Classical music
David Nice
He's just launched the last of seven phenomenally successful seasons as music director of a transfigured Royal Scottish National Orchestra. Subscriptions for the Edinburgh and Glasgow concerts have doubled, attendances soared, and Stéphane Denève is a popular figure not just in the musical world but also in Scotland's wider cultural scene, not least as measured by his special guest appearance in the Sunday Post's long-running cartoon series The Broons.The charm of his concert presentations to his Scottish chums belies a rigour and a seriousness in a preparation that marries intellect with Read more ...
igor.toronyilalic
William Glock once claimed that Pierre Boulez could literally vomit at music he believed to be substandard. I wonder what he would have made of my friend, who fled at the interval of the opening concert of the Southbank festival on Friday blaming Boulez's Domaines for setting off a panic attack. Her physical response was certainly a welcome corrective to the nonchalance with which the critical world increasingly greets Boulez's language, many of whom still insist that the days of serialism provoking anger or revulsion are in the distant past. Boulez can still upset. He even upset me a Read more ...
graham.rickson
Tchaikovsky: Piano Trio in A minor; Shostakovich: Piano Trio in E minor David Trio (Stradivarius)A logical coupling of two Russian chamber works, played by a young Italian trio. The massive scale of Tchaikovsky’s A minor trio will surprise the unwary. A few years before its completion in 1882, the composer had claimed that he’d never written a piano trio because he couldn’t bear the sound of solo strings pitted against piano (“sheer torture”). When the work appeared, dedicated to the memory of Tchaikovsky’s pianist friend Nikolai Rubenstein, the composer worried that the trio was “symphonic Read more ...
David Nice
It was bound, in vocal terms, to be a case of Beauty and the Beast. Stefan Vinke, though useful for killer heroic-tenor parts like this one in Mahler’s Song of the Earth, has made some of the ugliest sounds I’ve heard over the past few seasons, ineffable mezzo Alice Coote many of the loveliest, and with great communication, too. The wild card was fitfully engaged old-master conductor Lorin Maazel: would he stop dragging the Philharmonia behemoth-like behind him and let it be the bird of paradise Coote needed to share her deepest meditations?At first, that seemed unlikely. Maazel (pictured Read more ...
David Nice
Does any city in the world, apart from Edinburgh or Venice, offer a better point of arrival by train than Cologne? There, above the steel and glass of the Hauptbahnhof, tower the twin spires of one of northern Europe’s noblest cathedrals. Walk across the square behind, past two excellent museums - another, the Wallraf-Richartz, is just down the street - and there’s the Philharmonie, one of the world’s best concert halls: its auditorium beneath Rhine level, the skateboarders on its roof silenced for the duration of each concert.I’m glad the 500-or-so-year-old Gürzenich-Orchestra of Cologne and Read more ...
philip radcliffe
After producing an overwhelming performance of Mahler’s colossal Second Symphony, rewarded by a 10-minute standing ovation from a packed house, the new chief conductor of the BBC Philharmonic could not be accused of easing himself into the job. One might have thought that Juanjo Mena (pronounced Huanho Mayna, being Basque) might have started off with a splash of Spanish colour, with Rodrigo and De Falla, which must be in his blood. But no, although that will come in his next concert.Clearly, he has chosen to put down a strong marker straightaway – the Resurrection. Mind you, he isn’t new to Read more ...
graham.rickson
Bach: The Well-Tempered Clavier, Books 1 and 2 Roger Woodward - piano (Celestial Harmonies)Possibly the most expansive Well-Tempered Clavier around – this one just tips over onto five discs, but there’s never any suggestion of sluggishness. Roger Woodward has been mentioned in these pages before – Australian born, he came to prominence in the 1970s as an interpreter of the thorniest modern repertoire. But he’s never neglected the core piano repertoire, releasing revelatory recordings of Chopin, Debussy and Beethoven during the past decade alongside excursions into more offbeat territory. He Read more ...
David Nice
Some great singers know how to modulate their beautiful instruments for long vocal life; others push technique and expression to the limits in countless concerts of a lifetime before burnout. Baritone Christian Gerhaher, it seems, belongs to the beautiful and the secure. I'm glad to have heard his Winterreise, a far from lonely journey given the partnership of pianist Gerold Huber, but it always felt like a songbook entrusted to a calm exponent of truth and wisdom rather than the first-person narration of Schubert's heartbroken winter wanderer.It all depends what you want from the richest of Read more ...
hilary.whitney
Niccolò Paganini was the most controversial classical musician who ever lived. Although widely acknowledged to be one of the most brilliant performers of his lifetime, he provoked wildly contradictory opinions amongst his contemporaries and was constantly denounced as a charlatan in league with the devil – a spell in gaol for a paternity suit gave rise to the myth that he had acquired his dazzling technique from a pact with the devil during his incarceration. The ultimate showman, Paganini encouraged such rumours although this, combined with his vast wealth - in one season he earned five Read more ...
David Nice
How odd that Musorgsky, a composer sanctified beyond his very individual deserts for making social statements in his art, should be feted by an orchestra, or rather an orchestral management, which says music and politics don't mix. They clearly have in recent events which led to the suspension of four London Philharmonic players, but you wouldn't have known it either from an audience riveted into silence - in-house protests fortunately failed to materialise - or from no hint of a leaflet outside the hall (not so good; don't those players have any colleagues willing to advertise their plight Read more ...
igor.toronyilalic
The queues weren't quite Proms-sized but they were long enough for the little old Wigmore Hall to seem more than a little overwhelmed. Expectations were immense. The past year has seen baritone Christian Gerhaher cast a singular spell over London audience, through his introduction of a touch of intense Lieder-style intimacy to the orchestral and operatic stages. No wonder then that there was such a palpable buzz as we awaited his appearance in his natural Lieder habitat for a performance of Die schöne Müllerin at the Wigmore Hall.The usual arc of this poignantly personal tale of unrequited Read more ...
alexandra.coghlan
It’s not like we’re short of operas. Thousands of works spanning over 400 years make up the western operatic repertoire. Of these maybe 100 get a regular airing in contemporary opera houses, with only about 20 making it into the popular consciousness. For the rest, a trip outside the archives is rare indeed, with many scores still vainly awaiting their “modern premiere”. So why then, with so many works to choose from, do directors persist in returning to Bach – who famously never composed an opera – for inspiration? It’s a question that Jonathan Miller’s St Matthew Passion only partially Read more ...