"Surreal" is how the man calling himself Nicholas Searle describes the last five years of his life. He began working on his debut novel The Good Liar in 2014 at the age of 57, having recently retired from the Civil Service. The nature of his former employment remains undisclosed. But, the fact that Nicholas Searle is not his real name, gives a clue to the fact his work was in intelligence rather than land registry. Early retirement gave him the opportunity to do something he has always wanted to do – write a novel.He had dabbled in writing but now “wanted to see whether I could or not”. It Read more ...

Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Putting that debate aside, there’s no escaping the fact that in an era of rapid-fire sequels, with the same ensembles trotted out year after year, there’s far more frisson to be felt when the reunion is after not one or two, but 25 years – and what the filmmakers are seeking to recreate really is movie magic. That’s the case with this reteaming of Scorsese, Robert De Niro and Joe Pesci, who made a trio of classic films together – Raging Bull, Goodfellas and the last, Casino, in 1995. Read more ...

Wild Rose director Tom Harper blends fact with fiction in a charming Victorian ballooning adventure that reunites Eddie Redmayne and Felicity Jones for the first time since The Theory of Everything.Redmayne gives an earnest performance as the real-life James Glaisher, an aspiring aeronaut who aims to vie with the mutton-chopped scientific community by soaring higher than anyone has ever gone before. However, Jones steals the show as Amelia Wren, Glaisher’s derring-do pilot. A fictional wealthy widow, she has little interest in petticoats and doilies, preferring to soar through the heavens, Read more ...

Brittany (Jillian Bell) is the unhappily overweight life of the party, numbing her lonely life with booze and acerbic one-liners as she nears 30. Bad medical news makes her obsessively turn to running, eventually entering the New York marathon, with side-effects include an ambiguous romance with slobby fellow house-sitter Jern (Utkarsh Amdudkar).Playwright Paul Downs Callaizzo’s film debut follows in the path of countless more obvious romcoms and ugly duckling tales in showing her redemption, while artfully complicating their clichés. Based loosely on his friend Brittany O’Neill’s jogging Read more ...

How long can one decision follow you? How long can you hide from it? This is what underpins After the Wedding, a remake of Susanne Bier’s Efter brylluppet. It’s a drama shaped like a thriller, driven by emotion rather than intrigue. We’re introduced to an extraordinary situation and piece the story together as the lies fall away. With powerhouse performances from Julianne Moore and Michelle Williams, it’s an engrossing watch.Isabel (Williams) works at an orphanage in Kolkata, but is called to New York to secure funding from possible benefactor Theresa (Moore). Isabel hopes for a speedy visit Read more ...

If the recent period of British history that has involved recession, austerity, the hostile environment and Brexit is to have chroniclers, who better than Ken Loach and his trusty screenwriter Paul Laverty. Their blend of carefully researched social realism and nail-biting melodrama is angry, shaming, essential. Only the coldest-hearted bureaucrat or corporate heel could leave the cinema dry-eyed.Having exposed a merciless welfare system in I, Daniel Blake, they now turn their attention to the gig economy, that nefarious conceit that sounds funky yet allows public services to be Read more ...

Stanley Kubrick’s The Shining ended in ice, Stephen King’s in fire which consumed the Overlook Hotel. King’s frightening, emotionally rich novel was written by an alcoholic about an alcoholic, Jack Torrance, and his suffering family. Kubrick’s film was about the Overlook, a chilly, impressive thing of obsessive patterns and iconic imagery. No wonder he left the hotel standing. Mike Flanagan’s adaptation of King’s sequel, Doctor Sleep, is very much a warm-blooded King film, though set in Kubrick’s familiar world. Thoughtfully merging both classic sources allows him a last check-in at the Read more ...

This new Eureka! boxset of 4K and 2K restorations provides ample evidence as to why Samuel Fuller was venerated by such a wide range of film-makers, including Godard, Wenders, Scorsese and Tarantino. Often characterised as a purveyor of pulp cinema, Fuller was much more than that: his command of filmic story-telling across a multitude of genres – western, film noir, war film and melodrama – was exceptional. He had a very special mastery of film language, a fine sense of when to go from wide to close shot, change the pace of editing unexpectedly, and move the camera at the service of Read more ...

San Francisco has rarely looked more unattainably golden than in Joe Talbot’s Sundance prize-winning gentrification parable. Jimmie (Jimmie Fails) once belonged inside the city’s Californian Dream, symbolised for him by the grand Victorian-style house built by his granddad for their black family, only to be repossessed as the city soared out of their reach in the Nineties, a legend that has become his identity’s beating heart. This is Jimmie Fails’ own family story, fictionalised with childhood friend and director Talbot into a film of awkward, homemade, sometimes overweening beauty.It’s a Read more ...

This is a departure in every sense for François Ozon. The prolific French director has established himself as a master of ludic style in past dramas played out by predominantly female casts, the exceptions, among them his sad black-and-white period romance Frantz from two years ago, largely proving the rule. In By the Grace of God – its French title, Grâce à Dieu, is drawn directly from the story and freighted with a macabre irony revealed in a late scene – he achieves something very different: male roles dominate in a film that follows documentary lines in its investigation of a real-life Read more ...

Starting life as a comic strip in 1938, The Addams Family seems to have reinvented itself for every generation. It’s the story of an odd-ball family from ‘The old country’ (where that is geographically located is by-the-by), who love the grim and gothic. Their outlandish ways were neatly juxtaposed against the wholesome values of American suburbia. The comic preached a message of acceptance which was rife with quirky and yes, kooky, humour. It’s a narrative construction that lends itself easily to being updated, without losing that original black magic. From its humble begins in the New Read more ...

In the opening scene of Alejandro Landes’s strange, beautiful but finally unsatisfying Monos, eight teenage guerrillas are playing football blindfold on a high mountain plateau. Why the blindfolds? Perhaps to warn us not to expect any light to be thrown on whys and wherefores in this unsettling, visually stunning film, with its echoes of Lord of the Flies and Apocalypse Now.These Colombian kids, some gender fluid and mostly first-time actors, are a convincingly feral, Mad Max-ish bunch, with names like Wolf, Bigfoot, Swede, Rambo and Lady. Their code name is Monos and they receive sporadic Read more ...