Film
Markie Robson-Scott
“It’s an injustice of nature that I haven’t become an athlete and it’s an injustice of nature that we do not have wings,” says German director Werner Herzog, aged 81, sounding characteristically intense.Who else, muses Wim Wenders, one of the many talking heads in Thomas von Steinaeker’s exhilarating documentary, has succeeded in “inventing” their own accent in a way that the whole world imitates and enjoys? Herzog is a “truly mythological creature” and has, he says, shaped the American perception of Germans like no one else. Though no one else is quite like Herzog.His films – he’s the Read more ...
Sarah Kent
When it was published in 1976, “The Hite Report” caused such a sensation that it was translated into 19 languages and flew off the shelves in 36 countries to become the 30th best selling book of all time. Yet it’s author, Shere Hite was treated as Public Enemy Number One.Her crime? To reveal truths about female sexuality that American men didn’t want to hear. So they conspired to vilify and silence her. They were so successful in their mission and her fall from grace so complete that, fast forward 20 odd years, and not a single New York publisher would give her a book deal.Nicole Newnham’s Read more ...
Helen Hawkins
Seabiscuit, Creed, Rocky, The Full Monty, Chariots of Fire… George Clooney’s latest directorial project is in the same vein as these earlier films, but swap Seabiscuit et al for a rowing eight. All have a format film-makers love because they know it will jerk a tear from anybody who loves a saga about an underdog, especially if it’s true. The Boys in the Boat is based on a 2013 bestselling account by David James Brown (co-writer on the film) of the US rowing eight’s bid for glory at the Berlin Olympics in 1936. The date is significant because the historical context allows the boys in the Read more ...
Adam Sweeting
Following their award-scooping collaboration on 2018’s The Favourite, Emma Stone and director Yorgos Lanthimos return with this mind-bending adaptation of Alasdair Gray’s eponymous novel. Also on board is screenwriter Tony McNamara, who wrote (with Deborah Davis) The Favourite’s screenplay. You might say lightning has struck twice, with Stone collecting the Best Female Actor award at the recent Golden Globes and the film winning for Best Musical or Comedy. More mantelpiece-adornments seem certain to follow.But while it’s not a musical (though it has music in it), is it a comedy? It’s Read more ...
graham.rickson
Margaret Thatcher’s witless assertion that “there is no such thing as society” dates back to 1987; Ken Loach’s The Old Oak offers a belated but powerful rebuttal.His film highlights several discrete societies coexisting in a depressed Durham mining village. We meet a group of ex-miners who eke out pints in the titular pub, frustrated that the terraced houses they struggled to buy are now being bought up for a pittance by property companies. And there’s the coachload of Syrians who pitch up in the opening scenes, greeted with a mixture of bewilderment and open hostility. In between are people Read more ...
Nick Hasted
This week, the makers of Scala!!! threw a party in what remains of its subject – a notorious, beloved repertory cinema in then sleazy King’s Cross, born 1981, dead 1993, and now a dowdier music venue.The auditorium was cut up, shrunk and sanitised, the seats where hundreds got lost in an especially dank darkness long gone. But old shapes were mentally sketched by ageing regulars as a small screen defiantly unspooled copious gore, nudity and energetic depravity in trailers for Reform School Girls, Thundercrack!, Lynch’s Blue Velvet, Pasolini’s Salo, Hal Ashby Read more ...
Justine Elias
The water is wild in Night Swim, the weirdly wet horror debut from director Bryce McGuire, in which a backyard bathing pool becomes the locus of all things supernatural.For a while, this mild, many-angled shocker, produced by horror impresarios James Wan and Jason Blum, seems to emerge from the same wellspring that spawned Insidious, Sinister, and The Conjuring. But unlike those deliciously scary tales of grieving families and ghostly invaders, Night Swim paddles in circles around inchoate human fears rather than diving furiously into a vortex of terror.Maybe that’s because the film is an Read more ...
Saskia Baron
There’s no shortage of documentaries about movie stars, film directors and production studios in their heydays, but very little attention has been paid to the cinemas that showed the movies they made or the diverse audiences they attracted.Opening in the UK after a very successful lap around the world’s film festivals, is Scala!!!! Or, the Incredibly Strange Rise and Fall of the World’s Wildest Cinema and How It Influenced a Mixed-up Generation of Weirdos and Misfits. That breathless title itself hints at the unknown pleasures (and breakneck nostalgia) to come from co-directors Jane Read more ...
Hugh Barnes
Sofia Coppola knows a thing or two about teenage girldom. Like many of her other characters – in The Virgin Suicides, Lost in Translation, Somewhere and Marie Antoinette – the subject of her latest film, Priscilla Presley, is an ingenue living in a gilded cage and surrounded by lavish boredom. It hardly matters whether the setting is actually the Park Hyatt Tokyo, Chateau Marmont, the Palace of Versailles – or Graceland, in this case.The song remains the same. Written and directed by Coppola, Priscilla is a tortuous journey into the dark heart of celebrity. Yet the well-known story follows an Read more ...
Hugh Barnes
The movies haven’t been kind to Pyotr Ilyich Tchaikovsky. The Nutcracker Suite was a highlight of Walt Disney’s Fantasia (1940) perhaps, but the 1969 Soviet biopic directed by Igor Talankin was tedious and Ken Russell’s The Music Lovers, released two years later, worse than that.Tchaikovsky’s Wife, written and directed by the talented Russian filmmaker Kirill Serebrennikov, tells the story of Antonina Miliukova, who married Tchaikovsky in 1877 and then went mad because she couldn’t reconcile herself to the composer’s homosexuality.It should have been obvious to the smitten Miliukova (Alyona Read more ...
Markie Robson-Scott
“I had sex with a woman. Can I tell you about it, please?” says film director Tomas (Franz Rogowski) to his husband Martin (Ben Whishaw), a printmaker. Tomas is full of excitement about his night with Agathe (Adèle Exarchopoulos); Martin is resigned, pale, doesn’t want the details. This always happens when you finish a film, he says. Take a nap, relax. But Tomas has thrown their relationship into crisis.Relaxing is not something that comes easily to Tomas, who’s driven by his impulses and expects everyone to be endlessly indulgent of his mercurial desires. When they’re not, he crashes. He Read more ...
Nick Hasted
Just as Napoleon may be Ridley Scott’s most autobiographical subject, so motor-racing potentate Enzo Ferrari’s mastery of streamlined speed seems made for Michael Mann. But where his best films’ cool control accelerates into calibrated mayhem, Ferrari mostly stays underpowered.Mann focuses on four months in 1957, when his company’s survival hinges on Enzo (Adam Driver) attracting investment with a win at the Mille Miglia, a daunting thousand-mile race around Italy’s public roads, while his domestic double-life with wife Laura (Penélope Cruz, pictured below) and long-term secret mistress Lina Read more ...