suicide in prison. One of them was Gudrun Ensslin, who became radicalized after she became a lover of Andreas Baader.In his first feature documentarist Andres Veiel tells a Read more ...
Adam Sweeting
Silent movies are currently the rage of Tinseltown, so what better moment to brush up on one of the treasures of the pre-talkie era? Top movie-ologists now contend that FW Murnau's 1926 film of Faust is a neglected all-time great ("one of the most beautifully crafted films ever made," according to Theodore Huff in Sight & Sound). It's an opinion shared by Greek composer Aphrodite Raickopoulou, whose painstakingly wrought new score for the film was premiered at the Royal Festival Hall last night.Performed by the Philharmonia Orchestra under conductor Benjamin Wallfisch, and featuring piano Read more ...
mark.kidel
On the face of it, a low-budget French film featuring the story of a pre-pubescent girl who pretends to be a boy promises little more than an off-centre tale of gender envy. Hardly edge-of-your-seat stuff, but Céline Sciamma’s second feature is lifted way beyond the run-of-the-mill by extraordinary performances, a daring but totally accomplished formal simplicity and a script that generates as much tension as the best Hitchcock thriller.Moving to a new home with her famiy gives Laure, the film’s young heroine (Zoé Héran),an opportunity to re-invent herself as “Michael”, convincingly passing Read more ...
Matt Wolf
Maybe it was host Billy Crystal at far from peak form. Or a surfeit of cringe-making shtick by too many presenters, including the distaff principals of Bridesmaids. Or the desperation that clung to the multiple on-air tributes to an art form whose very being was celebrated in the evening’s two major winners, Hugo and The Artist. But my God did the 84th annual Academy Awards need Meryl Streep by the time The Iron Lady was called to the stage as Best Actress in the penultimate award of the evening.I say that not just because Streep’s trophy for playing Margaret Thatcher – a surprise in a town Read more ...
theartsdesk
Every year before the Academy Awards speeches are tacitly composed, flowing gowns and priceless necklaces booked and no doubt small blameless animals slaughtered in the Roman style for good luck. Before the gladiators enter the ring, we at theartsdesk continue our novel take on the 2012 Oscars by allotting a category each and asked our film writers to sift through the nominations, tell you who they think will win, who they really would like to win, and who has been most egregiously overlooked by Oscar's overwhelmingly ageing white male judiciary. Will Meryl actually go home with her third Read more ...
Ismene Brown
First it's Golden Globes, then Oscars, or it's Grammys, then Brits - you can hardly go by a Sunday this time of year without another set of awards. But which ones count? Who are the judges?The experts on theartsdesk (judges, some of them - schmoozers, all of them) have come up with a comprehensive diary of the performing arts awards dinners (and glass-of-wine flybys) that you can attend during the year if you know the right people in theatre, film and TV. We also pooled our considerable experience as awards panellists to give you a credit rating for each - if you take the slightest notice of Read more ...
theartsdesk
They have been racking up the Oscar nominations since 1978, and this year they were back. Woody Allen was nominated twice over for Midnight in Paris, his biggest commercial hit ever, and won for Best Original Screenplay, while Meryl Streep was a surer bet for victory in The Iron Lady than even Mrs Thatcher in the 1983 general election. In the first of our three Academy Award specials, theartsdesk's team of film writers look back their nominations - and occasional wins - to see what they tell us about two careers which have endured against the odds: Allen's because he rarely has Read more ...
ash.smyth
So Homeland is here, and mid-ranking-CIA-operative Claire Danes is chasing Marine-Sergeant-and-possible-al-Qaeda-double-agent Damian Lewis all over the shop (but really only in their heads, so far), and neither of them is getting anywhere fast, so Claire goes home for a kip and sticks on some relaxing music, and would you Adam ‘n’ Eve it? – another bloody jazz nerd!Seriously, has anyone done research into the neurological links between analytical thought and jazz? Or whether the CIA does the bulk of its recruiting in Manhattan after-hours clubs? Or whether all spy dramas are now just Read more ...
Emma Dibdin
Following her nuanced turn last year in Mike Mills’ quietly wrenching Beginners, Mélanie Laurent makes her directorial debut with another dimly idiosyncratic tale of thirtysomethings finding love and facing grief. Alas, while Laurent and her co-writers Morgan Perez and Chris Deslandes initially set up some intriguing dynamics, they give way all too swiftly to predictable scenes and a crushingly saccharine third act that’s no less risible for being heartfelt.The plot centres on two sisters, adopted bookseller Marie (Marie Denarnaud) and aspiring musician Lisa (Laurent). Their opposing Read more ...
Ismene Brown
With most horror films the monster gets flushed down the metaphorical toilet - blown up, spat out, switched off. In this one you must live with the monster forever. As most people know, We Need to Talk About Kevin is about a boy who becomes a multiple murderer. That’s established in the opening shot (using barrel-fuls of tomato passata, I'd guess) with a vivid repellency and realism that you only slowly realise has drawn you deep into his mother’s mind - where you will stay for the rest of the story.Lionel Shriver’s novel seemed to me somewhat too schematic and clever in its treatment of her Read more ...
Adam Sweeting
Never mind the stars or the director. These days, it's the unit travel agent who can make the difference between disastrous turkey and opening weekend bliss. Since Safe House just pipped amnesiac romance The Vow to the top of the US box office charts, we must conclude that the decision to place the film in the slightly unusual locale of Cape Town has proved a shrewd one.It certainly wasn't originality, unpredictability or skilful character development which fired it up the rankings. Yes alright, it does star reliable crowd-puller Denzel Washington as rogue and very, very treacherous CIA agent Read more ...
Matt Wolf
Travel, health permitting, knows few age barriers (if it did, there would be no Elderhostel), nor does charm, so there are two reasons up front why The Best Exotic Marigold Hotel fully deserves to win over the so-called "grey pound" market and much more besides. The story of a septet of British retirees abroad who need to leave home in order to learn any number of home truths, John Madden's film provides a welcome corrective to our youth-obsessed celluloid age without going to the opposite extreme and offering up an Anglo-Indian Cocoon, schmaltz and all.In fact, the film's flintiness is one Read more ...