sun 24/11/2024

book reviews and features

Jessie Burton: The House of Fortune review - a muted, sensitive sequel

India Lewis

A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a million people. Yet Jessie Burton’s The House...

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Katya Adaui: Here Be Icebergs review - odd relations

India Lewis

The title of Katya Adaui’s debut collection in English is taken from one of the 12 short stories it contains: an...

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Stanislav Aseyev: In Isolation - Dispatches from Occupied Donbas review - journeys through space and time in Ukraine

Hugh Barnes

Stanislav Aseyev is a Ukrainian writer who came in from the cold. Until the spring of 2014, he was an aspiring...

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Mieko Kawakami: All the Lovers in the Night review - the raw relatability of loneliness

Izzy Smith

Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of...

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Philip Ball: The Book of Minds review - thinking about the box

Jon Turney

Years ago, one of the leading mathematicians in the country tried to explain to me what his real work was like. When he was on the case, he said, he could be doing a range of other things – having...

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10 Questions for art historian and fiction writer Chloë Ashby

Hannah Hutching

“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut...

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Kim Hye-jin: Concerning My Daughter review - room for complication

Rojbîn Arjen Yigit

In this best-selling Korean novella, recently translated into English by Jamie Chang, Kim Hye-jin offers us the perspective of a Korean...

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Alyn Shipton: On Jazz - A Personal Journey - digging jazz deeply and musically

Sebastian Scotney

“I suppose you’re going to ask all the usual questions...?” When Keith Jarrett was interviewed by Alyn...

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Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online

Hannah Hutching

Scrolling to the top of my Twitter DMs, most of which are from close friends or acquaintances, I notice the message request section flash “1”. It’s a signal I usually ignore, having learnt from...

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Laura Beatty: Looking for Theophrastus review - adventures in psychobiography

Hugh Barnes

Laura Beatty is a kind of Shirley Valentine figure in contemporary English literature. A decade and a half ago she published an astonishing debut novel entitled Pollard about female...

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Music Reissues Weekly: Stefan Gnyś - Horizoning

For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...

Wicked review - overly busy if beautifully sung cliffhanger

"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later...

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan re...

London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of The ...

Snow Leopard review - clunky visual effects mar a director...

Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves as a kind of...

King James, Hampstead Theatre review - UK premiere drains a...

Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not...

Album: Kim Deal - Nobody Loves You More

The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never been the same without...

Kavakos, Philharmonia, Blomstedt, RFH review - a supreme val...

From a privileged position in the Festival Hall stalls, I could see 97-year old Herbert Blomstedt’s near-immobile back as he sat on a piano stool...

Hannah Scott, Worthing Pavilion Theatre Atrium review - fill...

London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by events following the...

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