Film
Demetrios Matheou
The first full day of Cannes started with a cracker, appropriately by a Frenchman and one of my favourite contemporary directors, Jacques Audiard. Rust and Bone features a love story between a woman who’s had her legs bitten off by a killer whale and a man who makes his living from illegal street fighting. It ought to be preposterous; Audiard, typically, makes it profound.It opens with Ali (Matthias Schoenaerts) on the road with his five-year-old son Sam, stealing food from diners, on the way to his sister in the resort town of Antibes. We never learn much of Ali’s back story, or Sam’s mother Read more ...
Tom Birchenough
Aridity and comedy are not words you expect to read, or write, in the same sentence. Yet they capture some of the many attractions of Radu Mihaileanu’s new film The Source. The director came to considerable public attention two years ago with his Russian-themed burlesque The Concert. This time he has journeyed to the Arab world, and the results are considerably deeper, and more emotionally engaging.Based loosely somewhere in North Africa, it was filmed in the stunning visual locations of Morocco, and feels just right for that country (arid locations aplenty); the language is the Moroccan Read more ...
Demetrios Matheou
The 65th edition of the Festival de Cannes opens today, with Wes Anderson’s latest slice of leftfield whimsy, Moonrise Kingdom, and continues for almost two weeks of frantic film-going, star-spotting, wheeler-dealing and beach partying. For these days in May a usually somnolent seaside town becomes the cinema city that never sleeps.Cannes is still the world’s leading film festival, for good reason: the best directors in the world want their films to premiere here; everyone else has to wait in line. Of course, the festival doesn’t always deliver – one can never know. But this year’s selection Read more ...
bruce.dessau
Is this a sophisticated satire or a dumb, laugh-out-loud, nothing-is-sacred comedy? That is the question which pings around your head Sacha Baron Cohen's latest. The title is presumably a nod to Chaplin's The Great Dictator, but while that is still rated as a classic 72 years years after it was made, somehow you cannot see this piece of lightweight froth, in which Baron Cohen plays strutting but stupid North African potentate Admiral General Aladeen, being held in the same esteem for 72 weeks.Baron Cohen's fourth film marks a move away from the teasing and provoking of real people that made Read more ...
emma.simmonds
If action speaks louder than words, then The Raid is positively deafening. The third feature from Welshman Gareth Evans is ingeniously, almost absurdly exciting - for the most part it’s shorn of story and propelled not by plot but by peril. That it’s basically a series of imaginative smack-downs and shoot-outs will be off-putting to many but this Indonesian actioner is entirely engrossing and executed with gobsmacking gusto and precision. An unashamed proponent of the poetry of violence, it’s a superb showcase for the lesser seen martial art Pencak Silat and for the audacity of its helmsman. Read more ...
Ismene Brown
A boy alone in his vast white bedroom has a recurrent haunting dream, frightening yet somehow comforting - a swan invades his mind, simultaneously menacing him with its power and wildness, and yet wrapping its great wings around him to shield him, with some ambiguous kind of love. It's the opening scene of Matthew Bourne's tremendous modern version of Swan Lake, and that resonant image and the tale he unfolds from it has made it a classic of modern theatre, marvelled at around the world. But why it works is the emotion generated by the palpably strange and authoritative physicality of the Read more ...
Adam Sweeting
In one of the DVD featurettes included here, Ewan McGregor puts his finger on what gives this movie its curious air of detachment. Director Steven Soderbergh, says McGregor, is "meticulous" and "like a surgeon", master of every detail from script to sound to shooting set-up. Thus, this story of female super-agent Mallory Kane (Gina Carano), betrayed by her handlers and now out on a remorseless quest for vengeance, is a sleek technical tour-de-force lacking a heart or any discernible emotions. Even a beefy cast (Antonio Banderas, Michaels Douglas and Fassbender, Bill Paxton and Channing Tatum Read more ...
Kieron Tyler
The release of Jean Vigo’s wonderful L’Atalante on DVD is cause enough to celebrate, but the arrival of everything he committed to film in one place is more than that – it commemorates this special filmmaker’s genius and humanity. Zero de Conduite and L’Atalante are thrilling films, whatever their context and influence on the French New Wave. They need to be seen.This double DVD set, L'Atalante and the Films of Jean Vigo, includes A Propos de Nice (1930), Taris (1931), Zero de Conduite (1933) and L’Atalante (1934). The films are supplemented by the incredible Nouvelle Vague-flavoured Read more ...
Matt Wolf
Replace the charmingly quirky with the merely cute and you have All in Good Time, Nigel Cole's film of the popular 2007 National Theatre play by Ayub Khan-Din about a British-Asian family confronted with the kind of crisis for which happy endings were invented. Khan-Din's previous stage success, East is East, made it zestily to the screen in 1999, suggesting no reason why Rafta, Rafta ... (to lend this later play the Urdu title from its stage incarnation) couldn't follow suit. That the results are more conventional testify to the ways of the celluloid world, though at least Meera Syal Read more ...