tue 20/05/2025

book reviews and features

Boris Akunin: Black City review - a novel to sharpen the wits

Marina Vaizey

It is 1914 – a fateful year for assassinations, war and revolution. The fictional Erast Petrovich Fandorin,...

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Global fiction: the pick of 2018

Boyd Tonkin

If you believe the bulk of the “books of the year” features that drift like stray tinsel across the media at this time of year, Britain’s literary taste-makers only enjoy the flavours of the...

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Matthew Dennison: Eternal Boy review – the banker who stayed forever young

Boyd Tonkin

In Ian McEwan’s 1987 novel The Child in Time, a high-powered publisher and politician named Charles Darke quits his posts, regresses to a child-like state, and frolics in the woods like a...

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Daša Drndić: Belladonna review - a tragicomic journey into Europe's darkness

Boyd Tonkin

Daša Drndić, the Croatian author who died in June aged 71, has posthumously won the second Warwick Prize for Women in Translation for her coruscating novel Belladonna. The award, set up...

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Dramatic Exchanges review - a brilliant slice of theatre history

Marina Vaizey

Dramatic Exchanges is a dazzling array of correspondence, stretching over more than a century, between...

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Michael Connelly: Dark Sacred Night review - a pairing of loner detectives

Marina Vaizey

The master of the Southern California...

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Michael Caine: Blowing the Bloody Doors Off review - an actor's handbook, annotated by experience

Marina Vaizey

What a charmer! An irresistible combination of diffidence and confidence, Michael Caine is so much more than Alfie...

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Julian Baggini: How the World Thinks review - a whirlwind tour of ideas

Marina Vaizey

The intrepid philosopher Julian Baggini has travelled the world, going to academic conferences, interviewing scores of practicing philosophers from academics to gurus, trying to figure out and pin...

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Barbara Kingsolver: Unsheltered review - too many issues

Markie Robson-Scott

“When men fear the loss of what they know, they will follow any tyrant who promises to restore the old order.” Mary Treat, the real-life 19th-century botanist who is one of the characters in...

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Simon Sebag Montefiore: Written in History review - epistolary high points

Marina Vaizey

Humdinger! This is a totally brilliant idea for an amazing anthology, although the subtitle “Letters that Changed...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

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Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

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Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

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