Captain Scott's Desert Island Discs | reviews, news & interviews
Captain Scott's Desert Island Discs
Captain Scott's Desert Island Discs
A flavour of what were the happening sounds in Antarctica 100 years ago
Centenaries are sizeable business in 2012. It just so happens that the Olympics are coming to the United Kingdom for the third time in a year which finds us thinking very hard if being British still means what it did 100 years. Then, two momentous calamities singed themselves into the national psyche: the Titanic sank, and Captain Scott and his four companions failed to return from the South Pole.
Adam Sweeting has already reported on the deluge of Titanica fanning across the television schedules from National Geographic docs to Drownton. The Scott industry is spreading itself more widely across the year. As well as three exhibitions – at the Natural History Museum, the Queen’s Gallery and the National Museum of Wales – you can also enjoy a musical flavour of what it was like to be at the bottom of the world with the Terra Nova expedition by investing in a new double-disc CD. On it is a selection of scratchy recordings Scott and co took south with them to remind them of home in the long polar night. In fact they had a library of hundreds of tunes to turn to, so the choice can do no more than suggest the range of musical tastes catered for, from Enrico Caruso to Nellie Melba, from Harry Lauder to Weber’s Concertino for clarinet. Wagner's "Ride of the Valkyries" was on hand to gird the loins as the men prepared to strap themselves into man-hauling harnesses. For many of the jauntier tunes some of the chaps will have dressed up in drag and danced along.
The records were donated to the expedition by The Gramophone Company (nowadays known as EMI), along with two splendid old gramophones, one of which is on display at the Natural History Museum’s current exhibition. The main track listing concludes with “God Save the King”. An additional track features Ernest Shackleton talking about his own unsuccessful attempt on the Pole three years earlier. There is a piquant irony to its inclusion. Scott and Shackleton had history, and were not friends, although that did not stop Scott using Shackleton’s expedition journal as a useful pathfinder. But that's another story. The full track listing of Scott’s Music Box is as follows.
CD 1:
- The Black Diamonds Band – Dollar Princess Two Step
- The Dollar Princess Operatic Party – Opening Chorus (The Dollar Princess)
- George Grossmith Jr – Yip-I-Addy-I-Ay (Our Miss Gibbs)
- Margaret Cooper – Love is meant to make us glad (Merrie England)
- R. Kennerley Rumford – Four Jolly Sailormen (The Princess of Kensington)
- Huntley & Carroll – The Golf Scene (Three Little Maids)
- Yvette Guilbert – I want yer ma honey
- Band of HM Coldstream Guards – Trafalgar March
- Walter Miller – We all walked into the shop
- Florrie Forde – Oh! Oh! Antonio!
- George Robey – The Prehistoric Man
- Harry Lauder – Stop your tickling, Jock!
- Harry Tate – Motoring
- Gus Elen – Wait till the work comes round
- Olly Oakley – Anona Two-Step
- John Coates – Take a pair of sparkling eyes (The Gondoliers)
- Eleanor Jones Hudson – The sun whose rays are all ablaze (The Mikado)
- The Sullivan Operatic Party – When Britain really ruled the waves (Iolanthe)
- HM Band of the Royal Artillery – The Blue Danube Waltz
- Stanley Kirkby – The Trumpeter
- Harry Dearth – A Sergeant of the Line
- Clara Butt & R. Kennerley Rumford – Night Hymn at Sea
- Edward Lloyd – The Holy City
- Elizabeth Dews – O thou that tellest good tidings to Zion (Messiah)
- A Church Choir – Hark, the Herald Angels Sing
CD 2
- Geraldine Farrar – Un bel dì vedremo (Madama Butterfly)
- Enrico Caruso – Recitar!...Vesti la giubba (Pagliacci)
- Nellie Melba – Waltz Song (Roméo et Juliette)
- Titta Ruffo – Largo al factotum (Il barbiere di Siviglia)
- Luisa Tetrazzini – Ombra leggera (Dinorah)
- Maurice Renaud – Serenade (Don Giovanni)
- Mattia Battistini · Emilia Corsi – Là ci darem la mano (Don Giovanni)
- Jan Kubelík – Chanson bohème (Carmen)
- Enrico Caruso – Mattinata
- Nellie Melba – Nymphes et sylvains
- Evan Williams – I’ll sing thee songs of Araby
- Edward Lloyd – Come into the garden, Maud
- Charles Draper – Weber: Concertino
- La Scala Theatre Orchestra – The Ride of the Valkyries (Die Walküre)
- Joseph Szigeti – Bach: Prelude (Partita No.3)
- Wilhelm Backhaus – The Harmonious Blacksmith
- Peter Dawson – Rule Britannia
- Ernest Pike – The Light of the World
- Robert Radford – Honour and Arms (Samson)
- Clara Butt – Abide with me
- Band of H. M. Coldstream Guards – God Save the King
BONUS TRACKS
- Major Sir Ernest Shackleton – The Dash for the South Pole
- Stanley Kirkby – ’Tis a story that shall live forever
- Scott's Music Box is released on 14 May
Explore topics
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
 Bizet in 150th anniversary year: rich and rare French offerings from Palazzetto Bru Zane
  
