fri 19/04/2024

book reviews and features

'I let it emerge': an interview with Fiona Benson on the cusp of the TS Eliot Prize announcement

Jack Barron

Fiona Benson’s new collection of poems, Ephemeron (Jonathan Cape, 2022), tries to capture those things that are always moving out of grasp. It does this through four sections: the first...

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Jaan Kross: A Book of Falsehoods review - plague, power and deception in 16th century Tallinn

David Nice

When the first volume of Estonian master Jaan Kross’s peerless historical trilogy first appeared in an English...

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Best of 2022: Books

theartsdesk

From Kafka’s spry sketches to Derek Owusu’s novel-poem, and Jaan Kross’s Estonian Wolf Hall to Katherine Rundell’s spirited biography of John Donne, our reviewers take the time to share...

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10 Questions for writer and translator Saskia Vogel

Hannah Hutching

Johanne Lykke Holm’s spellbinding novel Strega recounts one teen’s journey into womanhood....

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Bob Dylan: The Philosophy of Modern Song review - a book that contains multitudes

mark Kidel

Some years after Chronicles (2004) a book that broke moulds and delighted with its originality, and as with albums...

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Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophile

India Lewis

Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a...

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10 Questions for Bruce Lindsay, biographer of Ivor Cutler

Sebastian Scotney

Ivor Cutler: A Life Outside the Sitting Room by Bruce Lindsay, is the first full-length...

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Patrick Duff: The Singer review - agony and ecstasy of a rock'n'roll life

mark Kidel

As our favourite rock stars become elders, there has been a steady flow of autobiographies, some ghosted, some...

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Patti Smith: A Book of Days review - adding to Insta's debris

Hugh Barnes

On April Fool’s Day, in 1978, the godmother of American punk, Patti Smith, jumped offstage at the Rainbow Theatre in...

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Derek Owusu: Losing the Plot review - the finest perfume

Harriet Mercer

Derek Owusu’s debut That Reminds Me won the Desmond Elliot Prize in 2020. When asked what it was that she loved most about Owusu’s semi-autobiographical 117-page book, Preti Taneja, chair...

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Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

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One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

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