Film
Owen Richards
Ever felt like you could express yourself more freely, if only you could get away from everything that made you who are? British romcom How to Build a Girl tackles this paradox in joyful fashion, using the 90s music scene as the backdrop for a journey of self-discovery, via every embarrassing mistake it’s possible to make.Based on Caitlin Moran’s semi-autobiographical novel, the film follows aspiring teen writer Johanna Morrigan, who dreams of leaving her Wolverhampton council estate for the bright lights of London. After winning the chance to review Manic Street Preachers for D&ME Read more ...
Adam Sweeting
Roberto Saviano’s book Gomorrah shone a blinding light on the Camorra crime clans of Naples, and spun off an acclaimed film and equally admired TV series. This film version of his 2016 novel La paranza dei bambini (“The Children’s Gang”) isn’t in the same league as either of those, but its account of the way criminality is a kind of hereditary condition in some areas of Naples still packs a punch.Star of the show is 15-year-old Nicola (Francisco di Napoli), leader of one of the teenage gangs who scrap it out around town (the opening scene features a balletic fight in a shopping mall, with the Read more ...
Graham Fuller
“Know thyself” is the theme of A Rainy Day in New York. Woody Allen’s 48th film as writer-director, is – despite what you may have heard – at once his funniest and most reflective movie in years. Either wilfully archaic or stubbornly nostalgic, as his later work has tended to be, its story of a privileged youth who learns he must reject the life prescribed for him by an overbearing parent is universal; Allen’s unfamiliarity with Gen Z lingo and smarts doesn’t invalidate its core truths.Issued on DVD and Blu-ray (without extras) in the UK 52 days after its VOD release, the film remains Read more ...
Demetrios Matheou
At this year’s Oscars Bong Joon Ho brought the audience to its feet in honour of the director whose words had struck a chord with him as a film student. The comment, simple but difficult to adhere to in the cut-throat, risk-averse movie business, was that “the most personal is the most creative”. The director, Martin Scorsese.Of course, Scorsese’s The Irishman was also in contention in the same ceremony, the film a powerful continuation of themes, collaborations and inimitable film language of a career spanning more than 50 years – and proof that the American is still following his Read more ...
Kathryn Reilly
Imagine, if you will, that the Internet doesn’t allow you to see other people. Because that is the premise upon which Safy Nebbou's Who Do You Think I Am rests. It smacks of an idea that hails from the days of Friends Reunited (one for the younger readers). This is, ultimately, a Juliet Binoche vehicle – and there’s nothing wrong with that. She is a fine actress and she is utterly mesmerising in this very French psycho-emotional thriller.Binoche plays 50-something lecturer, Claire – a mother of two boys whose husband has left her for (we discover later) a much younger woman. Her attempts Read more ...
Owen Richards
At a point in the early noughties, every third film was a teen comedy about a road trip to lose one's virginity. It’s a genre most were glad to see the back of. What a pleasant surprise Come As You Are is then, which brings much needed heart and relevancy to this tired trope.Based on a true story, we follow Scotty, Matt and Mo as they travel to Montreal to visit a brothel. But this isn’t some sleezy trip – each of the characters has a physical disability, and with their parents as their primary carers, having an active sex life has been nearly impossible. So, with the support of driver/nurse Read more ...
Matt Wolf
Stylish, eerie and unexpectedly moving by the time of its apocalyptic finish, the strangely titled Good Manners makes for a genuine celluloid surprise. Written and directed by Juliana Rojas and Marco Dutra, this genre-defying Brazilian film suggests a peculiar amalgam of Angela Carter and Jean Genet, with dollops here and there of The Exorcist and even a brief nod towards Alien.The pregnant Ana (a sad-eyed Marjorie Estiano) finds herself falling for her baby’s serene-seeming nanny, Clara (a transfixing Isabél Zuaa). That the newborn turns out to be a werewolf sends Read more ...
Joseph Walsh
“All we want is to be seen and heard,” explains a lawyer to a death row inmate, paraphrasing a line from Ralph Ellison’s novel Invisible Man, from which Chinonye Chukwu’s new film Clemency takes inspiration.Chukwu’s film, like Ellison’s novel, explores the injustices faced by African Americans in the USA’s penal system. That reality is made all the sharper by the fact there are five decades that separate the novel from the film. In the wake of George Floyd’s death and the surge of Black Lives Matter protests around the world, the injustices that challenge us in Chukwu’s film cut Read more ...
India Lewis
Characterised by jarring juxtapositions of intense, appalling violence and the serene beauty of South Africa, Oliver Hermanus’ fourth feature is the story of a young man coming to terms with his sexuality against the background of apartheid and prejudice.It's set in 1981, over a decade before homosexuality was legalised in South Africa, when any expression of same-sex attraction in the military meant a trip to Ward 22, where Dr Aubrey Levin subjected his patients to inhumane "treatments". The threat of this punishment hangs over the protagonist, Nick van der Swart (Kai Luke Brummer), its Read more ...
Nick Hasted
Aged 87, director Mike Hodges is due another revival, with Flash Gordon soon to join this Blu-ray resurrection of 1989’s Black Rainbow, an atmospheric, enigmatic Southern Gothic which, like much of his work, was barely released. Its prologue foreshadows the awful fate of travelling medium Martha Travis (Rosanna Arquette), whose act with drunken manager-dad Walter (Jason Robards) becomes disturbingly real when she sees the dead ahead of time, interesting Tom Hulce’s reporter.Hodges’ career has been one of detours and dead ends, exploring quixotic routes and sometimes crashing, leaving lacunae Read more ...
Matt Wolf
The cakes look great, but it's back to the recipe books in almost every other way for Love Sarah, a subpar film from director Eliza Schroeder about the struggles of a west London patisserie in the age of Brexit. The emergence of Schroeder's feature filmmaking debut just now may benefit from a citizenry eager to get back out to their local baker. Alas, all the best will in the world can't override the gathering irritation of a story that often feels like a peculiar amalgam of Fleabag and Notting Hill, albeit without the necessary eccentricity or charm of either. It's giving Read more ...
Owen Richards
Scooby fans have waited over 50 years for a proper big screen adaptation of everyone’s favourite cowardly dog (sorry Cartoon Network’s Courage). The 2003 live-action version starring Matthew Lillard and Sarah Michelle Gellar failed to capture the paranormal-busting mystery of the TV series, and although the follow-up Monsters Unleashed recreated the classic villains, it was still a slog. But with a new CGI adventure from the studio behind The Lego Movie and the underrated Smallfoot, could Scoob! finally be the film Mystery Inc. deserve?Well, the plot certainly tries to squeeze in as many Read more ...