  
    
      Specialists in French romantic music unveil a treasure trove both live and on disc
  
  
    
      Bizet in 150th anniversary year: rich and rare French offerings from Palazzetto Bru Zane
  
  
    
      Specialists in French romantic music unveil a treasure trove both live and on disc
  
     Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinburgh review - rarities, novelties and drumrolls
  
  
    
      A pity the SCO didn't pick a better showcase for a shining guest artist
  
  
    
      Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinburgh review - rarities, novelties and drumrolls
  
  
    
      A pity the SCO didn't pick a better showcase for a shining guest artist
  
     Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review - string things zing and sing in expert hands
  
  
    
      British masterpieces for strings plus other-worldly tenor and horn - and a muscular rarity
  
  
    
      Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review - string things zing and sing in expert hands
  
  
    
      British masterpieces for strings plus other-worldly tenor and horn - and a muscular rarity
  
     From Historical to Hip-Hop, Classically Black Music Festival, Kings Place review - a cluster of impressive stars for the future
  
  
    
      From quasi-Mozartian elegance to the gritty humour of a kitchen inspection
  
  
    
      From Historical to Hip-Hop, Classically Black Music Festival, Kings Place review - a cluster of impressive stars for the future
  
  
    
      From quasi-Mozartian elegance to the gritty humour of a kitchen inspection
  
     Shibe, LSO, Adès, Barbican review - gaudy and glorious new music alongside serene Sibelius
  
  
    
      Adès’s passion makes persuasive case for the music he loves, both new and old
  
  
    
      Shibe, LSO, Adès, Barbican review - gaudy and glorious new music alongside serene Sibelius
  
  
    
      Adès’s passion makes persuasive case for the music he loves, both new and old
  
     Anja Mittermüller, Richard Fu, Wigmore Hall review - a glorious hall debut
  
  
    
       The Austrian mezzo shines - at the age of 22
  
  
    
      Anja Mittermüller, Richard Fu, Wigmore Hall review - a glorious hall debut
  
  
    
       The Austrian mezzo shines - at the age of 22
  
     First Person: clarinettist Oliver Pashley on the new horizons of The Hermes Experiment's latest album
  
  
    
      Compositions by members of this unusual quartet feature for the first time
  
  
    
      First Person: clarinettist Oliver Pashley on the new horizons of The Hermes Experiment's latest album
  
  
    
      Compositions by members of this unusual quartet feature for the first time
  
     Gesualdo Passione, Les Arts Florissants, Amala Dior Company, Barbican review - inspired collaboration excavates the music's humanity
  
  
    
      At times it was like watching an anarchic religious procession
  
  
    
      Gesualdo Passione, Les Arts Florissants, Amala Dior Company, Barbican review - inspired collaboration excavates the music's humanity
  
  
    
      At times it was like watching an anarchic religious procession
  
     Classical CDs: Camels, concrete and cabaret
  
  
    
      An influential American composer's 90th birthday box, plus British piano concertos and a father-and-son duo
  
  
    
      Classical CDs: Camels, concrete and cabaret
  
  
    
      An influential American composer's 90th birthday box, plus British piano concertos and a father-and-son duo
  
     Cockerham, Manchester Camerata, Sheen, Martin Harris Centre, Manchester review - re-enacting the dawn of modernism
  
  
    
      Two UK premieres added to three miniatures from a seminal event of January 1914
  
  
    
      Cockerham, Manchester Camerata, Sheen, Martin Harris Centre, Manchester review - re-enacting the dawn of modernism
  
  
    
      Two UK premieres added to three miniatures from a seminal event of January 1914
  
     Kempf, Brno Philharmonic, Davies, Bridgewater Hall, Manchester review - European tradition meets American jazz
  
  
    
      Bouncing Czechs enjoy their Gershwin and Brubeck alongside Janáček and Dvořák
  
  
    
      Kempf, Brno Philharmonic, Davies, Bridgewater Hall, Manchester review - European tradition meets American jazz
  
  
    
      Bouncing Czechs enjoy their Gershwin and Brubeck alongside Janáček and Dvořák
  
     Solomon, OAE, Butt, QEH review - daft Biblical whitewashing with great choruses
  
  
    
      Even a top soprano and mezzo can’t make this Handel paean wholly convincing
  
  
    
      Solomon, OAE, Butt, QEH review - daft Biblical whitewashing with great choruses
  
  
    
      Even a top soprano and mezzo can’t make this Handel paean wholly convincing
  
    
Comments
Fascinating article. I love
You've got me bang to rights.
You've got me bang to rights. Consider the error corrected. With apols to all clarinettists out there. At least they had Ride of the Valkyries from the horn repertoire. Jasper