mon 09/12/2024

Tom Greed

Articles By Tom Greed

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Ballet Shoes, Olivier / National Theatre review - reimagined...

Those with treasured battered copies of Noel Streatfield’s 1936 story of three young adopted sisters in pre-war London may have...

Christmas with Connaught Brass, Milton Court review - deligh...

Connaught Brass is a quintet of twenty-something...

Cinderella, Royal Ballet review - inspiring dancing, but not...

Romeo and Juliet or Cinderella? Prokofiev’s two great scores have provided the Royal Ballet with a pair of popular...

Nocturnes review - the sounds of the rainforest transport yo...

If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often...

Julia Holter, Islington Assembly Hall review - shelter from...

On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by...

Music Reissues Weekly: John Leyton - Lone Rider The Holloway...

For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe...

theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen J...

Somewhere in Germany, G7 conference leaders including German Chancellor Ortmann (Cate Blanchett) and US President Wolcott (Charles Dance) repair...

Merchant Ivory review - fascinating documentary about the di...

“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to...

The Pirates of Penzance, English National Opera review - fre...

“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...