Features
Kieron Tyler
The arrival of Gainsbourg: Vie Héroique in British cinemas this week – under its Anglo-Saxon title Gainsbourg – assumes that distributors think there’s an audience. Even so, Gainsbourg hardly has the appeal of a Johnny Cash biopic. Or even an Ike Turner biopic. The release continues a process that began in the early 1990s, when a slow, posthumous rise to recognition of Serge Gainsbourg began outside the Francophone world, au delà de l’Hexagon. France might be a non-stop train ride from London, but this particular Gallic cultural icon has taken a while to make a mark over here.Which means that Read more ...
peter.quinn
“A E Housman said he could recognise poetry because it made his throat tighten and his eyes water. I can recognise jazz because it makes me tap my foot, grunt affirmative exhortations, or even get up and caper round the room.” For those curious to discover the kind of music that made poet Philip Larkin leap around shouting “Yeah, man”, help is at hand. As part of this year's Larkin25 celebrations to mark the 25th anniversary of his death, Proper Records is releasing Larkin’s Jazz, a four-disc conspectus that collects together many of his favourite jazz recordings.Larkin became a jazz addict Read more ...
Jasper Rees
It has just been announced that Dame Judi Dench will be making her Proms debut this Saturday. Sondheim at 80 is the occasion, and she will reprise her rendition of “Send in the Clowns” from the National’s 1985 production of A Little Night Music. “It’s yours now,” Sondheim told her when he heard her performance. She will line up alongside Bryn Terfel, Simon Russell Beale, Daniel Evans, Maria Friedman, Caroline O’Connor, Julian Ovenden and Jenna Russell, as well as the BBC Concert Orchestra and a chorus of singers from the BBC Performing Arts Fund, all under the baton of David Charles Read more ...
natalie.wheen
How often has one sat at a first night at the opera or ballet, groaning at missed cues, horrors with costumes, disasters with lighting: one thinks they should surely have got it right by this time? And the rest of the evening is somehow diminished by this upset. But then, how much do we in the audience understand about what it takes to put on a performance, where there are so many elements to co-ordinate and where, therefore, so much conspires to go wrong? And what if indeed it is human ineptitude that conspires? And pure, incomprehensible perverseness?When Deborah MacMillan – Kenneth Read more ...
sarvenaz.sheybany
While most will be familiar with him as an actor, and some will know him also as a photographer and painter, few will be aware of the full extent of the late Dennis Hopper’s artistic practice. Hopper, who died in May of this year, did everything from taking photographs of Dr Martin Luther King Jr during the historic Selma-Montgomery marches through producing oil paintings inspired by the scale of billboards to making pop-art assemblages, abstracts, and painting large-scale figures appropriated from commercial advertising.But then Hopper was always a terribly tricky person to pin down. While Read more ...
Adam Sweeting
For the couch-bound classical music lover, keeping up with the Proms is pretty straightforward. Step one: open bottle of agreeable claret. Step two: turn on Radio 3 and listen, or watch selected Proms on BBC Two or BBC Four. Or, indeed, catch up on the iPlayer. But needless to say, there's a colossal amount of work going on behind the scenes to make it all happen.
Round the back of the Albert Hall for the duration of the Proms season is the BBC's Truck City, a fenced off enclosure crammed with outside broadcast vehicles, stuffed with all known gadgetry for recording and mixing sound and Read more ...
mark.padmore
Few great works of art are as disarming as Schubert’s Die Schöne Müllerin. With its folksong-like melodies and deceptively simple harmonic palate, it is quite hard to account for the cycle’s profound emotional effect. How is it that over the course of 20 songs we fall under the spell of a naïve and sentimental lover, a slightly effeminate, self-obsessed boy who, no sooner than he sees a rival, despairs and drowns himself?Part of the answer becomes apparent when we look at the poetic source for the cycle. The poems that Schubert found in Wilhelm Müller’s anthology, The Posthumous Papers of a Read more ...
Ismene Brown
When Russia was plunged into Revolution in 1917, a chief balletmaster inside the Imperial Ballet in St Petersburg feared the worst. It was not simply the death of Tsars he feared, but the death of all culture associated with them, including the classical ballet that had grown to become an opulent wonder of the world. For 25 years all the ballets in the repertoire had been notated, their choreography, how the steps fitted the music, what costumes and sets should be. The notes were filed in several large volumes. The balletmaster made a snap decision - he took them furtively out of the Read more ...
David Nice
Perhaps we can drop the "sir" here, as he preferred, though most of the contributors below only knew him in his knighted later years. No death of a musical great, at least since the departure of Mstislav Rostropovich, has caused such a flurry of tributes and reminiscences, even if many of us were long prepared for the end and marvelled at the way he soldiered on to give more great performances in his final year. Tributes from Kit Armstrong, Isobel Buchanan, Colin Currie, Sir John Eliot Gardiner, Edward Gardner, Linda Esther Gray, Roy McEwan, David Nice, Peter Rose and Edward Seckerson.If you Read more ...
Jasper Rees
It becomes increasingly hard for a music festival to stick out from the crowd these days. But high culture, high summer and high altitude create a rousing major chord each July in Verbier, which can genuinely claim to be the only festival you reach by cable car. When you get up there you are greeted by an alpine symphony of glaciers slithering off peaks and pastures clanging with cowbells. Streams descant and trill along gutters between chalets. No wonder stellar musicians drop their fee to return, both to play and listen. Egos are left at the bottom of the mountain.But location is only part Read more ...
hilary.whitney
As I alight from the train at Macclesfield and scramble into the back of the taxi which will take me on the 20-minute journey across the Pennines to Buxton and its eponymous festival, the driver announces with grim satisfaction, “I am now going to take you on one of the most dangerous roads in Britain.”Certainly, as we drive along the A537, I can see how the sharp bends we frequently encounter have earned the Cat and Fiddle, as the A537 is commonly known, this reputation but I’m too busy drooling at the impossibly green countryside stretching out on either side of the road to care, and Read more ...
Peter Culshaw
Arnaldo Baptista of Os Mutantes is telling me why South American music can be so compelling: "It's the historical mix, Incas, black Africans, Europeans, beings from Outer Space." I beg his pardon. "Oh, yes, I have seen many flying saucers". Arnaldo is being perfectly serious and launches into his theory of Time (he has formulas and diagrams) which state that once humans go faster than the speed of light, we will be able to travel back to the past. He thinks will freeze himself cryogenically and be unfrozen when this is possible, travelling in the future to go to the past. He has theories Read more ...