book reviews and features
Brenda Navarro: Empty Houses review - the pains and pressures of motherhood
Thursday, 11 March 2021
The horror novelist Sarah Langan recently compared motherhood to being treated like a game of Operation. “The point of the game is to correct us... Read more... |
Kazuo Ishiguro: Klara and the Sun review - what makes us human?
Tuesday, 09 March 2021
Unsettling, unremitting and psychologically stark, Klara and the Sun has all the hallmarks of a... Read more... |
Katherine Angel: Tomorrow Sex Will Be Good Again review – the complexities of consent
Monday, 08 March 2021
Katherine Angel borrows the title of her latest book, Tomorrow Sex Will Be Good Again, from an essay by Foucault. The phrase parodies the supposed... Read more... |
Frances Larson: Undreamed Shores review - journeys without maps
Tuesday, 02 March 2021
Beatrice Blackwood had lived in a clifftop village between surf and jungle on Bougainville Island, part of the Solomon archipelago in the South Pacific. She hunted, fished and grew crops with... Read more... |
Joseph Andras: Tomorrow They Won't Dare to Murder Us review - injustice and tenderness in the Algerian War
Thursday, 25 February 2021
Joseph Andras wastes no time. “Not a proud and forthright rain, no. A stingy rain. Mean. Playing dirty.” This is how his debut novel kicks off, and it’s a fitting start for his retelling of the... Read more... |
Karla Suárez: Havana Year Zero review - maths, phones and mysteries in down-at-heel Cuba
Tuesday, 23 February 2021
Havana, 1993. Far away, the fall of the Soviet empire has suddenly stripped Fidel Castro’s Cuba of subsidy and... Read more... |
theartsdesk Q&A: Amina Cain on her first novel and her eternal fascination with suggestion
Monday, 22 February 2021
Amina Cain is a writer of near-naked spaces and roomy characters. Her debut collection of short fiction, I... Read more... |
Jackie Kay: Bessie Smith review – vivid writing about the Empress of the Blues
Thursday, 18 February 2021
Blues singer Bessie Smith (1894-... Read more... |
Patricia Lockwood: No One is Talking About This review - first novel goes beyond the internet
Tuesday, 16 February 2021
This is a novel, says Patricia Lockwood in her Twitter feed, about being very inside the... Read more... |
CLR James: Minty Alley review - love and betrayal in the barrack-yard
Monday, 08 February 2021
CLR James came to London from Trinidad in 1932, clutching the manuscript of his first and only novel. He soon found work, writing about cricket for the Manchester Guardian, as well as a... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Much Ado About Nothing, RSC, Stratford - Messina FC scores o...
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Zsuzsanna Gahse: Mountainish review - seeking refuge
Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters....
DVD/Blu-ray: All We Imagine is Light
All We Imagine as Light focuses on the lives of three women in contemporary...
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I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...
Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...
Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...
Mahler 8, LPO, Gardner, RFH review - lights on high
Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...
Album: Car Seat Headrest - The Scholars
Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have created rock...
Music Reissues Weekly: The Hamburg Repertoire
The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...
Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...
“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...