book reviews and features
Caspar Henderson: A Book of Noises - Notes on the Auraculous review - a call to ears
Thursday, 05 October 2023
Have you ever considered the sheer range of sounds? You may think of deliberate human efforts to move the air: music and song, poetry or... Read more... |
'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'
Tuesday, 03 October 2023
Priya Hein’s debut novel, Riambel, is an excoriating examination of Mauritius’ socio-political structures and the colonial past from which they have sprung. Centred around Noemi, a young... Read more... |
Michael Peppiatt: Giacometti in Paris review - approaching the impossible
Thursday, 28 September 2023
We begin with a dead-end. In 1966, Michael Peppiatt – at the time “an obscure young man” – travelled to Paris to... Read more... |
Annie Ernaux: Shame review - the translation of pain
Tuesday, 26 September 2023
The latest translation of Annie Ernaux’s Shame – a text most closely akin to a long-form essay – is an... Read more... |
Warhol, Velázquez, and leaving things out: an interview with Lynne Tillman
Friday, 22 September 2023
Motion Sickness (1991) is the second novel published by the writer, art collector and cultural critic Lynne Tillman. It is difficult,... Read more... |
Celia Dale: Sheep's Clothing review - unsettling, mundane, and right on-trend
Tuesday, 19 September 2023
Celia Dale published 13 novels between 1944 and her death in 2011. A majority of her these are often categorised – albeit loosely – as... Read more... |
Lutz Seiler: Pitch & Glint review - real verse power
Monday, 04 September 2023
Reading the torrent of press-releases and blurbs on the many – and ever-growing – contemporary poetry collections over time, one starts to notice a distinct recurrence of certain buzzwords: ... Read more... |
Zadie Smith: The Fraud review - the trials we inherit
Friday, 01 September 2023
Zadie Smith’s latest novel, The Fraud, is her first venture into historical fiction – a fiction based... Read more... |
Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approach
Tuesday, 22 August 2023
Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins... Read more... |
Marie Darrieussecq: Sleepless review - in search of lost sleep
Thursday, 17 August 2023
“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Frang, LPO, Jurowski, RFH review - every beauty revealed
When Vladimir Jurowski returns to what used to be “his” London Philharmonic Orchestra, you’d better jump. I would have done on Wednesday had I...
Music Reissues Weekly: Ibex Band - Stereo Instrumental Music
Stereo Instrumental Music was recorded in July 1976 and originally issued only on cassette. The release was organised by...
Blu-ray: Yojimbo / Sanjuro
Akira Kurosawa described his 1961 hit Yojimbo as a tale of “rivalry on both sides, and both sides are equally bad… we are weakly caught...
Levit, Sternath, Wigmore Hall review - pushing the boundarie...
Igor Levit is a master of the unorthodox marathon, one he was happy to share last night with 24-year-old Austrian Lukas Sternath, his student in...
Rhinoceros, Almeida Theatre review - joyously absurd and abs...
Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that you can satirize daily life by...
Mr Burton review - modest film about the birth of an extraor...
Many know that the actor Richard Burton began life as a miner’s son called Richard Jenkins. Not so many are aware of the reason he...
Album: The Waterboys - Life, Death and Dennis Hopper
Mike Scott is The Waterboys. Launched by wide-eyed 1980s folk-...
Restless review - curse of the noisy neighbours
Horror comes in many forms. In writer-director Jed Hart’s...