sun 24/11/2024

book reviews and features

William Boyd: The Romantic review - historical soap opera, anyone?

Hugh Barnes

Writing in the Edinburgh Review in 1814, Francis Jeffrey began his review of Wordsworth’s The Excursion with a provocative denunciation of romanticism: “This will never do,” he...

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Andrew Murray: Is Socialism Possible in Britain? review - what went wrong and why Corbynism failed

Hugh Barnes

The title of Andrew Murray’s new book poses a question that also vexed Friedrich Engels over 130 years ago. The German co-...

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Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal

Hannah Hutching

Liminal: a word that conjures thresholds and between states. Caught between three languages – the adjective is a borrowing from the Latin that enters English by way of German – ...

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Yiyun Li: The Book of Goose - fame, reality and two teenage French girls

Markie Robson-Scott

The Book of Goose, Yiyun Li’s fifth novel, is the gripping story of two teenage French girls and their...

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Bronwyn Adcock: Currowan review - a fire foretold, a warning delivered

Harriet Mercer

In 2019 Australia endured the hottest, driest year since records began and their bushfire season escalated with unprecedented intensity. The fires and pyro-connective storms that swept the country...

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'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022

Jasper Rees

Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won...

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Ken Auletta: Hollywood Ending - Harvey Weinstein and the Culture of Silence review - if the tide had turned in 2002...

Sebastian Scotney

It was not until October 2017 that The New York Times ran a...

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Olivier Guez: The Disappearance of Josef Mengele review - the Nazi who was never found

India Lewis

Bringing Olivier Guez’s novel The Disappearance of Josef Mengele on a beach holiday may seem like an odd choice (such is the lot of a reviewer). This incongruity transformed into...

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Amalie Smith: Thread Ripper review - the tangled web we weave

Hannah Hutching

Sitting in the park on a hot summer’s day, life began to imitate art. I had been soaking up the sun’s now overpowering rays for over an hour and was beginning to feel its radiating effects.

...

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Phoebe Power: Book of Days review - the clack of walking poles, the clink of scallop shell

Harriet Mercer

The word “shrine” somersaults me back to the path of the Camino de Santiago. I have lost count of the faces that smiled up from photos positioned in the hollow of trees, some with little plastic...

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Music Reissues Weekly: Stefan Gnyś - Horizoning

For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...

Wicked review - overly busy if beautifully sung cliffhanger

"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later...

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan re...

London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of The ...

Snow Leopard review - clunky visual effects mar a director...

Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves as a kind of...

King James, Hampstead Theatre review - UK premiere drains a...

Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not...

Album: Kim Deal - Nobody Loves You More

The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never been the same without...

Kavakos, Philharmonia, Blomstedt, RFH review - a supreme val...

From a privileged position in the Festival Hall stalls, I could see 97-year old Herbert Blomstedt’s near-immobile back as he sat on a piano stool...

Hannah Scott, Worthing Pavilion Theatre Atrium review - fill...

London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by events following the...

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