Features
Elena Urioste
In my second year as a violin student at the Curtis Institute, my right arm started going numb from my elbow to my fingertips on a fairly regular basis. It was rather like how your limbs feel right before they fall asleep: not full-on pins and needles, but a dull, hot emptiness, like there was no blood to keep that piece of me alive and vibrant. I was overworked, sleep-deprived, and using my body as a landfill for garbage like Entemann’s donuts, Red Bull, and DeKuyper Sour Apple Pucker. The arm numbness was exacerbated by sitting, so I had to be excused from orchestra regularly, incurring the Read more ...
David Nice
Maybe it's not so surprising that the musicians one has long thought of as true Menschen of the profession - that applies to both sexes, of course, and maybe it's just more about the artists in question being natural communicators - have been among the first to rally in the current crisis.Today it's time to highlight two pianists: Igor Levit, at home in Berlin (which was one of the first cities to feel the effect of lockdown; Levit pictured below by Peter Meisel), quickly launched an evening series live via Twitter, 18:00 UK time, 19:00 CET. The sound is terrible, the playing magnificent Read more ...
David Nice
The great Chilean pianist Claudio Arrau noted of 1920s Berlin that "itimes of trouble, people seek a better life in culture". But what if that culture can no longer be accessed live? Earlier this week theartsdesk brought you reports of two sensational Sunday concerts at each of London's biggest arts centres: a recreation of Beethoven's massive 1808 programme from Esa-Pekka Salonen and the Philharmonia at the Royal Festival Hall, and a stunning trio of powerful British masterpieces from violinist Vilde Frang, the London Symphony Orchestra and Antonio Pappano at the Barbican. Then everything Read more ...
Electra Perivolaris
My brief for this exciting and empowering project was to compose a new choral piece for the BBC Singers, to form one movement of a composite work, bringing together seven female composers spanning the generations of womanhood. The project offered the possibility of examining what it means to be a woman living at this time, as well as the chance of viewing the world through the eyes of seven unique women, each presenting an alternative vision of life in 2020 from a female perspective, largely absent from classical composition until very recently.The project was also personally significant, Read more ...
Hassan Abdulrazzak
You are at a party having a good time when someone gives you a glass of champagne. You take one and then another and soon the party is over. You get in the car to go home and are driving along when you see a police car in the rearview mirror: how annoying! Now you are regretting that indulgent second glass but what’s done is done. The cop gives you a breathalyzer test and you are exactly at the legal limit. The cop says you have to be below that limit, and you are arrested, charged, imprisoned and deported.This is just one of the stories in my new play, The Special Relationship, based on Read more ...
Matt Wolf
The 92nd Academy Awards saved its surprises for a final stretch that saw Parasite make history as the first foreign language film ever to win the Oscar for Best Picture, pipping to the post the presumptive favourite, the World War One drama 1917 (pictured below). The top prize marked the fourth Oscar of the night for the South Korean success story, following a no less startling director trophy for Bong Joon Ho over 1917’s heavily favoured Sam Mendes, as well as prizes for best original screenplay and best international film.“I will drink until next morning,” Bong remarked to an adoring crowd Read more ...
Bernard Hughes
"Let’s make an album” is an easy thing to say but an infinitely more difficult thing to actually make happen. But at some point in early 2016 conductor Tom Hammond said it to me (or I said it to him, we can’t remember which) and four years later Not Now, Bernard & Other Stories is about to be released: four years of hard work, setbacks, stress – but also days of wonderful creativity and a sense of achievement.Although things have worked out very much for the best, almost every detail of how things have panned out is different from how we provisionally mapped it in 2016 – not least in that Read more ...
Sebastian Scotney
“Brussels – The Cultural Guide” for 2020 is a very substantial book. It consists of 212 tightly-packed pages in a quite small font. The message is that there is indeed a lot going on culturally in Belgium’s capital city.Whereas the separatist-led government in Flanders has recently, visibly chosen to make culture into a battleground by reducing subsidies, raising the public ire of internationally known figures such as Anne Teresa De Keersmaeker and Ivo van Hove, the Brussels-Capital Region is keen for culture to be a magnet.There are all kinds of events across all art forms throughout the Read more ...
Sergey Smbatyan
We’re touring across Europe in January 2020, visiting five countries to perform eight concerts with the world-class violinist Maxim Vengerov as our leading soloist. The tour has been organized by the European Foundation for Support of Culture.As Artistic Director and Principal Conductor of the Armenian State Symphony Orchestra, I’ve always sought to combine the eastern and western musical traditions together when programming concerts for the orchestra, whilst also presenting new music to audiences.On the European Tour, the ASSO and Vengerov will pair Bruch’s heartfelt First Violin Concerto Read more ...
Susanna Hurrell
In 2010, my best friend and I made a whimsical decision to go backpacking in India over the Easter break. I had developed an interest in Eastern philosophy through exposure to the teachings of the ancient Vedas, and through the practice of Transcendental Meditation, so I jumped on the opportunity to experience the culture that gave birth to so much wisdom and ancient knowledge.I went with stars in my eyes and was shocked to discover it was nothing like the romantic India of my imagination. It was louder, more aggressive, more heavily polluted and far more chaotic. On our first night, in a run Read more ...
Helen Wallace
When I mention Nature Unwrapped, a year-long series at Kings Place subtitled "Sounds of Life", the responses are often tinged with cynicism: "Oh, very 2020", "So, what’s the carbon footprint with all those musicians flying in?" There’s an assumption that the series is focused solely on climate change and current protest. In fact, its roots lie at a much deeper, older cultural level, and it’s all the richer for that. Ideas came from a multiplicity of different sources, not least from the female composers of Venus Unwrapped, our focus in 2019. It was when interviewing a host of these women that Read more ...
David Nice
How is it that, in the nearly 900 pages of Sondheim's collected lyrics with extensive comments Finishing the Hat and Look, I Made a Hat, with numerous special boxes celebrating other composers and lyricists, he managed to mention Jerry Herman only once, and in passing? Most perceptions of their differences overstate the case: Sondheim could write big, generous melodies as rich as Herman's, Herman's lyrics can be as literate and as laugh-out-loud funny as Sondheim's, and invariably they fit the tune just as well (chances are higher when, like these two and Cole Porter, you do both).With Herman Read more ...