book reviews and features
Sheila Heti: Alphabetical Diaries review - an A-Z of inner life
Tuesday, 20 February 2024
After a first read of the blurb for Sheila Heti’s Alphabetical Diaries, you might be forgiven for assuming that this is merely a gimmick. The book does what it says on the tin: each... Read more... |
David Harsent: Skin review - our strange surfaces
Saturday, 17 February 2024
David Harsent has won a lot of prizes. From the Eric Gregory to the T. S. Eliot, he has carved out a literary career positively glittering... Read more... |
Brian Klaas: Fluke review - why things happen, and can we stop them?
Saturday, 27 January 2024
One day in the early 90s I accepted the offer of a lift from a friend to a university open day I hadn’t been planning to go to. I ended up attending that university and there met my wife, and if I... Read more... |
Richard Schoch: Shakespeare's House review - nothing ill in such a temple
Thursday, 25 January 2024
Richard Schoch, in the subtitle of his new book on Shakespeare’s House, promises something big: “a window onto his life and legacy.” To the disgruntled reader – pushed to the brink... Read more... |
Richard Dorment: Warhol After Warhol review - beyond criticism
Tuesday, 09 January 2024
2023 was a good year for Andy Warhol post-mortems: after Nicole Flattery’s Nothing Special, after... Read more... |
Best of 2023: Books
Sunday, 31 December 2023
From wandering Rachmaninoff to Ulysses tribute, or a poet’s boyhood in Dundee to sleeplessness and arboreal inner lives, our reviewers share their literary picks from 2023. ... Read more... |
First Person: novelist Pip Adam on the sound of injustice
Wednesday, 20 December 2023
I know it rattles me, so I try to prepare for it. But I am never fully prepared for the noise. The correctional facilities I have visited over the last 30 years are noisy places. A secure... Read more... |
Angela Leighton: Something, I Forget review - the art of letting go
Monday, 18 December 2023
Half way through Something, I Forget, in a poem entitled “Returns”, and subtitled “Invasion of Ukraine,... Read more... |
Mathias Énard: The Annual Banquet of the Gravediggers' Guild review - a man of infinite death
Saturday, 09 December 2023
"Death, as a general statement, is so easy of utterance, of belief", wrote Amy Levy, "it is only when we come face to face with it that we find the great mystery so cruelly hard to realise; for... Read more... |
Anne Michaels: Held review - one story across time
Friday, 24 November 2023
Near the end of My Name is Lucy Barton, Elizabeth Strout’s prize-winning 2016 novel, a creative writing teacher tells Lucy, ‘you will... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Josienne Clarke, Across the Evening Sky, Kings Place review...
On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...
Shon Faye: Love in Exile review - the greatest feeling
As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...
Mary, Queen of Scots, English National Opera review - heroic...
Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...
Unicorn, Garrick Theatre review - wordy and emotionless desi...
Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...
Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...
Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...
Patrick Duff, The Mount Without, Bristol review - sacred mus...
There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...
Album: Tim Hecker - Shards
The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...
Music Reissues Weekly: Sharks - Car Crash Supergroup
Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...
Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...
Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...