sun 06/04/2025

Classical Features

First Person: pianist Danny Driver on teaching online and the importance of music education

Danny Driver

There’s an old saying that goes: if life deals you lemons, make lemonade. To say that the COVID-19 pandemic is a lemon would be a huge and trivial understatement – it has had a massive effect on people’s way of life across the globe, it has cost hundreds of thousands of lives and permanently scarred many more physically, psychologically and emotionally.

Read more...

First Person: Artistic Director John Gilhooly on an inclusive and diverse Wigmore Hall

John Gilhooly

It is hard to believe that it’s really happening! Despite a few bumps along the way, Christian Gerhaher and Gerold Huber, one of the greatest Lieder duos of our time, will open the 20/21 Wigmore Hall Season tomorrow night in a programme of Schubert and Berg.

Read more...

'Masses of performers are still grounded': pianist Sophia Rahman on a UK music scene in crisis

Sophia Rahman

Have you ever tried watching a film, programme or even an advert without the soundtrack? If so, you’ll know that music is a cornerstone of all the culture you enjoy, not only Strictly or the Proms. From the grandest of ceremonies to the everyday ringtone, music is involved. Could you imagine an Olympic ceremony without bands, symphony orchestras, or national and unofficial anthems?

Read more...

A masked elegy: portraits of string players at the Fidelio Orchestra Café

David Nice

Out of a silent and empty City of London, unusually still even for a Sunday afternoon, it felt surreal to come upon a centre of light and activity. Raffaello Morales, Renaissance man, conductor of the Fidelio Orchestra and owner/impresario of its eponymous café which has played host to great performances over the past month, had mustered 23 of the finest London-based players to tackle the ultimate in works for string orchestra.

Read more...

'Rehearsing Beethoven with Barenboim felt like an historical moment': Vienna Philharmonic trombonist Kelton Koch on a new normal

Kelton Koch

Joining the Vienna Philharmonic as a student and young professional was an absolute thrill. I had begun to play with the orchestra as an academist in October 2019 and as a full-time member in the Opera in January 2020. I was experiencing many “firsts”: concerts in the Musikverein [Vienna’s magnificent number one concert hall], first tour in Asia, first Vienna Philharmonic Ball and Vienna State Opera Ball.

Read more...

First Person: Christopher Glynn on how the Ryedale Festival flows on

Christopher Glynn

An invitation: come to the Ryedale Festival. It's never been easier. All you need is a screen and an internet connection. Because our festival, along with others up and down the land, is waiting in the wings, ready (just) to step out for the first time onto a digital platform.

Read more...

First Person: Royal College of Music Director of Programmes Diana Salazar on a transformation in learning and teaching

Diana Salazar

I wasn’t the only one who felt emotional when I left our beautiful building in South Kensington for the last time before lockdown. By that stage in mid-March the corridors had become quiet. The sense of loss was palpable: no concerts, no playing together, no conversation, no sound.

Read more...

theartsdesk Q&A: horn player Sarah Willis

graham Rickson

Horn player Sarah Willis joined the Berlin Philharmonic in 2001. She juggles her position with spells of teaching, interviewing soloists and conductors for the Berlin Philharmonic's Digital Concert Hall and hosting an online series of Horn Hangouts, interviews with musicians streamed live on her website and archived on YouTube.

Read more...

'She spoke through her violin': Steven Isserlis on extraordinary meetings with Ida Haendel (192?-2020)

Steven Isserlis

So Ida has left us – a legend has departed. What a violinist! What a woman! Magnificent, unique, incorrigible – she was a law unto herself.

Read more...

‘We are still standing and planning for the brightest future we can’: Svend McEwan-Brown on the survival of a festival

Svend McEwan-Brown

They say that you discover who your true friends are when you find yourself in direst need. East Neuk Festival, our success story on the Fife coast, which should have been happening this week, faced the deepest crisis in its 16-year history this spring when, due to the pandemic, 2020’s festival was cancelled.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: Ibex Band - Stereo Instrumental Music

Stereo Instrumental Music was recorded in July 1976 and originally issued only on cassette. The release was organised by...

Levit, Sternath, Wigmore Hall review - pushing the boundarie...

Igor Levit is a master of the unorthodox marathon, one he was happy to share last night with 24-year-old Austrian Lukas Sternath, his student in...

Rhinoceros, Almeida Theatre review - joyously absurd and abs...

Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that you can satirize daily life by...

Mr Burton review - modest film about the birth of an extraor...

Many know that the actor Richard Burton began life as a miner’s son called Richard Jenkins. Not so many are aware of the reason he...

Album: The Waterboys - Life, Death and Dennis Hopper

Mike Scott is The Waterboys. Launched by wide-eyed 1980s folk-...

Restless review - curse of the noisy neighbours

Horror comes in many forms. In writer-director Jed Hart’s...

MobLand, Paramount+ review - more guns, goons and gangsters...

A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the...

Ed Atkins, Tate Britain review - hiding behind computer gene...

The best way to experience Ed Atkins’ exhibition at...