Classical music
alexandra.coghlan
There is an excess about the Wigmore Hall’s Arts and Crafts cupola that lends itself to extravagant musical passions. The mural’s cloudy images may profess to picture music as an abstract creature, but the golden tangle of rays and warmly naked limbs make a rather more human case for its attractions. It was a case matched for persuasive enthusiasm (and significantly bettered for taste) last night by The English Concert and Alice Coote, in a programme of charged highlights from 16th and 17th-century repertoire.To the passions of love and death – those stalwart emotional bookends of the Read more ...
igor.toronyilalic
Helmut Lachenmann is to instrumental technique what The Joy of Sex was to suburban nookie. A conduit to a whole new carnal world. Even those of us supposedly well versed in what a stringed instrument can do watched the Arditti Quartet perform the Lachenmann string quartets at the Queen Elizabeth Hall mouths agape. You can do that? With that! And you're going to stick that where?! We were an audience of gawpers and grimacers, smilers and starers. Who knew that so much could be done with the back of a violin? Or that the metallic screw at the heel of the bow could play little melodies Read more ...
David Nice
Eighty years ago yesterday, the 41-year-old Adrian Boult launched the distinguished history of what was then a 114-strong BBC Symphony Orchestra with Wagner's Flying Dutchman Overture in Portland Place. Three months later ice-and-fire Ernest Ansermet was over to conduct Stravinsky's The Rite of Spring in a programme which included the composer at the piano. Both works were indispensible to last night's celebrations: crispbread and butter wrapped around an equally representative contemporary filling that spread its wow factor relatively thin.Not that the live-wire soloists weren't hugely Read more ...
graham.rickson
This month’s releases include two contrasted crossover discs, one in tribute to Armenian Orthodox church music, the other by, er, Phil Collins-era Genesis. There’s an Elgar oratorio, and a disc of choral music inspired by the untimely death of a young royal. Orchestral fireworks can be found in a recording of a well-known British work and there’s some approachable Modernism from a modern Polish master. There’s a thrilling compilation of viola concertos, and a classic recent set of Rachmaninov piano concertos reappears at a lower price. Gershwin turns up on an interesting French disc Read more ...
theartsdesk
It began with a review of 100 Years of German Song. Roused by a comment to a reader (see Igor's comment below), Fisun was moved to email Igor in support of his trenchant views on arts funding. It wasn't long before other writers at theartsdesk got involved and an eruption of lively and passionate emails followed. Some of these views may surprise our readers, some will undoubtedly annoy. But we at theartsdesk have decided to go ahead and publish, unedited, our unrehearsed and spontaneous exchange. We hope you'll enjoy, and join in, the debate.It began with a review of 100 Years of German Song Read more ...
David Nice
Their oaky, cultured and selectively scary-wild playing seemed to cast long autumn shadows over a sparse but intent audience. This is the kind of rare programme top violinist Christian Tetzlaff, his cellist sister Tanja and friends like to work on when they get time to play together. There was Haydn for starters, but not the kind of jolly curtainraiser we're usually given; Dvořák, but not the blithe American; and Sibelius's Voces Intimae, the only great quartet of the 20th century yet to be widely acclaimed as such, with strange, authentic ideas in every bar and a slow movement to match any Read more ...
igor.toronyilalic
As we take in news of the cuts that the arts will have to absorb, and wait for the Cassandras to start hollering, it's important to remind ourselves of one arts venue that won't be wiping one bead of sweat off its brow as a result of today's announcements: the Wigmore Hall. This season, Britain's finest chamber music venue has a line-up of unsurpassed quality and variety. Yet it does so with less subsidy than any other equivalent music organisation in the country. Cuts in state subsidy do not end quality. They improve it. Last night's innovative and exquisite recital of early Romantic German Read more ...
Adam Sweeting
McDonald's (the hamburger people) are rarely acknowledged for their contributions to the arts, but without them we may never have witnessed the meteoric rise of composer Eric Whitacre. When he was 14, he heard a casting call on the radio for a McDonald's TV ad, persuaded his mother to drive him into Reno, Nevada to join the throng of hopeful teenagers, and ended up making a brief appearance in the "McDonald’s Great Year" commercial.This didn’t propel him up the yellow brick road to Hollywood, but it did net him $10,000 in royalties, with which he bought an ESQ-1 synthesizer and a Drumulator Read more ...
David Nice
If you were one of the world's top soloists but with a limited concerto stock - as woodwind players' tend to be - wouldn't you find it more rewarding to work as a principal in the orchestral ranks? That's the ideal, surely, but few carry it out in practice. Nicholas Daniel, the beefiest-sounding oboist to appear on the scene since the great Maurice Bourgue, is one who does. Last night he not only shone in the bright ensemble of Beethoven's Second Symphony; he also scored a triumph with a tough new gift to him and the Britten Sinfonia, James MacMillan's latest teeming-with-life concerto.I'm Read more ...
David Nice
Heartfelt birthday salutations to the great pianist first known as plain Stephen Bishop. For a recital in the early 1980s, when he first added the paternal Croatian "Kovacevich", introducing me to late Brahms piano music - Op 117, never more evanescent or troubling since - and the Beethoven Tempest Sonata, an incentive to tackle that work as best I could. For many unbudgeable CDs on the shelves, including the great duo partnership with one-time other half Martha Argerich and late Schubert sonatas. And for having the characteristic modesty, last night, to give a protégée the central spot in a Read more ...
edward.seckerson
Conductor and choral scholar Stephen Layton once said that he often wondered what happened to the little boy at his primary school who he thought sang better than he did. The discovering and nurturing of raw talent is an issue very close to his heart and he offers three heartfelt cheers for the work of TV's Gareth Malone in that regard. Stephen was one of the lucky ones - he won a series of scholarships which defined his future and took him from Winchester Cathedral via Eton to King's College Cambridge.
He is currently Director of Music at Trinity College, Cambridge and newly appointed as Read more ...
David Nice
It's now 21 years since I first heard the then-untrumpeted protégés of El Sistema, the Venezuelan phenomenon which has launched a thousand youth-and-music projects worldwide. On that occasion the Royal Festival Hall was less than a quarter full, but we happy few all stood instantaneously for a work I'd never heard before (Estévez's Cantata Criolla, due for a comeback now). Last night it was a packed auditorium of all ages and sizes which gave a standing ovation to a symphony by Chávez - and that was just the end of the first half.It's now 21 years since I first heard the then-untrumpeted Read more ...