mon 24/02/2025

book reviews and features

10 Questions for Poet and Critic Rebecca Tamás

Jessica Payn

Strangers: Essays on the Human and Nonhuman is a powerful invitation to rethink, to doubt and to engage. Beginning among the Diggers’ tilled earth in 1649 and the eco-socialist "...

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The Secret History of My Library: Essay by Daniel Saldaña París

Daniel Saldaña Paris

Books lost, left in houses I never returned to; dictionaries mislaid during a move; seven boxes sold to a second-hand bookstore… The history of my library is the history of loss and an impossible...

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Dolly Alderton: Ghosts review - a love story beyond romance

India Lewis

There’s something simultaneously cringey and also addictive about Dolly Alderton’s prose. Ghosts is definitely...

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Richard J Evans: The Hitler Conspiracies review – Nazi myths debunked

Boyd Tonkin

In the days when crowds still thronged airport bookshops, any work entitled The Hitler Conspiracies would surely leap off the shelves. This one ought to flourish in our more immobile...

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theartsdesk Q&A: Sally Anne Gross and Dr George Musgrave, authors of 'Can Music Make You Sick?'

joe Muggs

Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking...

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Book extract: Snake by Erica Wright

theartsdesk

Ophidiophobia is one of our most common fears, from the Greek for serpent ('Ophidia'). Writer and editor Erica Wright grew up in Tennessee with periodic interruptions from rattlesnakes,...

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Hermione Lee: Tom Stoppard, A Life review - the last word on a theatrical wordsmith

Matt Wolf

"The older he got, the less he cared about self-concealment," or so it is said of Sir Tom Stoppard,...

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William Boyd: Trio review - private perils in 1968

Charlie Stone

William Boyd’s fiction is populated by all manner of artists. Writers, painters, photographers, musicians and...

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John Lanchester: Reality, and Other Stories review - campfire spooks for the digital age

Lydia Bunt

What do you do when your phone rings, but you know the person ringing isn’t alive? In many ways, the cleverly named Reality, and Other Stories is a collection of...

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Bob Woodward: Rage review - terror and tyranny in the White House

Liz Thomson

“Build the wall!” exhorted Trump, at rally after rally back in the days when we’d all acknowledged his moral repugnancy but still believed he could never attain the presidency. And Trump has...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

A Thousand Blows, Disney+ review - Peaky Blinders comes to R...

Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our...

Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manche...

The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand...

The Capulets and the Montagues, English Touring Opera review...

A year ago, after a deeply disappointing Manon Lescaut at Hackney Empire, I wrote here that English Touring Opera had often excelled in...

Bilk, O2 Academy 2, Birmingham review - Essex rock'n...

Sol Abrahams, singer and guitarist for Essex rock’n’rollers Bilk, was suffering from a bit of guitar trouble in Birmingham on Friday evening. By...

Album: Artemis - Arboresque

Spare a thought – please – for Leipzig-born pianist Jutta Hipp (1925-2003). In 1956, she became the very first woman to record albums in her own...

Hinds, St Lukes and the Winged Ox, Glasgow review - Spanish...

Hinds don't believe in God. They declared this as they surveyed the converted church that is St Luke's, and given the past few years you can...

Music Reissues Weekly: Diggin' For Gold Volume 14 - Nor...

In 1964, the Norwegian division of Philips Records began issuing singles labelled “Bergen Beat.” The picture sleeves of 45s by Davy Dean and the...

The Monkey review - a grisly wind-up

Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn...

Richard II, Bridge Theatre review - handsomely mounted, emot...

Screen stardom is generally anointed at the box office so it's a very real delight to find the fast-rising Jonathan Bailey taking time out from...

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