book reviews and features
Souvankham Thammavongsa: How to Pronounce Knife review - neat finishes with loose ends
Sunday, 12 April 2020
There’s a sort of enduring mystery about short stories. They rarely have the reassuring arithmetic of poetry or – with apologies to Murakami – novelistic sweep of longer fiction. They don’t... Read more... |
Valerie Hansen: The Year 1000 review - the first globe-trotting age
Sunday, 12 April 2020
In 1018, the Princess of Chen – a member of the Liao dynasty that ruled northern China – was buried in a treasure-filled tomb in Inner Mongolia. Excavated in the 1980s, her grave contained luxury... Read more... |
Mark Townsend: No Return review - a masterclass in journalism
Wednesday, 08 April 2020
When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to get in touch with him. She wanted to inform Amer,... Read more... |
Oliver Craske: Indian Sun, The Life and Music of Ravi Shankar review - a master receives masterly treatment
Thursday, 02 April 2020
Ravi Shankar was one of the giants of 20th century music. A... Read more... |
Fitzcarraldo Editions wins Republic of Consciousness Prize
Tuesday, 31 March 2020
South London-based publisher Fitzcarraldo Editions has once more been awarded the Republic of Consciousness Prize,... Read more... |
Sam Bourne: To Kill a Man review – the woman who fought back
Sunday, 29 March 2020
Assassinate the President! Obliterate history by torching libraries and murdering historians! Crazy leaders and fake news are just a few of the subjects tackled by political journalist and... Read more... |
Nathalie Léger: The White Dress review – masterfully introverted
Sunday, 22 March 2020
Nathalie Léger’s The White Dress brings personal and public tragedy together in a narrative as absorbingly melancholic as its subject is shocking. The story described by Léger’s narrator... Read more... |
Samuel Beckett: Dream of Fair to Middling Women review – the literary titan laid bare
Sunday, 22 March 2020
That any writer “struggling to make ends meet” would apply themselves to the making of Dream of Fair to Middling Women is something of a complexity. Written in ... Read more... |
Brendan Cleary, Great Eastern, Brighton review – last orders
Thursday, 19 March 2020
St. Patrick’s Day, and socialising itself, has been all but cancelled. But... Read more... |
Christopher Booker: Groupthink review – an uncritical history of political correctness
Sunday, 15 March 2020
“Groupthink”, according to Christopher Booker, is “one of the most valuable guides to collective human behaviour we have ever been given.” But what is it exactly? It begins Booker’s final,... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Chris McCausland, Winchester Theatre Royal review - Strictly...
By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with...
Album: The Weather Station - Humanhood
Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they...
Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...
Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...
What's the Matter with Tony Slattery?, BBC Two review -...
In the late Eighties and Nineties, Tony Slattery became one of the most ubiquitous faces on television, appearing regularly on Whose Line Is...
Album: Ethel Cain - Perverts
Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...
Leif Ove Andsnes, Wigmore Hall review - colour and courage,...
Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...
American Primeval, Netflix review - nightmare on the Wild Fr...
It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...
Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...
Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...
The Maids, Jermyn Street Theatre review - new broom sweeps c...
There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...