book reviews and features
Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the next
Thursday, 27 July 2023
Lorrie Moore’s brief but haunting I Am Homeless If This Is Not My Home is a bizarre, unsettling read. At times it’s a road trip, at others a romance, then supernatural horror, Greek... Read more... |
Nick Laird: Up Late review - attention lapses
Tuesday, 18 July 2023
A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back /... Read more... |
Extract: Bacon in Moscow by James Birch
Friday, 07 July 2023
In 1988, James Birch – curator, art dealer, and gallery owner – took Francis Bacon to Moscow. It was, as he writes, "an unimaginable intrusion of Western Culture into the heart of the Soviet... Read more... |
Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait
Wednesday, 28 June 2023
In 1917, in the face of the Bolshevik revolution closing in on his country estate, Rachmaninoff fled Russia, never to return. He was 44, at his peak as composer, pianist and conductor, but spent... Read more... |
Jacqueline Rose: The Plague review - tracing our response to tragedy
Saturday, 17 June 2023
In The Plague: Living Death in Our Times, Jacqueline Rose makes a surprising pivot from her usual topics – Sylvia Plath, children’s fiction, Zionism, to name a few – to throw a spotlight... Read more... |
Caleb Azumah Nelson: Small Worlds review - Ghana and London dance together
Wednesday, 14 June 2023
Small Worlds, the second novel from Caleb Azumah Nelson, is a delight: a book with a real feeling for sound and dance, and a sense of place from London to Ghana and back again. It’s a... Read more... |
Andrey Kurkov: Jimi Hendrix Live in Lviv review - a city speaks its multitudes
Saturday, 10 June 2023
Rock music helped to subvert the Soviet Union by glamorising youthful rebellion and the West. In the opening scene of Andrey Kurkov’s... Read more... |
Helen Czerski: Blue Machine review - how the ocean works
Tuesday, 06 June 2023
If you cannot even step into the same river twice, how to take the measure of the ocean? Dipping your toes at the beach is irresistible, but uninformative. Sampling stuff out at sea helps more,... Read more... |
Polly Toynbee: An Uneasy Inheritance - My Family and Other Radicals review - looking back
Monday, 05 June 2023
There are few contemporary journalists whose names are instantly familiar – and usually it’s for the wrong... Read more... |
Sophia Giovannitti: Working Girl - On Selling Art and Selling Sex review - portrait of the artist as sex worker
Wednesday, 31 May 2023
Sophia Giovannitti begins selling sex because it promises to make her the most amount of money in the shortest amount of time. She also has a “near categorical hatred of work.” I nearly –... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Josienne Clarke, Across the Evening Sky, Kings Place review...
On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...
Shon Faye: Love in Exile review - the greatest feeling
As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...
Mary, Queen of Scots, English National Opera review - heroic...
Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...
Unicorn, Garrick Theatre review - wordy and emotionless desi...
Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...
Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...
Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...
Patrick Duff, The Mount Without, Bristol review - sacred mus...
There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...
Album: Tim Hecker - Shards
The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...
Music Reissues Weekly: Sharks - Car Crash Supergroup
Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...
Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...
Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...