CD: Musical Gifts from Joshua Bell and Friends | reviews, news & interviews
CD: Musical Gifts from Joshua Bell and Friends
CD: Musical Gifts from Joshua Bell and Friends
Classical violinist's seasonal crossover disc isn't without its pleasures

There's an impressive guest list on Joshua Bell's Christmas disc. Vocalists include Renée Fleming, Plácido Domingo, Gloria Estefan and Alison Krauss. Cellist Steven Isserlis pops up, along with Chick Corea. Sony would have us believe that this is meant to sound like a spontaneous seasonal shindig held in Bell's Manhattan apartment, though the range of recording venues suggest that many of the performances must have been phoned in.
But, against all expectations, there are some very sweet things here; the successes just about outweigh the stinkers. The instrumental tracks come off best: a lovely take on Jule Styne's Let it Snow has Bell wittily channelling the spirit of Stephane Grapelli. It works a treat, helped by solid guitar work and wheezy accordion. Chick Corea's inventive arrangement of Greensleeves is great fun, as is a smart arrangement of White Christmas played by trumpeter Chris Botti, replete with splendid walking bass. Christmas Confusion feautures violin and piano duo Igudesman & Joo, exuberantly blending the source material.
Elsewhere, things don't go quite so smoothly. O Tannenbaum begins sweetly enough until Plácido Domingo's booming vocal enters at full volume. It's terrifying. Gloria Estefan's eccentric version of Auld Lang Syne starts in alarming fashion, though it does become oddly loveable after shifting gear into latin lounge mode. Renée Fleming's voice is a gorgeous instrument, but her tremulous warbling on I Want an Old-Fashioned Christmas doesn't bear repeated listening. The better vocal numbers include Alison Krauss's sober God Rest ye Merry Gentlemen and an entertaining close-harmony medley of tunes from Tchaikovsky's Nutcracker. Bell's violin playing throughout can sound a little too busy, as if he's keen to remind us that this is his party. Uneven, but not unenjoyable.
Overleaf: Watch the video for Christmas Confusion
rating
Explore topics
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
 Robin Holloway: Music's Odyssey review - lessons in composition
  
  
    
      Broad and idiosyncratic survey of classical music is insightful but slightly indigestible
  
  
    
      Robin Holloway: Music's Odyssey review - lessons in composition
  
  
    
      Broad and idiosyncratic survey of classical music is insightful but slightly indigestible
  
     Bizet in 150th anniversary year: rich and rare French offerings from Palazzetto Bru Zane
  
  
    
      Specialists in French romantic music unveil a treasure trove both live and on disc
  
  
    
      Bizet in 150th anniversary year: rich and rare French offerings from Palazzetto Bru Zane
  
  
    
      Specialists in French romantic music unveil a treasure trove both live and on disc
  
     Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinburgh review - rarities, novelties and drumrolls
  
  
    
      A pity the SCO didn't pick a better showcase for a shining guest artist
  
  
    
      Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinburgh review - rarities, novelties and drumrolls
  
  
    
      A pity the SCO didn't pick a better showcase for a shining guest artist
  
     Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review - string things zing and sing in expert hands
  
  
    
      British masterpieces for strings plus other-worldly tenor and horn - and a muscular rarity
  
  
    
      Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review - string things zing and sing in expert hands
  
  
    
      British masterpieces for strings plus other-worldly tenor and horn - and a muscular rarity
  
     From Historical to Hip-Hop, Classically Black Music Festival, Kings Place review - a cluster of impressive stars for the future
  
  
    
      From quasi-Mozartian elegance to the gritty humour of a kitchen inspection
  
  
    
      From Historical to Hip-Hop, Classically Black Music Festival, Kings Place review - a cluster of impressive stars for the future
  
  
    
      From quasi-Mozartian elegance to the gritty humour of a kitchen inspection
  
     Shibe, LSO, Adès, Barbican review - gaudy and glorious new music alongside serene Sibelius
  
  
    
      Adès’s passion makes persuasive case for the music he loves, both new and old
  
  
    
      Shibe, LSO, Adès, Barbican review - gaudy and glorious new music alongside serene Sibelius
  
  
    
      Adès’s passion makes persuasive case for the music he loves, both new and old
  
     Anja Mittermüller, Richard Fu, Wigmore Hall review - a glorious hall debut
  
  
    
       The Austrian mezzo shines - at the age of 22
  
  
    
      Anja Mittermüller, Richard Fu, Wigmore Hall review - a glorious hall debut
  
  
    
       The Austrian mezzo shines - at the age of 22
  
     First Person: clarinettist Oliver Pashley on the new horizons of The Hermes Experiment's latest album
  
  
    
      Compositions by members of this unusual quartet feature for the first time
  
  
    
      First Person: clarinettist Oliver Pashley on the new horizons of The Hermes Experiment's latest album
  
  
    
      Compositions by members of this unusual quartet feature for the first time
  
     Gesualdo Passione, Les Arts Florissants, Amala Dior Company, Barbican review - inspired collaboration excavates the music's humanity
  
  
    
      At times it was like watching an anarchic religious procession
  
  
    
      Gesualdo Passione, Les Arts Florissants, Amala Dior Company, Barbican review - inspired collaboration excavates the music's humanity
  
  
    
      At times it was like watching an anarchic religious procession
  
     Classical CDs: Camels, concrete and cabaret
  
  
    
      An influential American composer's 90th birthday box, plus British piano concertos and a father-and-son duo
  
  
    
      Classical CDs: Camels, concrete and cabaret
  
  
    
      An influential American composer's 90th birthday box, plus British piano concertos and a father-and-son duo
  
     Cockerham, Manchester Camerata, Sheen, Martin Harris Centre, Manchester review - re-enacting the dawn of modernism
  
  
    
      Two UK premieres added to three miniatures from a seminal event of January 1914
  
  
    
      Cockerham, Manchester Camerata, Sheen, Martin Harris Centre, Manchester review - re-enacting the dawn of modernism
  
  
    
      Two UK premieres added to three miniatures from a seminal event of January 1914
  
     Kempf, Brno Philharmonic, Davies, Bridgewater Hall, Manchester review - European tradition meets American jazz
  
  
    
      Bouncing Czechs enjoy their Gershwin and Brubeck alongside Janáček and Dvořák
  
  
    
      Kempf, Brno Philharmonic, Davies, Bridgewater Hall, Manchester review - European tradition meets American jazz
  
  
    
      Bouncing Czechs enjoy their Gershwin and Brubeck alongside Janáček and Dvořák
  
    
Comments
I enjoyed reading this
I enjoyed reading this article, i do disagree with your opinion that some of the tracks don't work. From my perception i liked them all. I thought the tracks worked well on the album and that there are no "stinkers". The tracks are really well produced and have the sound of a big studio that has been engineered by a really good producer. i really enjoyed listening to the tracks