Dara Ó Briain, Soho Theatre Walthamstow review - master storyteller spins a family yarn | reviews, news & interviews
Dara Ó Briain, Soho Theatre Walthamstow review - master storyteller spins a family yarn
Dara Ó Briain, Soho Theatre Walthamstow review - master storyteller spins a family yarn
Search for his birth father takes a few turns

Dara Ó Briain’s has described his previous show So… Where Were We? – in which he describes his search for his birth mother who gave him up for adoption when he was a baby – as his Philomena, while his latest, Re: Creation, is his version of Elf, in which a grown man travels across the world to find his birth father.
It’s a neat joke, but also underlines a difference between the two shows which, while companion pieces, are very different tonally. Where the first had moments of raw emotion, Re: Creation – while also tugging at the heartstrings – feels as if it’s played much more for laughs.
As ever, Ó Briain starts the show by doing fantastic crowd work at Soho Theatre Walthamstow, a 1930s gem of a former cinema now given a glorious makeover – which pleases him no end, as he is a former trustee of the Theatres Trust.
As he talks to the front row, the Irish comic’s lightning-fast mind spins surreal stories from what they offer up in the way of their jobs, their postcodes and – on the night I saw the show -– their experiences of having their cars stolen.
In this section, too, he sets up a chef’s kiss of a plant that receives a callback late in the evening. If ever you think he is going off piste with a line or an anecdote, there’s a reason – it’s to set up a glorious gag later.
There are segues into being the father of teenage children, doing a speed awareness course and recollections of his schooldays, as well the age divide on grooming pubic hair.
Ó Briain, the tease, keeps us waiting for the meat and potatoes of this hugely entertaining show when he recounts how he came to meet his birth father.
Unlike the search for his birth mother, this one came with fewer obstacles, but with the advantage – for us, at least – of having some unexpected, even knockabout, moments of comedy along the way. It also contains the biggest rug pull of any show I have ever seen, which will make you gasp.
It takes a while to get to the show’s heart, but that’s to cavil as there are so many big laughs along the way in a marvellously funny show. And Ó Briain, a master storyteller, has something quite profound to say about the families we’re born into, the ones we create, and the ones we fall among.
rating
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Comedy











Add comment