Film
Saskia Baron
Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the current climate. It really should be experienced in a cinema as the camerawork by Hélène Louvart is stunning and the sound design is excellent.Co-written by playwright Theresa Ikoko from her original story, it follows a few days in the life of Rocks, a 16-year-old girl growing up in Dalston. It’s the end of the summer holidays and her widowed mum is having mental health problems and has taken herself off. She’s left a bit of cash and a note saying that she Read more ...
Joseph Walsh
There’s no denying the Faulknerian ambition to the construction of Anthony Campos’ latest feature Devil All the Time. It’s a brooding, blood-soaked Semi-Southern Gothic drama spanning two generations through a plot that wrestles with the nature of good and evil like Jacob at Penuel.The film takes place in the wake of World War II and up to the outbreak of war in Vietnam, a time when the media would become weaponised as never before in the US. The pernicious nature of media was central to Campos’ previous works, Simon Killer (2012) and Christine (2016), but in The Devil All the Time, he Read more ...
Guy Oddy
Michael Gira, Swans’ band leader and last remaining original member, has a reputation for being an intense and difficult individual who doesn’t compromise easily. This is illustrated by the band having been home to some 35 different musicians since its 1982 beginnings in a desolate and dangerous New York City. However, as one-time drummer Bill Rieflin has said: “Michael is a singular creator and that puts him in a world where there are few members.” He is also clearly much respected by many of his former band mates, as many of them turn up as talking heads in Marco Porsia’s documentary of one Read more ...
Tom Birchenough
Kantemir Balagov’s second feature announces the arrival of a major new talent in arthouse cinema. Made by the Russian director when he was just 27, and premiered at Cannes last year, where it won in the “Un Certain Regard” strand, Beanpole approaches its bleak aftermath-of-war story with all the practised subtlety of an established auteur while delivering an emotional impact that is empathetic and shocking in equal measure.Set in 1945 in Leningrad, months after the end of the Great Patriotic War at a time when any elation of victory has given way to an understanding that the future will be Read more ...
Joseph Walsh
If there was ever a balm for these confusing times, then it’s Max Richter’s Sleep, a lullaby of a documentary that explores the composer’s eight-hour-plus experimental 2015 composition based on sleep cycles. Richter is a remarkable musician and, alongside his experimental albums, has also been responsible for some of the most moving film scores of recent years, such as Dennis Villeneuve’s Arrival and James Gray’s Ad Astra. Yet Richter is far from a jobbing composer: his work is always imbued with a deeper meaning, and his passion is infectious.Five Read more ...
Matt Wolf
Remember when romcoms didn't try so hard? That question kept going through my head for the first half, or more, of Broken Hearts Gallery, a film from Canadian writer-director Natalie Krinsky that ultimately in tugging at the heart but has to go through some fairly tortured narrative hoops to get to that point. It's the incidental pleasures that accrue this time round as opposed to the inevitable genre tropes. Who would have thought, for instance, that a passing reference to Kenosha, Wisconsin, would have an entirely new and troubling resonance by the time of this film's release? At such Read more ...
Markie Robson-Scott
Not to be confused with Savages, the Oliver Stone film of 2012 about marijuana smuggling, Savage is a story of New Zealand street gangs: how to join and how to escape, which, when you’ve got the words Savages and Poneke (the Maori name for Wellington, where the film is set) tattooed on your face, like Danny, aka Damage (Jake Ryan), is not going to be easy.There’s a lot of standing around in the dark beside fires in braziers in scabby back yards, beer-drinking, claw-hammer-wielding and endless grunting of the F and C words. Most of the gang-members, impressive though they look (many of them Read more ...
Jasper Rees
Ronald Harwood, who has died at the age of 85, was best known for his play about tending to the needs of the larger-than-life actor-manager Donald Wolfit. The Dresser, adapted by Harwood, went on to become a great film success starring Tom Courtenay and Albert Finney. His career in the theatre thrived without quite ever scaling the heights of Harold Pinter or his other great friend Simon Gray, but past the official age of retirement he enjoyed a remarkable Indian summer in both film and the stage.It began in 2002 when he won his first Oscar for the script of The Pianist, directed by Roman Read more ...
mark.kidel
Based on a novel by Jerzy Kosinski, The Painted Bird is an extraordinarily powerful chronicle of a young Jewish boy’s survival in Eastern Europe, the scene of some of the most terrible violence, inhumanity, and depredation during the Second World War. The Czech director Vacláv Marhoul worked on the project for more than 10 years. It's a labour of very dark love.The child, separated from his parents, wanders through a horrific landscape, inhabited by peasants whose lives have barely changed since the Middle Ages, Soviet and Nazi troops ravaging the land as if possessed by all the most Read more ...
David Nice
In the course of this short (65 minute) film, 15-year-old Sócrates wanders around Santos, in the state of Brazil’s São Paolo, and the nearby coast after the death of his mother, rejected at one point or another by everyone with whom he comes in contact, just as he rejects the worst options. There’s no happiness to be found here – the boy smiles, winningly, maybe twice in the entire film – but some redemption in the passing beauty of the skilful filmmaking and the charisma of the leading actor, Christian Malheiros.The harsh lessons here are no doubt true to life: the film was made by Alexandre Read more ...
Saskia Baron
The only thing confusing with Les Misérables is its pointedly provocative title, as there are no costumed urchins and no singing involved. Searching online to find the UK cinemas where it’s playing this week entails a trek past the execrable 2012 musical of the same name, but it’s well worth tracking down a screen that's showing this exhilarating and intelligent new film.Les Misérables 2019 won festival prizes last year and was a box office hit in France and Hong Kong before covid delayed its UK opening. The action is set over two days in Montfermeil (the location shared Read more ...
Saskia Baron
It’s always a timeslip moment, revisiting films first seen in your teens, but never more so than when watching this beautifully restored print of Walkabout. Nicolas Roeg filmed and directed this fever dream of a movie in 1970, after co-directing Performance with Donald Cammell. Very loosely inspired by an Australian novel, Roeg enlisted playwright Edward Bond to write a script that diverged fundamentally from the original plot and barely amounted to 65 pages but it won Roeg the necessary funding. He set off with his wife, young sons, a teenage Jenny Agutter and a small crew to film this near Read more ...